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          • Leica APO Summicron-SL 50mm F2 ASPH lens review
          • Leica APO Summicron-SL 90mm F2 ASPH
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          • Leica Summilux-M 50mm F1.4 ASPH Close Focus 2023 model: First impressions
          • Zeiss 35mm F1.4 ZM Distagon lens review
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          • Nikon AF-S Nikkor 180-400mm F4E TC1.4 FL ED VR
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          • Nikon Nikkor Z 24-70mm F2.8 S
          • Nikon Nikkor Z 24-70mm F4 S
          • Nikon Nikkor Z 58mm F0.95 S Noct: Initial Impressions
        • Sigma (All Mounts)
          • Sigma 24mm F2 DG DN C lens review
          • Sigma 45mm F2.8 DG DN Contemporary lens review: Great rendering and build quality
          • Sigma 105mm F1.4 DG HSM Art
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          • Sony FE 85mm F1.8
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          • Contax Zeiss PC-Distagon 2.8/35 T* lens review
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        • Gitzo GC5101 and GC4101 tripod bags reviewed
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        • LEE100 Filter Holder review
        • LEE100 Polariser Filter review
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        • Filter sizes for Leica M lenses
  • Articles
    • Features
      • Aperture values for comparison
      • Canon EOS R5 User Guide
        • Setting up Back-button AF on the Canon EOS R5
        • Setting up AF shortcuts on the Canon EOS R5
        • Setting playback in the viewfinder of the Canon EOS R5
        • Using Adapted Lenses on the Canon EOS R5
      • Lightroom
        • Step-by-Step Lightroom Classic Workflow plus useful tips
        • Organise photos in Lightroom using Collections
        • What are the benefits of Virtual Copies in Lightroom?
        • How to create and use Virtual Copies in Lightroom
      • Capture One Pro
        • Capture One Pro 21: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Top 10 Features You Should Know
        • Capture One Pro 12 review
        • Tutorials
          • Importing Images into Capture One
          • How to easily install and organise Styles in Capture One Pro
          • Black and White Conversion using Capture One Pro
        • Hidden Features of Capture One
          • Hidden Features of Capture One Pro: Save Filters for Searching Metadata
          • Hidden Features of Capture One: Save your Workspace
          • Hidden Features of Capture One Pro: Redeploy as a Fast Browser
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  • The Digital Journal of Photography
  • News
  • Reviews
    • Favourite gear
    • Lenses
      • Lens Reviews
        • Canon RF
          • Canon RF 35mm F1.4 L VCM lens review
        • Fujinon GF
          • Fujifilm Fujinon GF20-35mm F4 R WR
          • Fujifilm Fujinon GF30mm F5.6 T/S review
          • Fujifilm Fujinon GF50mm F3.5 R LM WR
        • Leica L Mount
          • Leica Super-APO-Summicron-SL 21 mm F2 ASPH
          • Leica APO Summicron-SL 50mm F2 ASPH lens review
          • Leica APO Summicron-SL 90mm F2 ASPH
        • Leica M mount
          • Leica Summilux-M 50mm F1.4 ASPH Close Focus 2023 model: First impressions
          • Zeiss 35mm F1.4 ZM Distagon lens review
        • Nikon F
          • Nikon PC Nikkor 19mm F4E ED tilt shift lens review
          • Nikon AF-S Nikkor 180-400mm F4E TC1.4 FL ED VR
        • Nikon Z
          • Nikon Nikkor Z 14-24mm F2.8 S lens review
          • Nikon Nikkor Z 24-70mm F2.8 S
          • Nikon Nikkor Z 24-70mm F4 S
          • Nikon Nikkor Z 58mm F0.95 S Noct: Initial Impressions
        • Sigma (All Mounts)
          • Sigma 24mm F2 DG DN C lens review
          • Sigma 45mm F2.8 DG DN Contemporary lens review: Great rendering and build quality
          • Sigma 105mm F1.4 DG HSM Art
        • Sony FE
          • Sony FE 85mm F1.8
        • Zeiss
          • Contax Zeiss PC-Distagon 2.8/35 T* lens review
      • Lens Database
    • Cameras
      • Canon
      • Fujifilm
      • Hasselblad
        • From the past: Hasselblad H4D 60 review
      • Leica
        • Leica SL3
        • Leica Q3
        • Leica Q3 43
        • Leica M9
        • Leica M11
        • Leica M11 Monochrom Review
      • Nikon
      • Camera Database
    • Hardware
      • Monitors
        • NEC MultiSync PA271Q
      • Peripherals
        • CFexpress Type B cards: Which to choose for the Canon EOS R5 and Nikon Z8?
        • Loupedeck+ review: The future of image editing?
        • OWC USB-C Travel Dock
        • SanDisk Professional PRO-G40 SSD
        • Samsung T7 Shield Portable SSD USB 3.2 Gen 2
        • Samsung T9 Portable SSD USB 3.2 Gen 2×2
    • Accessories
      • Bags and Cases
        • Billingham 307
        • Gitzo GC5101 and GC4101 tripod bags reviewed
        • Leica M/M-P Protector review
        • MindShift Gear Backlight 26L
      • Filters
        • Recomended Filters for Lens Protection
        • LEE100 Filter Holder review
        • LEE100 Polariser Filter review
        • Filter sizes for Canon RF lenses
        • Filter sizes for Canon EF lenses
        • Filter sizes for Fujinon GF lenses
        • Filter sizes for Leica M lenses
  • Articles
    • Features
      • Aperture values for comparison
      • Canon EOS R5 User Guide
        • Setting up Back-button AF on the Canon EOS R5
        • Setting up AF shortcuts on the Canon EOS R5
        • Setting playback in the viewfinder of the Canon EOS R5
        • Using Adapted Lenses on the Canon EOS R5
      • Lightroom
        • Step-by-Step Lightroom Classic Workflow plus useful tips
        • Organise photos in Lightroom using Collections
        • What are the benefits of Virtual Copies in Lightroom?
        • How to create and use Virtual Copies in Lightroom
      • Capture One Pro
        • Capture One Pro 21: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Top 10 Features You Should Know
        • Capture One Pro 12 review
        • Tutorials
          • Importing Images into Capture One
          • How to easily install and organise Styles in Capture One Pro
          • Black and White Conversion using Capture One Pro
        • Hidden Features of Capture One
          • Hidden Features of Capture One Pro: Save Filters for Searching Metadata
          • Hidden Features of Capture One: Save your Workspace
          • Hidden Features of Capture One Pro: Redeploy as a Fast Browser
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Canon, News

