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          • Leica APO Summicron-SL 50mm F2 ASPH lens review
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          • Leica Summilux-M 50mm F1.4 ASPH Close Focus 2023 model: First impressions
          • Zeiss 35mm F1.4 ZM Distagon lens review
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          • Nikon PC Nikkor 19mm F4E ED tilt shift lens review
          • Nikon AF-S Nikkor 180-400mm F4E TC1.4 FL ED VR
        • Nikon Z
          • Nikon Nikkor Z 14-24mm F2.8 S lens review
          • Nikon Nikkor Z 24-70mm F2.8 S
          • Nikon Nikkor Z 24-70mm F4 S
          • Nikon Nikkor Z 58mm F0.95 S Noct: Initial Impressions
        • Sigma (All Mounts)
          • Sigma 24mm F2 DG DN C lens review
          • Sigma 45mm F2.8 DG DN Contemporary lens review: Great rendering and build quality
          • Sigma 105mm F1.4 DG HSM Art
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          • Sony FE 85mm F1.8
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          • Contax Zeiss PC-Distagon 2.8/35 T* lens review
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        • From the past: Hasselblad H4D 60 review
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        • LEE100 Filter Holder review
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        • Filter sizes for Leica M lenses
  • Articles
    • Features
      • Aperture values for comparison
      • Canon EOS R5 User Guide
        • Setting up Back-button AF on the Canon EOS R5
        • Setting up AF shortcuts on the Canon EOS R5
        • Setting playback in the viewfinder of the Canon EOS R5
        • Using Adapted Lenses on the Canon EOS R5
      • Lightroom
        • Step-by-Step Lightroom Classic Workflow plus useful tips
        • Organise photos in Lightroom using Collections
        • What are the benefits of Virtual Copies in Lightroom?
        • How to create and use Virtual Copies in Lightroom
      • Capture One Pro
        • Capture One Pro 21: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Top 10 Features You Should Know
        • Capture One Pro 12 review
        • Tutorials
          • Importing Images into Capture One
          • How to easily install and organise Styles in Capture One Pro
          • Black and White Conversion using Capture One Pro
        • Hidden Features of Capture One
          • Hidden Features of Capture One Pro: Save Filters for Searching Metadata
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  • The Digital Journal of Photography
  • News
  • Reviews
    • Lenses
      • Lens Reviews
        • Canon RF
          • Canon RF 35mm F1.4 L VCM lens review
        • Fujinon GF
          • Fujifilm Fujinon GF20-35mm F4 R WR
          • Fujifilm Fujinon GF30mm F5.6 T/S review
          • Fujifilm Fujinon GF50mm F3.5 R LM WR
        • Leica L Mount
          • Leica Super-APO-Summicron-SL 21 mm F2 ASPH
          • Leica APO Summicron-SL 50mm F2 ASPH lens review
          • Leica APO Summicron-SL 90mm F2 ASPH
        • Leica M mount
          • Leica Summilux-M 50mm F1.4 ASPH Close Focus 2023 model: First impressions
          • Zeiss 35mm F1.4 ZM Distagon lens review
        • Nikon F
          • Nikon PC Nikkor 19mm F4E ED tilt shift lens review
          • Nikon AF-S Nikkor 180-400mm F4E TC1.4 FL ED VR
        • Nikon Z
          • Nikon Nikkor Z 14-24mm F2.8 S lens review
          • Nikon Nikkor Z 24-70mm F2.8 S
          • Nikon Nikkor Z 24-70mm F4 S
          • Nikon Nikkor Z 58mm F0.95 S Noct: Initial Impressions
        • Sigma (All Mounts)
          • Sigma 24mm F2 DG DN C lens review
          • Sigma 45mm F2.8 DG DN Contemporary lens review: Great rendering and build quality
          • Sigma 105mm F1.4 DG HSM Art
        • Sony FE
          • Sony FE 85mm F1.8
        • Zeiss
          • Contax Zeiss PC-Distagon 2.8/35 T* lens review
      • Lens Database
    • Cameras
      • Canon
      • Fujifilm
      • Hasselblad
        • From the past: Hasselblad H4D 60 review
      • Leica
        • Leica SL3
        • Leica Q3
        • Leica Q3 43
        • Leica M9
        • Leica M11
        • Leica M11 Monochrom Review
      • Nikon
      • Camera Database
    • Hardware
      • Monitors
        • NEC MultiSync PA271Q
      • Peripherals
        • CFexpress Type B cards: Which to choose for the Canon EOS R5 and Nikon Z8?
        • Loupedeck+ review: The future of image editing?
        • OWC USB-C Travel Dock
        • SanDisk Professional PRO-G40 SSD
        • Samsung T7 Shield Portable SSD USB 3.2 Gen 2
        • Samsung T9 Portable SSD USB 3.2 Gen 2×2
    • Accessories
      • Bags and Cases
        • Billingham 307
        • Gitzo GC5101 and GC4101 tripod bags reviewed
        • Leica M/M-P Protector review
        • MindShift Gear Backlight 26L
      • Filters
        • Recomended Filters for Lens Protection
        • LEE100 Filter Holder review
        • LEE100 Polariser Filter review
        • Filter sizes for Canon RF lenses
        • Filter sizes for Canon EF lenses
        • Filter sizes for Fujinon GF lenses
        • Filter sizes for Leica M lenses
  • Articles
    • Features
      • Aperture values for comparison
      • Canon EOS R5 User Guide
        • Setting up Back-button AF on the Canon EOS R5
        • Setting up AF shortcuts on the Canon EOS R5
        • Setting playback in the viewfinder of the Canon EOS R5
        • Using Adapted Lenses on the Canon EOS R5
      • Lightroom
        • Step-by-Step Lightroom Classic Workflow plus useful tips
        • Organise photos in Lightroom using Collections
        • What are the benefits of Virtual Copies in Lightroom?
        • How to create and use Virtual Copies in Lightroom
      • Capture One Pro
        • Capture One Pro 21: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Top 10 Features You Should Know
        • Capture One Pro 12 review
        • Tutorials
          • Importing Images into Capture One
          • How to easily install and organise Styles in Capture One Pro
          • Black and White Conversion using Capture One Pro
        • Hidden Features of Capture One
          • Hidden Features of Capture One Pro: Save Filters for Searching Metadata
          • Hidden Features of Capture One: Save your Workspace
          • Hidden Features of Capture One Pro: Redeploy as a Fast Browser
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  • Sigma fp camera with no lens attached showing the sensor.
    News,  Opinion

