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  • The Digital Journal of Photography
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        • Canon RF
          • Canon RF 35mm F1.4 L VCM lens review
        • Fujinon GF
          • Fujifilm Fujinon GF20-35mm F4 R WR
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          • Leica Summilux-M 50mm F1.4 ASPH Close Focus 2023 model: First impressions
          • Zeiss 35mm F1.4 ZM Distagon lens review
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          • Nikon PC Nikkor 19mm F4E ED tilt shift lens review
          • Nikon AF-S Nikkor 180-400mm F4E TC1.4 FL ED VR
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          • Nikon Nikkor Z 14-24mm F2.8 S lens review
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          • Nikon Nikkor Z 58mm F0.95 S Noct: Initial Impressions
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          • Sigma 24mm F2 DG DN C lens review
          • Sigma 45mm F2.8 DG DN Contemporary lens review: Great rendering and build quality
          • Sigma 105mm F1.4 DG HSM Art
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          • Sony FE 85mm F1.8
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          • Contax Zeiss PC-Distagon 2.8/35 T* lens review
      • Lens Database
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        • LEE100 Filter Holder review
        • LEE100 Polariser Filter review
  • Articles
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      • Canon EOS R5 User Guide
        • Setting up Back-button AF on the Canon EOS R5
        • Setting up AF shortcuts on the Canon EOS R5
        • Setting playback in the viewfinder of the Canon EOS R5
        • Using Adapted Lenses on the Canon EOS R5
      • Lightroom
        • Step-by-Step Lightroom Classic Workflow
        • Organise photos in Lightroom using Collections
        • What are the benefits of Virtual Copies in Lightroom?
        • How to create and use Virtual Copies in Lightroom
      • Capture One Pro
        • Capture One Pro 21: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Top 10 Features You Should Know
        • Capture One Pro 12 review
        • Tutorials
          • Importing Images into Capture One
          • How to easily install and organise Styles in Capture One Pro
          • Black and White Conversion using Capture One Pro
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          • Hidden Features of Capture One Pro: Save Filters for Searching Metadata
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  • Big Ssigma portraait lens on a white background
    Lens Database,  Lenses

    Sigma 135mm F1.4 DG Art specs

    September 12, 2025 /

      Technical Data Manufacturer Sigma Model Sigma 135mm F1.4 DG Art Web www.sigmauk.com Elements/construction 17 elements in 13 groups (4x FLD, 2x Asph) Angle of view 18.2° (diagonal) Max aperture F1.4 (13 rounded blades) Min aperture F16 Min focus distance 1.1 m (3.61 ft) Mount SL & FE mount only Filter size 105 mm Length 135.5 mm (5.3 in.) Diameter 111.7 mm (4.4 in.) Weight 1,430 g (50.4 oz) Price £1649 inc VAT ($1,699) The Sigma 135mm F1.4 DG Art will be on sale from the 25th of September. Pre-order: WEX UK | Amazon | Park Cameras UK | Sigma UK B&H Photo US | Adorama | Amazon (US)  …

    read more
    Kevin Carter Comments Off on Sigma 135mm F1.4 DG Art specs

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    Sigma 200mm F2 DG OS Sports specs

    August 19, 2025 /

      Technical Data Manufacturer Sigma Model Sigma 200mm F2 DG OS Sports Web www.sigmauk.com Elements/construction 19 elements in 14 groups (2x FLD, 2x SLD, OIS ≤ 6.5 stops) Angle of view 12.3° (diagonal) Max aperture F2 (11 blades) Min aperture F22 Min focus distance 1.7 m (5.58 ft) Mount SL & FE mount only Filter size 105 mm Length 201/203 mm (7.9/8 in.) SL/FE Diameter 118.9 mm (4.7 in.) Weight 960/950g (33.9/33.5 oz) Price £2,999 inc VAT ($2,999) The  Sigma 200mm F2 DG OS Sports will be on sale from the 4th of September with an RRP of £2,999 inc VAT. Pre-order: WEX UK | Amazon | Park Cameras UK…

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    Sigma 200mm F2 DG OS Sports and Canon EF 200mm F2L IS USM specs compared

    August 19, 2025 /

    Key Features of the Sigma 200mm F2 DG OS | Sports Lens World’s First 200mm F2 Full-Frame Mirrorless Lens: This lens is specifically designed for full-frame mirrorless cameras, offering exceptional optical performance. Exceptional Optical Performance: With a construction of 19 elements in 14 groups, including 2 FLD and 2 SLD glass elements, it delivers high resolution and contrast, even at maximum aperture. High-Speed Autofocus and Optical Stabilisation: Equipped with HLA (High-response Linear Actuator) for fast and accurate autofocus, along with a 6.5-stop optical stabilisation system for enhanced image stability. Durability and Weather Resistance: Features a dust- and splash-resistant structure, thermal insulation paint, and robust design, making it reliable in various shooting…

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    Sony announces a compact large aperture wide-angle G series zoom FE 16-25mm F2.8 G

    April 16, 2024 /

    Sony has announced a new compact, large aperture wide-angle G series zoom the Sony FE 16-25mm F2.8 G aimed at both stills photographers and video/filmmakers. The filter thread size is just 67mm and it looks like it’s an IF design (with no extending lens barrels) so it should be capable of taking a decent matte box or filter holder and a raft of filters. 67mm is just at the limit (minimum) of most matte box systems. This is the second lens to follow this short-zoom style, after the Sony FE 24-50mm F2.8 G” announced in February 2024 and uses the same size filter thread. Will a third, say a 50-100mm…

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