Is the Canon EOS R3 sensor really only 24MP?

With the Olympics underway in Tokyo we’ve started to see some images taken with the upcoming Canon EOS R3 (prototype or more likely a pre-production model), which isn’t really surprising…

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August 2, 2021
News, Sigma

Sigma to add 14-24mm F2.8 DG DN Art of full-frame mirrorless

Sigma is adding a new ultra-wide 14-24mm F2.8 lens to its Art series for full-frame mirrorless cameras. the 14-24mm DG DN Art. It will be available in Sony E-mount and…

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July 12, 2019
News

Leica M11 announced: Leica’s best and most-rounded M to date

Leica has announced the latest update to its rangefinder camera, the M11. After numerous leaks online, the Leica M11 is now official. Rather than go over what’s been leaked already,…

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January 13, 2022
  • News

    Fully-featured Photoshop to come to the iPad

    October 15, 2018 / Comments Off on Fully-featured Photoshop to come to the iPad

    Adobe have today announced that a fully featured Photoshop CC is coming to the iPad.  

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    Leica announces special edition Leica Q Khaki

    October 13, 2018 / Comments Off on Leica announces special edition Leica Q Khaki

    Leica has announced a special edition of the Leica Q, the Leica Q Khaki. Clad in khaki leather trim and with chrome top and bottom plates the Leica Q Khaki is reminiscent of the Leica M Safari versions. In all other respects, the new khaki model is the same as regular Leica Q. The Leica Q remains one of the most compelling compacts currently available, however, the announcement of another limited edition will fuel the debate about when to expect a new model. It is believed that a version 2 or upgraded model when it comes will feature a new higher resolution sensor, 4K video and 120 fps for slow…

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  • News,  Phase One

    Capture One Pro Fujifilm Available As Perpetual License

    October 9, 2018 / Comments Off on Capture One Pro Fujifilm Available As Perpetual License

    Phase One announced at Photokina this year that Capture One Pro 11.3 was available with extended RAW support for Fujifilm cameras, most notably that they supported the medium format  GFX 50S (and new GFX 50R, unofficially). Phase One also introduced a less feature rich Express version Capture One Express Fujifilm specifically for Fujifilm users, which is offered as a similar arrangement to the Capture One Express Sony.  Capture One Express lacks some of the features of the Pro version such as Sessions, Layers and tethered camera control, but RAW file support for the cameras and lens profiles doesn’t vary. See here for the full list of features. A Pro version…

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  • Mobile,  News

    LG announces Five Camera LG V40 THINQ

    October 3, 2018 / Comments Off on LG announces Five Camera LG V40 THINQ

    Korea based LG Electronics has today unveiled the LG V40 THINQ, a premium smartphone with five cameras, though it’s not quite what it seems in that the rear camera setup has only three separate camera modules. The other two are used for selfies on the front. The high-end model has three rear camera modules to simulate a single zoom and features a 16MP sensor with super-wide field (107 degree) F1.9 lens, and a second with a large 12MP sensor with 1.4 micron pixels and standard lens (78 degree) with a F1.5 aperture. The third module includes a telephoto lens (45 degree) with F2.4 aperture and similar 12MP sensor, albeit with…

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    October 30, 2018
  • Sigma 105mm F1.4 DG HSM Art on a white background
    Canon EF,  Lens Reviews,  News,  Reviews,  Sigma (All Mounts),  Sigma 105mm F1.4 DG HSM Art

