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  • The Digital Journal of Photography
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        • Canon RF
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        • Fujinon GF
          • Fujifilm Fujinon GF20-35mm F4 R WR
          • Fujifilm Fujinon GF30mm F5.6 T/S review
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          • Leica Summilux-M 50mm F1.4 ASPH Close Focus 2023 model: First impressions
          • Zeiss 35mm F1.4 ZM Distagon lens review
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          • Nikon PC Nikkor 19mm F4E ED tilt shift lens review
          • Nikon AF-S Nikkor 180-400mm F4E TC1.4 FL ED VR
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          • Nikon Nikkor Z 14-24mm F2.8 S lens review
          • Nikon Nikkor Z 24-70mm F2.8 S
          • Nikon Nikkor Z 24-70mm F4 S
          • Nikon Nikkor Z 58mm F0.95 S Noct: Initial Impressions
        • Sigma (All Mounts)
          • Sigma 24mm F2 DG DN C lens review
          • Sigma 45mm F2.8 DG DN Contemporary lens review: Great rendering and build quality
          • Sigma 105mm F1.4 DG HSM Art
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          • Sony FE 85mm F1.8
        • Zeiss
          • Contax Zeiss PC-Distagon 2.8/35 T* lens review
      • Lens Database
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        • From the past: Hasselblad H4D 60 review
      • Leica
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        • Leica Q3 43
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        • Leica M11 Monochrom Review
      • Nikon
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        • NEC MultiSync PA271Q
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        • CFexpress Type B cards: Which to choose for the Canon EOS R5 and Nikon Z8?
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        • OWC USB-C Travel Dock
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        • Billingham 307
        • Gitzo GC5101 and GC4101 tripod bags reviewed
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        • Recomended Filters for Lens Protection
        • LEE100 Filter Holder review
        • LEE100 Polariser Filter review
        • Filter sizes for Canon RF lenses
        • Filter sizes for Canon EF lenses
        • Filter sizes for Fujinon GF lenses
        • Filter sizes for Leica M lenses
  • Articles
    • Features
      • Aperture values for comparison
      • Canon EOS R5 User Guide
        • Setting up Back-button AF on the Canon EOS R5
        • Setting up AF shortcuts on the Canon EOS R5
        • Setting playback in the viewfinder of the Canon EOS R5
        • Using Adapted Lenses on the Canon EOS R5
      • Lightroom
        • Step-by-Step Lightroom Classic Workflow
        • Organise photos in Lightroom using Collections
        • What are the benefits of Virtual Copies in Lightroom?
        • How to create and use Virtual Copies in Lightroom
      • Capture One Pro
        • Capture One Pro 21: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Top 10 Features You Should Know
        • Capture One Pro 12 review
        • Tutorials
          • Importing Images into Capture One
          • How to easily install and organise Styles in Capture One Pro
          • Black and White Conversion using Capture One Pro
        • Hidden Features of Capture One
          • Hidden Features of Capture One Pro: Save Filters for Searching Metadata
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  • Nikon Z8 with 24-120mm lens attached from on.
    News,  Nikon

    Nikon adds RAW file based Pixel Shift to Nikon Z 8

    February 7, 2024 /

    Nikon has announced a new firmware update (Version 2.0) bringing a host of new features to the already impressively specified Nikon Z 8. The most intriguing is the addition of ‘Pixel Shift,’ which aims to improve detail while also reducing noise levels. A further attraction is diffraction mitigation by careful use of aperture selection. It’s not clear what the ‘effective resolution’ is from the press release but the fact that the Nikon Z 8 outputs RAW files to merge in their NX Studio utility (which was also upgraded today) is encouraging; Canon’s decision to add the functionality to the Canon EOS R5 outputting a finished JPEG missed the mark. As…

    read more
    Kevin Carter Comments Off on Nikon adds RAW file based Pixel Shift to Nikon Z 8

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  • This is a new CFexpress card with a ProGrade sticker on the front. This card, featuring the last type 4.0 spec, has a sustained 2800MB/s write speed.
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    CFexpress Type B cards: Which to choose for the Canon EOS R5 and Nikon Z8?

    September 23, 2023 /

    Update August 2025: Since this post was published, most brands now offer CFexpress gen 4.0 cards, replacing many of those listed below in performance terms. Minimum sustained write speeds have improved greatly, making many more lower-priced cards suitable for high-grade 4/8K in-camera capture. Nevertheless, due diligence is still required with these cards. That said, one further benefit of the new type 4.0 standard is a sizeable reduction in the price of the high-end high-speed gen 2.0/3.0 cards listed below. CFexpress (Type B) cards are expensive, so choosing the right type is an important decision. As both the Canon EOS R5 and Nikon Z8 have a second SDXC UHS-I/II compatible card…

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