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  • Leica Super-APO-Summicron-SL lens on a white background
    Lens Reviews

    Leica Super-APO-Summicron-SL 21 mm F2 ASPH lens review

    March 12, 2025 / Comments Off on Leica Super-APO-Summicron-SL 21 mm F2 ASPH lens review

    The Leica Super-APO-Summicron-SL 21 mm F2 ASPH is a high-speed wide-angle for Leica SL cameras. It was announced in October 2023. This lens has the Super-Apo moniker and has a complex design of 14 elements in total, arranged in 11 groups. Leica doesn’t say how many AD (anomalous partial dispersion) elements there are but claims that ‘most’ of the 14 elements are made from ‘special custom glass.’ That may include the three elements with aspherical surfaces, but it’s unclear. Like others in the SL range, the lens also adopts a ‘digital element,’ or what’s better known as a built-in profile, to correct vignetting, distortion and chromatic aberration. While it’s perhaps…

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    Kevin Carter

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  • Hardware,  Leica L Mount,  Lens Reviews,  News,  Reviews

    Leica APO Summicron-SL 50mm F2 ASPH lens review

    March 14, 2024 / Comments Off on Leica APO Summicron-SL 50mm F2 ASPH lens review

    Announced on 15 August 2019 (see our coverage here), the Leica APO Summicron-SL 50mm F2 ASPH is a relatively compact high-end lens for Leica SL cameras. Inside, the lens design is complex for a 50mm. However, it’s designed for a digital sensor, so some prerequisites must be met. It has no less than 12 elements in total, with several AD (anomalous dispersion) elements to mitigate CA and fringing, plus three with aspherical surfaces to reduce SA and distortion. The lens also adopts what some call a “digital element,” or a lens profile, to correct vignetting, distortion and CA, more as an afterthought in this case, as the lens is so…

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    Kevin Carter

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  • Leica L Mount,  Lens Reviews,  News,  Reviews

    Leica APO Summicron-SL 90mm F2 ASPH lens review: The best money can buy

    July 3, 2018 / Comments Off on Leica APO Summicron-SL 90mm F2 ASPH lens review: The best money can buy

    All modern lenses perform well, especially short-tele primes like the Leica APO Summicron-SL 90mm F2 ASPH, but the sizes over the last couple of years have become enormous. Admittedly, this is due to the makers’ preoccupation with ultra-high-speed lenses but independents like Sigma and Zeiss aren’t holding back. It seems that size is no longer a barrier, but that’s strangely at odds with the trend in smaller mirrorless cameras. Even Leica, the maker of the original compact primes for the M-series, succumbed to that mindset with the first lenses for the Leica SL models Both the Summilux-SL 50mm F1.4 ASPH and the Vario-Elmarit 24-90mm F2.8-3.5 ASPH are optically outstanding. If you need lenses…

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    Kevin Carter

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