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          • Leica Super-APO-Summicron-SL 21 mm F2 ASPH
          • Leica APO Summicron-SL 50mm F2 ASPH lens review
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          • Leica Summilux-M 50mm F1.4 ASPH Close Focus 2023 model: First impressions
          • Zeiss 35mm F1.4 ZM Distagon lens review
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          • Nikon PC Nikkor 19mm F4E ED tilt shift lens review
          • Nikon AF-S Nikkor 180-400mm F4E TC1.4 FL ED VR
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          • Nikon Nikkor Z 14-24mm F2.8 S lens review
          • Nikon Nikkor Z 24-70mm F2.8 S
          • Nikon Nikkor Z 24-70mm F4 S
          • Nikon Nikkor Z 58mm F0.95 S Noct: Initial Impressions
        • Sigma (All Mounts)
          • Sigma 24mm F2 DG DN C lens review
          • Sigma 45mm F2.8 DG DN Contemporary lens review: Great rendering and build quality
          • Sigma 105mm F1.4 DG HSM Art
        • Sony FE
          • Sony FE 85mm F1.8
        • Zeiss
          • Contax Zeiss PC-Distagon 2.8/35 T* lens review
      • Lens Database
        • Aperture values for comparison
        • Filter sizes for Canon RF lenses
        • Filter sizes for Canon EF lenses
        • Filter sizes for Fujinon GF lenses
        • Filter sizes for Leica M lenses
        • Fujifilm Fujinon GF30mm F5.6 T/S specs compared with Canon EF 24mm F3.5L TS-E
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        • Billingham 307
        • Gitzo GC5101 and GC4101 tripod bags reviewed
        • Leica M/M-P Protector review
        • MindShift Gear Backlight 26L
      • Filters
        • Recomended Filters for Lens Protection
        • LEE100 Filter Holder review
        • LEE100 Polariser Filter review
  • Articles
    • Features
      • Canon EOS R5 User Guide
        • Setting up Back-button AF on the Canon EOS R5
        • Setting up AF shortcuts on the Canon EOS R5
        • Setting playback in the viewfinder of the Canon EOS R5
        • Using Adapted Lenses on the Canon EOS R5
      • Lightroom
        • Step-by-Step Lightroom Classic Workflow
        • Organise photos in Lightroom using Collections
        • What are the benefits of Virtual Copies in Lightroom?
        • How to create and use Virtual Copies in Lightroom
      • Capture One Pro
        • Capture One Pro 21: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Top 10 Features You Should Know
        • Capture One Pro 12 review
        • Tutorials
          • Importing Images into Capture One
          • How to Install Styles Easily in Capture One Pro
          • Black and White Conversion using Capture One Pro
        • Hidden Features of Capture One
          • Hidden Features of Capture One Pro: Save Filters for Searching Metadata
          • Hidden Features of Capture One: Save your Workspace
          • Hidden Features of Capture One Pro: Redeploy as a Fast Browser
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  • Leica Super-APO-Summicron-SL lens on a white background
    Leica,  Leica L Mount,  Leica Super-APO-Summicron-SL 21 mm F2 ASPH,  Lens Reviews,  News,  Reviews

    Leica Super-APO-Summicron-SL 21 mm F2 ASPH lens review

    March 12, 2025 /

    The Leica Super-APO-Summicron-SL 21 mm F2 ASPH is a high-speed wide-angle for Leica SL cameras. It was announced in October 2023. This lens has the Super-Apo moniker and has a complex design of 14 elements in total, arranged in 11 groups. Leica doesn’t say how many AD (anomalous partial dispersion) elements there are but claims that ‘most’ of the 14 elements are made from ‘special custom glass.’ That may include the three elements with aspherical surfaces, but it’s unclear. Like others in the SL range, the lens also adopts a ‘digital element,’ or what’s better known as a built-in profile, to correct vignetting, distortion and chromatic aberration. While it’s perhaps…

    read more
    Kevin Carter Comments Off on Leica Super-APO-Summicron-SL 21 mm F2 ASPH lens review

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    Leica APO Summicron-SL 50mm F2 ASPH lens review

    March 14, 2024 /

    Announced on 15 August 2019 (see our coverage here), the Leica APO Summicron-SL 50mm F2 ASPH is a relatively compact high-end lens for Leica SL cameras. Inside, the lens design is complex for a 50mm. But, it’s designed for a digital sensor so there are some prerequisites to satisfy. It has no less than 12 elements in total, with several AD (anomalous dispersion) elements to mitigate CA and fringing plus three with aspherical surfaces to reduce SA and distortion. The lens also adopts what some call a “digital element,” or a lens profile, to correct vignetting, distortion and CA, more as an afterthought in this case as the lens is…

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    News

    Leica SL2 silver version announced

    June 16, 2023 /

    Leica has released the Leica SL2 in a chrome version, or what Leica call a “silver” anodised finish. With a £280 increase over the black body, taking the price to £6,200 (body only), it’s quite a premium. Nevertheless, the consensus here is that it looks good. What’s more, like most chrome bodies the finish will likely be more durable over the long term than the black option. Curiously the US press release states that only 1000 silver chrome bodies will be made, making it a limited edition. If anything says the SL2 is about to be replaced with the SL3 this is it. I’ve been hugely tempted to buy into…

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    Cameras,  Leica,  News

    Leica SL2 Announced

    November 7, 2019 /

    Leica has announced the long-leaked and long-expected update to the full-frame mirrorless SL, the appropriately named SL2. It brings several expected and significant updates to the original Leica SL, including a sensor upgrade from the old 24.2MP unit to a 47MP sensor, similar but not identical in pixel count to that in the Leica Q and that of their technology partner Panasonic and their Lumix DC-S1R camera. Although often overlooked, it’s no secret that the original SL electronics and many of its internal components are made by Panasonic and it’s not difficult to see that the SL2 shares much of its DNA with the Panasonic Lumix DC-S1R. Although the imaging…

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