    Sigma fp announced: The world’s smallest full-frame camera

    July 12, 2019 / Comments Off on Sigma fp announced: The world’s smallest full-frame camera

    Sigma has announced the world’s smallest full-frame camera, the ‘fp’. Despite owning the Fovean sensor design company, the new fp model features a 24.6MP BSI-CMOS Bayer design. The body is highly compact, measuring just 113 x 70 x 45mm and weighs just 370g. However, it is intended as a modular camera – there will be a range of grips, a flash bracket and a viewfinder eyepiece available. In order to retain its compact dimensions, the new fp camera adopts only an electronic shutter – there is no mechanical shutter – a first for this type of camera. Naturally, the camera features an L-mount and the lenses announced earlier by Sigma…

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    Save up to 40% at Amazon on Nextorage SDXC V90-rated cards

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  • Sigma 14-24mm F2.8 DG DN lens
    News,  Sigma

    Sigma to add 14-24mm F2.8 DG DN Art of full-frame mirrorless

    July 12, 2019 / Comments Off on Sigma to add 14-24mm F2.8 DG DN Art of full-frame mirrorless

    Sigma is adding a new ultra-wide 14-24mm F2.8 lens to its Art series for full-frame mirrorless cameras. the 14-24mm DG DN Art. It will be available in Sony E-mount and Leica/Panasonic L-mount versions. The optical design is similar to the existing 14-24mm F2.8 DG HSM Art for DSLRs, but it’s not identical. That model uses a 17-element design with three FLD (fluorite-like) elements and two SLD-type elements. The new 18-element design utilises five SLD and one FLD and three aspherical including the large diameter first element. The position of the remaining two has not yet been disclosed. The new lens is sealed and features a rear filter holder. It weighs…

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  • Sigma 45mm F2.8 DG DN Contemporary
    News,  Sigma

    Sigma adds 45mm F2.8 DG DN for full-frame mirrorless cameras

    July 11, 2019 / 1 Comment

    In addition to the new 35mm F1.2 DG GN Art series, Sigma has announced a lightweight, moderate-speed prime lens for their Contemporary series for both Sony E-mount and L-mount mirrorless models. The new 45mm F2.8 DG GN weighs just 215g (7.5 ounces). The new eight-element lens has a 24cm (9.4″) minimum focus distance and includes an aperture ring on both mount versions. The lens will ship later this month (July) and will be priced at £549.99 (inc VAT) or $599 USD. More information can be found at Sigma’s Global Vision site. The new lens can be pre-ordered from the following stores: B&H Photo (US) WEX Photo (UK)   Read our review…

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    Sigma announces 35mm F1.2 Art series lens for mirrorless cameras

    July 11, 2019 / Comments Off on Sigma announces 35mm F1.2 Art series lens for mirrorless cameras

      Sigma’s new 35mm F1.2 DG DN Art is the first full-frame Art series lens with an F1.2 maximum aperture intended for Sony E-mount and L-mount bodies. According to Sigma, the new 17-element lens has high optical correction with only distortion and vignetting correction applied in-camera. Both mount types will come with an aperture ring that can be de-clicked for video capture.  It will be available in July, 2019 with an SRP of £1,459.99 (inc VAT), $1499. More information can be found at Sigma’s Global Vision site. The new lens can be pre-ordered form the following stores: B&H Photo (US) WEX Photo (UK)   Press release (edited for clarity): Take…