    Sigma 105mm F1.4 DG HSM Art lens review: Outstanding performer

    September 29, 2018 / Comments Off on Sigma 105mm F1.4 DG HSM Art lens review: Outstanding performer

    The Sigma 105mm F1.4 DG HSM Art debuted earlier in the year, around May, and is priced at around $1400/£1500. From the DG designation, you can tell that it’s a full-frame lens, and it’s available in Canon, Nikon and Sigma mounts. It is of course, targeting the superb but pricey Nikon AF-S Nikkor 105mm F1.4E ED, but would also appeal to Canon users, where a high-speed L-series model in that focal length is strangely absent from the line-up. It may also be possible that it becomes available in the Sony FE mount; it is already suitable for mirrorless cameras. Sigma has recently introduced some Art series in Sony FE mount,…

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    Fujifilm,  News

    Fujifilm GFX 100 medium format camera with IBIS announced

    September 26, 2018 / Comments Off on Fujifilm GFX 100 medium format camera with IBIS announced

    In addition to announcing the new rangefinder-style Fujifilm GFX 50R and three new lenses, see here for more details, Fuji took the opportunity to make a development announcement. The 102MP GFX 100 medium format camera is a more conventionally styled model than the current GFX 50S and will include on-sensor PDAF across the entire frame. Information is sparse but the 102 megapixel sensor in the GFX 100 is expected to be 43.8 x 32.2mm sensor, like that found in the 50S and 50R models.  The GFX 100 also features sensor-based image stabilization – a first in medium format, and 4K video from the X Processor 4 engine. A mock-up was shown…

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    September 26, 2018
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    Fujifilm announces rangefinder-esque GFX 50R and three lenses

    September 26, 2018 / 2 Comments

    Fujifilm has announced the GFX 50R, a rangefinder-styled medium format model based on the earlier GFX 50S. It adopts the same 51.4-MP cropped medium format sensor (43.8 x 32.2mm) as its sibling and much of the rest of the internals, albeit in a smaller, more compact body and with a significantly lower ticket. The GFX 50R adds Bluetooth connectivity with a smartphone and offers a similar build and weatherproofing as the 50S.  The built-in OLED viewfinder is a smaller 3.69M-dot unit but offers a reasonably generous 0.77x magnification. At the rear, the 3.2-in 2360K-dot touchscreen LCD uses a conventional tilting mechanism. The 50R has dual SD card slots with support…

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    Updated: Capture One adds RAW support for Fujifilm GFX 50S

    September 25, 2018 / 1 Comment

    Phase One A/S, the developers of Capture One RAW software, have today announced Capture One Express for Fujifilm. This pared-down Express version of Capture One provides support of RAW files from an extensive range of Fujifilm T- and GFX-series cameras, including the medium format Fujifilm GFX 50S and the recently announced GFX 50R. A similar version exists for Capture One Express for Sony, which supports RAW files from Sony cameras. The company has also announced an upgrade to the fully-featured version of Capture One Pro to version 11.3, which besides adding support for the new Phase One IQ4 150 digital back also includes the same expanded support for Fujifilm RAW…

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  • Mobile,  News,  Samsung

    Samsung announces mid-range Galaxy A7 with triple-camera

    September 22, 2018 / Comments Off on Samsung announces mid-range Galaxy A7 with triple-camera

    Samsung has announced the Galaxy A7, a mid-range smartphone that features a rear-facing triple-camera. The new Galaxy A7 comes several months after rival Huawei launched the P20 Pro a high-end device using a triple camera in conjunction with Leica, the renowned lens and camera manufacturer. The new Galaxy A7 features a 24MP sensor and F1.7 primary camera module (with an unspecified focal length but likely a wide-angle, equivalent to 28mm) as well as an 8MP sensor with F2.4 super-wide-angle with a 120-degree field of view (equivalent to a 12.5mm). Surprisingly, unlike the Huawei P20 Pro, the third camera is not equipped with a short telephoto lens. Instead the Samsung Galaxy…

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    News,  Sony

    Sony announces Full Frame 24mm F1.4 G Master Prime for E-mount

    September 20, 2018 / Comments Off on Sony announces Full Frame 24mm F1.4 G Master Prime for E-mount

    Sony has announced a new ultra-high speed lens for its mirrorless APS-C and full-frame camera systems, the FE 24mm F1.4 G Master Prime. It has a relatively complex design of 13 elements in 10 groups, with three of those being ED glass to reduce CA and focuses to (a fairly typical) 0.24m (0.79 ft). Sony claim the adoption of two XA (extreme aspherical) elements effectively suppresses sagittal flare, more commonly known as coma. Thus, with its wide angular field of view and ultra-high speed  F1.4 maximum aperture, should appeal to photographers hoping to capture the night sky without the tell-tale aberration that results in smeared stars (point light sources), usually more…

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