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Leica M11 Monochrom Review
Why Black & White? Photographing in Black & White or mono or greyscale or whatever you want to call it requires you to think differently than when photographing in colour. With a film camera, you can switch to B&W from colour and vice versa ad infinitum: the operation remains unchanged, allowing you to become accustomed to the camera and “see” either in light and shadows or in colour. In that respect, a modern digital colour camera echoes its predecessor, allowing you to choose between B&W and colour at will. However, a dedicated B&W camera like the Leica M11 Monochrom doesn’t; you’re forced to think in terms of light and shadows,…
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Leica Q2 Monochrom officially announced
Leica has introduced a monochrome version of the popular Leica Q/Q2 compacts. Like those models, it features a 28mm f1.7 Summilux lens and full-frame sensor, only the new model sports a 47MP CMOS sans Bayer filter. The main benefit here over the 40MP Leica M Monochrom, besides the slightly higher pixel count, is the Q2 Monochrom’s autofocus and built-in EVF. The latter allows the user to not only view in B&W of course but more importantly to compose in B&W. While you can do that with the M Monochrom you would have to use the optional Visoflex or compose via the camera’s rear LCD. Both options are less compelling solutions to…
