Lens Reviews
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Nikon Nikkor Z 24-70mm F2.8 S lens review: Nikon’s best 24-70mm to date
What is it? The Nikkor Z 24-70mm F2.8 S [advertiser link] is the first pro-oriented lens for Nikon’s full-frame mirrorless Z series cameras, currently the 24MP Z 6 and the high-resolution Z 7. Naturally, it’s a constant-aperture, high-speed standard zoom and has several features not found on the earlier consumer grade Nikkor Z 24-70mm F4 S [concise review]. Besides the larger initial aperture the new lens features 17 elements in total, two of which are ED glass to lower color fringing and four are aspherical to reduce distortion and spherical aberration. Like others in the S-series, it has Nikon Integrated coatings while fluorine coatings are used to help keep the front…
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Nikon Nikkor Z 24-70mm F4 sample gallery
Update (06/12/2019): Read our review of the Nikon Nikkor Z 24-70mm F4 S here. The Nikkor Z 24-70mm F4 is Nikon’s first zoom for its mirrorless Z 7 and Z 6 full-frame models. Given the marketing spiel about it being high-end, it is really just a consumer-grade lens, and one that seems more geared towards filmmakers than photographers. That said, it’s quite a capable performer, and we put it to work on the Nikon Z 7 in London’s Canary Wharf – take a look and please leave a comment. All images are edited to taste in Capture One Pro 12. Please click on the thumbnails for an enlarged view.…
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Sigma 105mm F1.4 DG HSM Art lens review: Outstanding performer
The Sigma 105mm F1.4 DG HSM Art debuted earlier in the year, around May, and is priced at around $1400/£1500. From the DG designation, you can tell that it’s a full-frame lens, and it’s available in Canon, Nikon and Sigma mounts. It is of course, targeting the superb but pricey Nikon AF-S Nikkor 105mm F1.4E ED, but would also appeal to Canon users, where a high-speed L-series model in that focal length is strangely absent from the line-up. It may also be possible that it becomes available in the Sony FE mount; it is already suitable for mirrorless cameras. Sigma has recently introduced some Art series in Sony FE mount,…
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Leica APO Summicron-SL 90mm F2 ASPH lens review: The best money can buy
All modern lenses perform well, especially short-tele primes like the Leica APO Summicron-SL 90mm F2 ASPH, but the sizes over the last couple of years have become enormous. Admittedly, this is due to the makers’ preoccupation with ultra-high-speed lenses but independents like Sigma and Zeiss aren’t holding back. It seems that size is no longer a barrier, but that’s strangely at odds with the trend in smaller mirrorless cameras. Even Leica, the maker of the original compact primes for the M-series, succumbed to that mindset with the first lenses for the Leica SL models Both the Summilux-SL 50mm F1.4 ASPH and the Vario-Elmarit 24-90mm F2.8-3.5 ASPH are optically outstanding. If you need lenses…
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Leica APO Summicron-SL 50mm F2 ASPH lens review
