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  • The Digital Journal of Photography
  • News
  • Reviews
    • Favourite gear
    • Lenses
      • Lens Reviews
        • Canon RF
          • Canon RF 35mm F1.4 L VCM lens review
        • Fujinon GF
          • Fujifilm Fujinon GF20-35mm F4 R WR
          • Fujifilm Fujinon GF30mm F5.6 T/S review
          • Fujifilm Fujinon GF50mm F3.5 R LM WR
        • Leica L Mount
          • Leica Super-APO-Summicron-SL 21 mm F2 ASPH
          • Leica APO Summicron-SL 50mm F2 ASPH lens review
          • Leica APO Summicron-SL 90mm F2 ASPH
        • Leica M mount
          • Leica Summilux-M 50mm F1.4 ASPH Close Focus 2023 model: First impressions
          • Zeiss 35mm F1.4 ZM Distagon lens review
        • Nikon F
          • Nikon PC Nikkor 19mm F4E ED tilt shift lens review
          • Nikon AF-S Nikkor 180-400mm F4E TC1.4 FL ED VR
        • Nikon Z
          • Nikon Nikkor Z 14-24mm F2.8 S lens review
          • Nikon Nikkor Z 24-70mm F2.8 S
          • Nikon Nikkor Z 24-70mm F4 S
          • Nikon Nikkor Z 58mm F0.95 S Noct: Initial Impressions
        • Sigma (All Mounts)
          • Sigma 24mm F2 DG DN C lens review
          • Sigma 45mm F2.8 DG DN Contemporary lens review: Great rendering and build quality
          • Sigma 105mm F1.4 DG HSM Art
        • Sony FE
          • Sony FE 85mm F1.8
        • Zeiss
          • Contax Zeiss PC-Distagon 2.8/35 T* lens review
      • Lens Database
    • Cameras
      • Canon
      • Fujifilm
      • Hasselblad
        • From the past: Hasselblad H4D 60 review
      • Leica
        • Leica SL3
        • Leica Q3
        • Leica Q3 43
        • Leica M9
        • Leica M11
        • Leica M11 Monochrom Review
      • Nikon
      • Camera Database
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        • NEC MultiSync PA271Q
      • Peripherals
        • CFexpress Type B cards: Which to choose for the Canon EOS R5 and Nikon Z8?
        • Loupedeck+ review: The future of image editing?
        • OWC USB-C Travel Dock
        • SanDisk Professional PRO-G40 SSD
        • Samsung T7 Shield Portable SSD USB 3.2 Gen 2
        • Samsung T9 Portable SSD USB 3.2 Gen 2×2
    • Accessories
      • Bags and Cases
        • Billingham 307
        • Gitzo GC5101 and GC4101 tripod bags reviewed
        • Leica M/M-P Protector review
        • MindShift Gear Backlight 26L
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        • Recomended Filters for Lens Protection
        • LEE100 Filter Holder review
        • LEE100 Polariser Filter review
        • Filter sizes for Canon RF lenses
        • Filter sizes for Canon EF lenses
        • Filter sizes for Fujinon GF lenses
        • Filter sizes for Leica M lenses
  • Articles
    • Features
      • Aperture values for comparison
      • Canon EOS R5 User Guide
        • Setting up Back-button AF on the Canon EOS R5
        • Setting up AF shortcuts on the Canon EOS R5
        • Setting playback in the viewfinder of the Canon EOS R5
        • Using Adapted Lenses on the Canon EOS R5
      • Lightroom
        • Step-by-Step Lightroom Classic Workflow plus useful tips
        • Organise photos in Lightroom using Collections
        • What are the benefits of Virtual Copies in Lightroom?
        • How to create and use Virtual Copies in Lightroom
      • Capture One Pro
        • Capture One Pro 21: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Top 10 Features You Should Know
        • Capture One Pro 12 review
        • Tutorials
          • Importing Images into Capture One
          • How to easily install and organise Styles in Capture One Pro
          • Black and White Conversion using Capture One Pro
        • Hidden Features of Capture One
          • Hidden Features of Capture One Pro: Save Filters for Searching Metadata
          • Hidden Features of Capture One: Save your Workspace
          • Hidden Features of Capture One Pro: Redeploy as a Fast Browser
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  • Sigma 14-24mm F2.8 DG DN lens
    News,  Sigma

    Sigma to add 14-24mm F2.8 DG DN Art of full-frame mirrorless

    July 12, 2019 / Comments Off on Sigma to add 14-24mm F2.8 DG DN Art of full-frame mirrorless

    Sigma is adding a new ultra-wide 14-24mm F2.8 lens to its Art series for full-frame mirrorless cameras. the 14-24mm DG DN Art. It will be available in Sony E-mount and Leica/Panasonic L-mount versions. The optical design is similar to the existing 14-24mm F2.8 DG HSM Art for DSLRs, but it’s not identical. That model uses a 17-element design with three FLD (fluorite-like) elements and two SLD-type elements. The new 18-element design utilises five SLD and one FLD and three aspherical including the large diameter first element. The position of the remaining two has not yet been disclosed. The new lens is sealed and features a rear filter holder. It weighs…

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    Sigma announces 35mm F1.2 Art series lens for mirrorless cameras

    July 11, 2019 / Comments Off on Sigma announces 35mm F1.2 Art series lens for mirrorless cameras

      Sigma’s new 35mm F1.2 DG DN Art is the first full-frame Art series lens with an F1.2 maximum aperture intended for Sony E-mount and L-mount bodies. According to Sigma, the new 17-element lens has high optical correction with only distortion and vignetting correction applied in-camera. Both mount types will come with an aperture ring that can be de-clicked for video capture.  It will be available in July, 2019 with an SRP of £1,459.99 (inc VAT), $1499. More information can be found at Sigma’s Global Vision site. The new lens can be pre-ordered form the following stores: B&H Photo (US) WEX Photo (UK)   Press release (edited for clarity): Take…

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    January 11, 2019 / Comments Off on Sigma introduces 28mm F1.4 DG Art lens for Canon EF, Nikon F and Sigma mounts

    Sigma has officially introduced the 28mm F1.4 DG HSM Art.

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    November 2, 2018 / Comments Off on Sigma UK announces pricing and availability of 40mm F1.4 Art

    Sigma UK has announced that the price of the highly anticipated Sigma 40mm F1.4 DG HSM Art is to be £1099.99 inc VAT. The retail price is significantly higher than either the 35mm or 50mm F1.4 models but the new lens features a much more complex optical construction than either. As well as appealing to stills photographers for its indeterminate field of view,  it is also expected to be a highly attractive option for filmmakers for the same reason. A spokesman for the company said the new lens will be available this month (November) in Sigma, Canon and Nikon mounts. When launched at Photokina, the lens was slated for October.…

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