Reviews
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Leica M/M-P Protector half-case review
Leica M/M-P ‘Protector’ half case review I’m not one for cases or half cases; working cameras are just that, they’re not pampered, and I’m not really one for straps either as they’re a problem when working with tripods. That said, I did once have a black ‘ever-ready’ type some thirty years ago for a black Nikon F2AS that was constantly with me (and one of my favourite cameras, ever*). I discarded the detachable front and used it as a half case, as it provided a secure grip and a lot of protection. And yes, that camera had a strap, one of the superb, thin Nikon black and yellow nylon woven…
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OWC USB-C Travel Dock review: Great addition for MacBook Pro power users
If you’re a photographer, and perhaps an occasional videographer, using a modern MacBook Pro with USB-C ports you’re likely in the market for a compatible SD card reader or a dock, such as the OWC USB-C Travel Dock. Few photographers will not have heard of OWC’s multi-port docks, they are well known but these are desktop models and while excellent they’re relatively pricey. I have this model as well as the Travel Dock and it greatly simplifies my desktop. Fortunately, as a forward-looking company, OWC introduced a small Travel Dock version which is not only purposefully small but also relatively affordable. There are now two versions, the original (available in a range…
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Nikon Nikkor Z 58mm F0.95 S Noct: Initial Impressions
The Nikkor Z 58mm F0.95 S Noct is one of Nikon’s showcase lenses – a sort of throwback to the early days of Nikon’s interest in optical research. It’s certainly a lens that splits opinions – I’m still not sure exactly how I feel about it – though there’s no denying it’s a beautifully made lens that’s capable of extremely high image quality in all its nuances. You can read additional opinion on this lens here. Build Like other Nikon exotics it’s delivered in a massively oversized cardboard box but inside it contains a large Pelican type hard-case, instead of the more usual soft-padded type. I didn’t weigh the case…
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Sony FE 85mm F1.8 lens review: Excellent image quality at a reasonable price
Overview Announced in early 2017, the Sony FE 85mm F1.8 is a short-tele designed for the company’s mirrorless full-frame a9/a7 models. It will of course also serve double duty on the APS-C a6000 series, where it’s more or less a 135mm equivalent. Although not a premium G-master model like the F1.4 version announced the year before, it’s a lot smaller and lighter and still has some features that might be considered “premium.” This includes a near-silent, twin-focus drive system using a stepping motor, a focus-hold button that can be customised, weather sealing and a nine-blade circular aperture. It’s also quite nicely made, with a mainly metal exterior and a large…
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Nikon Nikkor Z 24-70mm F4S lens review: Compact and capable performer
This is what you’ll get if you buy one of the mirrorless Nikon Z 6 or Z 7 cameras as part of a kit, but as one of Nikon’s S series of primes it’s meant as a ‘premium’ model. While we’ve yet to see what one of the ‘standard’ models is like build-wise, this sober-looking lens is a step or two above the DX equivalent zooms in the company’s range. It’s nicely made but it’s not quite up to the pro-oriented build of the Nikkor Z 24-70mm F2.8 S (reviewed here). Still, with a part-plastic part-metal outer, this is intended as lightweight and compact design. It even has a retractable…
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Nikon AF-S Nikkor 180-400mm F4E TC1.4 FL ED VR lens review: Nikon’s best tele-zoom
The Nikon AF-S Nikkor 180-400mm F4E TC1.4 FL ED VR is an updated version of the AF-S Nikkor 200-400mm F4G ED VR – one of the first lenses Nikon added stabilisation (VR) to (the other being the AF-S Nikkor 200mm F2.0, effectively a 300mm on the DX only bodies back then) and the favourite of animal safari photographers everywhere. Not surprisingly, it’s also a popular choice with those that cover sports. This new model though is much more than just an update – it’s a re-designed lens complete with a built-in 1.4x teleconverter that’s meant to counter the Canon EF 200-400mm F4L IS USM Extender 1.4x, itself a showcase model…
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Sigma 45mm F2.8 DG DN Contemporary lens review: Great rendering and build quality
Sigma’s range of ‘Contemporary’ series lenses, such as the Sigma 45mm F2.8 DG DN Contemporary, are all about maintaining a balance between size, performance and price. They’re not smaller versions of the Art series lenses, which are meant to deliver the best possible image quality, regardless of size. With a 55mm filter thread, and weighing 215g ( 7.58 oz) its diminutive size in E-mount nicely complements the Sony a7/9 series and in the L-mount version, maybe also the larger Leica SL and Lumix S1 models, which it has also been designed for. At around £549 / $549 [advertiser links], this all-metal lens is beautifully made. It even comes with…
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MindShift Gear Backlight 26L review: Versatile and comfortable
The MindShift Gear Backlight 26L is a medium-sized backpack for photographers made by the same company that makes the ThinkTankPhoto range. It’s priced at $249.99 (around £200 ex VAT). For me, like a lot of photographers, I imagine, finding the right carrying solution for your gear is a tricky proposition. And of course, it’s dictated by the gear you’re carrying and the location you’re working in. Rollers are great for working from out of a car when you get to the location easily, but as soon as you have to move away from it (which is often the case), then a backpack is the most appealing solution. However, most backpacks…
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LEE100 Filter Holder review
Lee100 Filter Holder – What is it? The Lee100 Filter Holder is a completely redesigned version of the popular and versatile 100mm filter holder for square (and rectangular filters). Like its predecessor, the Foundation holder which I have, the Lee100 Filter Holder also stands out for being one of the few that accepts a polariser – it fits to the front of the holder to allow the use of older, more affordable polyester filters, or ‘gels’ which would otherwise interfere optically. The holder attaches to the lens using a specific adapter ring, so you need only buy a ring for each different size diameter thread, instead of multiple filters of…
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Nikon Nikkor Z 24-70mm F2.8 S lens review: Nikon’s best 24-70mm to date
What is it? The Nikkor Z 24-70mm F2.8 S [advertiser link] is the first pro-oriented lens for Nikon’s full-frame mirrorless Z series cameras, currently the 24MP Z 6 and the high-resolution Z 7. Naturally, it’s a constant-aperture, high-speed standard zoom and has several features not found on the earlier consumer grade Nikkor Z 24-70mm F4 S [concise review]. Besides the larger initial aperture the new lens features 17 elements in total, two of which are ED glass to lower color fringing and four are aspherical to reduce distortion and spherical aberration. Like others in the S-series, it has Nikon Integrated coatings while fluorine coatings are used to help keep the front…
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