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Leica APO Summicron-SL 50mm F2 ASPH lens review
Announced on 15 August 2019, the Leica APO Summicron-SL 50mm F2 ASPH is a relatively compact high-end lens for Leica SL cameras. Inside, the lens design is complex for a 50mm. But, it’s designed for a digital sensor so there are some prerequisites to satisfy. It has no less than 12 elements in total, with several AD (anomalous dispersion) elements to mitigate CA and fringing plus three with aspherical surfaces to reduce SA and distortion. The lens also adopts what some call. a ‘digital element,’ or a lens profile, to correct vignetting, distortion and CA, more as an afterthought in this case as the lens is so well corrected optically.…
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Leica SL3 camera announced
Leica has announced the Leica SL3, the latest top-of-the-range model in the 35mm full-frame SL system. This is an exciting new camera for Leica and a hugely compelling update to the SL2, however, keen-eyed readers will see that there’s no multi-shot function, which was one of the key features of the SL2 (and SL2-S), or at least a key-differentiator between it and rivals (who haven’t yet matched Leica/Panasonic in either implementation or result). I spoke with a Leica executive and they informed me that the multi-shot feature has not been included this time but if there is strong demand for it then they will consider adding it at a later…
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Cinema camera maker RED acquired by Nikon
In a surprise announcement this morning, Nikon Japan – there has been no word from the UK subsidiary – announced they’ve acquired the cinema camera maker RED, making the US-based independent company a subsidiary. While it’s not surprising that RED has been acquired – James Jannard was the founder of Oakley sunglasses until moving onto RED cinema cameras- Â what is unexpected is that Canon has seemingly missed this opportunity. Press release: Nikon Corporation (President: Toshikazu Madate, Minato-ku, Tokyo) announced today that it has entered into an agreement with James Jannard, founder of RED.com, LLC (President: Jarred Land, California, hereinafter referred to as “RED”), a U.S.-based company that develops, manufactures, sells,…
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Nikon Nikkor Z 14-24mm F2.8 S lens
Technical Data Manufacturer Nikon Model Nikkor Z 14-24mm F2.8 S Web www.nikon.co.uk Elements/construction 16 elements in 11 groups Angle of view 114° to 84° (diagonal) Max aperture F2.8 Min aperture F22 Min focus distance 0.28 m (0.92 ft) Mount Z mount Filter size 112mm (with hood) Length 124.5 mm (5 in.) Diameter 88.5 mm (3.5 in.) Weight 650 g (1 lb 7 oz) Price £2379 inc VAT Check Stock and Prices [Affiliate links] Amazon UK | Wex Photo | Park Cameras Amazon US | B&H Photo | Adorama Secondhand MPB UK | KEH US
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Nikon adds RAW file based Pixel Shift to Nikon Z 8
Nikon has announced a new firmware update (Version 2.0) bringing a host of new features to the already impressively specified Nikon Z 8. The most intriguing is the addition of ‘Pixel Shift’ which aims to improve detail while also reducing noise levels. A further attraction is diffraction mitigation by careful use of aperture selection. It’s not clear what the ‘effective resolution’ is from the press release but the fact that the Nikon Z 8 outputs RAW files to merge in their NX Studio utility (which was also upgraded today) is encouraging; Canon’s decision to add the functionality to the Canon EOS R5 outputting a finished JPEG missed the mark. As…
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Nikon Nikkor Z 14-24mm F2.8 S lens review
The Nikkor Z 14-24mm F2.8 S is one of Nikon’s high-end S-line triumvirate of high-speed zooms (at the time of writing) and in effect replaces the renowned F-mount lens of the same focal length and ratio that redefined the ultra-wide-angle zoom in the SLR era. Kevin Carter takes a closer look. As a ‘made for mirrorless’ lens, it’s much smaller and lighter than its esteemed forerunner (650g vs 970g), thanks largely to a far less wildly convex front element. Indeed, the two highly convex elements at the front of the F-mount lens have been replaced by a single double-sided aspheric front element in the new S-line. While the change in…
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Gitzo GC5101 and GC4101 tripod bags reviewed
When a tripod is needed, a decent one is essential and most high-end models don’t come with a bag. A good tripod is a long-term investment so a decent bag is another essential, especially if you use it on location. Kevin Carter takes a closer look. I own both the Gitzo GC5101 and GC4101, which are designed for Gitzo’s Systematic range of tripods. While there’s only around 8cm or so in length between them the GC5101 is much larger in terms of internal volume and was designed presumably for the Geant (Giant) model, a 5-series Systematic that still measures some 73cm (35-in) even when collapsed. I don’t have that tripod,…
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Leica Q3 review: the quintessential Leica
Leica’s Q series is the company’s best-selling digital camera to date and it’s not all that difficult to see why. Kevin Carter looks at the latest iteration, the Leica Q3 Small, light and unobtrusive the Leica Q embodies all that’s attractive of the Leica M with added the benefit of a Kabe-designed Leica autofocus 28mm F1.7 lens. This is the closest we have to an autofocus M series camera, and unless you’re adept at using one of those you’ll be more successful shooting at the initial aperture or close to it and far more discrete using a Leica Q. What’s more, the latest iteration the Leica Q3 is the fastest…
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SanDisk Professional PRO-G40Â SSD review
Super-fast and durable SSDs are commonplace now but the super-rugged dual Thunderbolt/USB-C SanDisk PRO-G40 SSD is pretty unique and several notches above the run-of-mill offerings, as Kevin Carter discovers. What is it? Offering compatibility with both Thunderbolt 3 (40 Gbps) and USB-C 3.2 Gen 2 (10 Gbps), this slick-looking bus-powered NVMe SSD is a highly portable and robust drive for sharing across several devices. Starting at £295 (inc VAT) for the 1TB rising to £441 for 2TB and a whopping £530 for 4TB, you might think this pricey but that’s because most SSD drives you’ll see advertised are USB-C only. That’s fine if that’s all you want but, what you’re…
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Canon announces three new RF lenses for the EOS R system
Canon has announced three new lenses for the EOS R system, a high-speed RF 24-105mm F2.8L IS USM Z priced at £3,440 inc VAT, aimed at sports photographers and hybrid operators, an RF 200-800mm F6.3-9 IS USM targeting sports and birders which is reasonably priced at £2,299 inc VAT and an RF-S 10-18mm (16-35mm equiv.) F4.5-6.3 IS STM designed for APS-C EOS R cameras at £379, inc VAT. Particularly interesting, to me at least, is the high-speed RF 24-105mm F2.8L IS USM Z, a lens that was once expected with an EF mount but was never put into serial production. It makes much more sense as an RF model, however,…
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