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  • Nikkor Z 24-70mm F2.8 S
    Lens Reviews,  News,  Nikon Z,  Reviews

    Nikon Nikkor Z 24-70mm F2.8 S lens review: Nikon’s best 24-70mm to date

    July 4, 2019 / 1 Comment

    What is it? The Nikkor Z 24-70mm F2.8 S [advertiser link] is the first pro-oriented lens for Nikon’s full-frame mirrorless Z series cameras, currently the 24MP Z 6 and the high-resolution Z 7. Naturally, it’s a constant-aperture, high-speed standard zoom and has several features not found on the earlier consumer grade Nikkor Z 24-70mm F4 S [concise review]. Besides the larger initial aperture the new lens features 17 elements in total, two of which are ED glass to lower color fringing and four are aspherical to reduce distortion and spherical aberration. Like others in the S-series, it has Nikon Integrated coatings while fluorine coatings are used to help keep the front…

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  • Big zoom on a white background.
    News,  Opinion

    DxOMark Measures Canon RF 28-70mm F2.0L USM

    June 28, 2019 / Comments Off on DxOMark Measures Canon RF 28-70mm F2.0L USM

    DxOMark has published the results of their findings on the optical performance of the Canon RF 28-70mm F2.0 L USM, the data can be found at the DxOMark site. In addition to the performance data, as one of the editors I have written the lens review. This can be found on a different page on the DxOMark site here. It’s a high-speed zoom with a constant F2.0 aperture and it has impressive optical performance overall, but be warned it’s not cheap. The review talks only of the optical properties, there is no comment on handling, build quality, AF or other subjective areas. It’s an idea to look past the overall score –…

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    Canon EOS R6 Specifications

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    News,  Opinion,  Phase One

    Phase One Adds Automated Frame Averaging to IQ4 series Digital Backs

    June 28, 2019 / Comments Off on Phase One Adds Automated Frame Averaging to IQ4 series Digital Backs

    Phase One has announced that it will be adding ‘Automated Frame Averaging’ to its newly introduced Full-Frame 645 MF (54 x 40mm) Phase One IQ4 series digital backs next week. Automated Frame Averaging was mentioned during the original announcement of the IQ4 series and is said to reduce shadow noise and protect highlights from clipping. The new feature leverages the electronic shutter in the new IQ4 DBs (as well as the increased RAM and upgraded processor) to capture multiple frames in rapid succession, often with no significant time between them which may otherwise lead to moving elements appearing as blurred artefacts. The series of frames are merged generating a single RAW…

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    Save 15% Off Selected Capture One Products

    June 21, 2019 / Comments Off on Save 15% Off Selected Capture One Products

    Capture One Pro perpetual licenses and upgrades, as well as pre-paid subscriptions and 12-month subscriptions are all available with 15% off till the end of the month (June 31st). To qualify you have to enter your email at the Capture One website and follow the instructions. Monthly subscriptions are not currently offered in this campaign, however you can claim 50% off the price of a perpetual license for Capture One Pro for Fujifilm and Capture One Pro for Sony, if you’re looking to upgrade from Capture One (for Fujifilm) or (for Sony). Disclosure; note that the that purchasing products from the use of links may result in a small referal payment…

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  • Hasselblad X1D II front on with a lens attached.
    News,  Opinion

    Hasselblad X1D II 50C camera and XCD 35-75mm F3.5-4.5 zoom announced (Updated)

    June 19, 2019 / Comments Off on Hasselblad X1D II 50C camera and XCD 35-75mm F3.5-4.5 zoom announced (Updated)

    Hasselblad has announced an update to its cropped medium format mirrorless camera, in the form of the new X1D II 50C. Although it shares the same 50MP cropped (essentially 44 x 33mm) MF CMOS sensor as the original, it has some improved features and a new processor to speed up operation. This includes quicker start-up (now just under 4 seconds, from my time with the camera at the London launch) and continuous shooting now at 2.7fps, while black-out times between shots have also been reduced, claims the company. Other improvements include a new, larger 3.6-in 2.36-million-dot touchscreen at the rear with some menu and UI changes. The viewfinder display has…

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  • News

    Capture One 12.1 Announced with New tools and Profile Support for Nikkor Z mount Lenses

    June 17, 2019 / Comments Off on Capture One 12.1 Announced with New tools and Profile Support for Nikkor Z mount Lenses

    Phase One, the company behind Capture One and Capture One Pro RAW processing software has announced 12.1, the first feature release of version 12.0. New features include a Grid tool that groups the options together from what was previously found under the global Preferences into a separate tool brick. This important compositional aid features a dedicated short-cut and is now separate from the Guides feature. As standalone the Grid tool is both simpler and more logical in use. It’s located under the Lens Inspector, but like the majority of tools in Capture One Pro it can be added to any to the Tool Inspectors or ‘Tool Tabs’. Guides are accessible from…

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