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      • Aperture values for comparison
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        • Using Adapted Lenses on the Canon EOS R5
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  • The Digital Journal of Photography
  • News
  • Reviews
    • Lenses
      • Lens Reviews
        • Canon RF
          • Canon RF 35mm F1.4 L VCM lens review
        • Fujinon GF
          • Fujifilm Fujinon GF20-35mm F4 R WR
          • Fujifilm Fujinon GF30mm F5.6 T/S review
          • Fujifilm Fujinon GF50mm F3.5 R LM WR
        • Leica L Mount
          • Leica Super-APO-Summicron-SL 21 mm F2 ASPH
          • Leica APO Summicron-SL 50mm F2 ASPH lens review
          • Leica APO Summicron-SL 90mm F2 ASPH
        • Leica M mount
          • Leica Summilux-M 50mm F1.4 ASPH Close Focus 2023 model: First impressions
          • Zeiss 35mm F1.4 ZM Distagon lens review
        • Nikon F
          • Nikon PC Nikkor 19mm F4E ED tilt shift lens review
          • Nikon AF-S Nikkor 180-400mm F4E TC1.4 FL ED VR
        • Nikon Z
          • Nikon Nikkor Z 14-24mm F2.8 S lens review
          • Nikon Nikkor Z 24-70mm F2.8 S
          • Nikon Nikkor Z 24-70mm F4 S
          • Nikon Nikkor Z 58mm F0.95 S Noct: Initial Impressions
        • Sigma (All Mounts)
          • Sigma 24mm F2 DG DN C lens review
          • Sigma 45mm F2.8 DG DN Contemporary lens review: Great rendering and build quality
          • Sigma 105mm F1.4 DG HSM Art
        • Sony FE
          • Sony FE 85mm F1.8
        • Zeiss
          • Contax Zeiss PC-Distagon 2.8/35 T* lens review
      • Lens Database
    • Cameras
      • Canon
      • Fujifilm
      • Hasselblad
        • From the past: Hasselblad H4D 60 review
      • Leica
        • Leica SL3
        • Leica Q3
        • Leica Q3 43
        • Leica M9
        • Leica M11
        • Leica M11 Monochrom Review
      • Nikon
      • Camera Database
    • Hardware
      • Monitors
        • NEC MultiSync PA271Q
      • Peripherals
        • CFexpress Type B cards: Which to choose for the Canon EOS R5 and Nikon Z8?
        • Loupedeck+ review: The future of image editing?
        • OWC USB-C Travel Dock
        • SanDisk Professional PRO-G40 SSD
        • Samsung T7 Shield Portable SSD USB 3.2 Gen 2
        • Samsung T9 Portable SSD USB 3.2 Gen 2×2
    • Accessories
      • Bags and Cases
        • Billingham 307
        • Gitzo GC5101 and GC4101 tripod bags reviewed
        • Leica M/M-P Protector review
        • MindShift Gear Backlight 26L
      • Filters
        • Recomended Filters for Lens Protection
        • LEE100 Filter Holder review
        • LEE100 Polariser Filter review
        • Filter sizes for Canon RF lenses
        • Filter sizes for Canon EF lenses
        • Filter sizes for Fujinon GF lenses
        • Filter sizes for Leica M lenses
  • Articles
    • Features
      • Aperture values for comparison
      • Canon EOS R5 User Guide
        • Setting up Back-button AF on the Canon EOS R5
        • Setting up AF shortcuts on the Canon EOS R5
        • Setting playback in the viewfinder of the Canon EOS R5
        • Using Adapted Lenses on the Canon EOS R5
      • Lightroom
        • Step-by-Step Lightroom Classic Workflow
        • Organise photos in Lightroom using Collections
        • What are the benefits of Virtual Copies in Lightroom?
        • How to create and use Virtual Copies in Lightroom
      • Capture One Pro
        • Capture One Pro 21: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Top 10 Features You Should Know
        • Capture One Pro 12 review
        • Tutorials
          • Importing Images into Capture One
          • How to easily install and organise Styles in Capture One Pro
          • Black and White Conversion using Capture One Pro
        • Hidden Features of Capture One
          • Hidden Features of Capture One Pro: Save Filters for Searching Metadata
          • Hidden Features of Capture One: Save your Workspace
          • Hidden Features of Capture One Pro: Redeploy as a Fast Browser
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  • Canon RF mount cinema camera
    News

    Canon has announced the RF mount EOS C50 cinema camera

    September 10, 2025 /

    Here are five key takeaways you need to know about the Canon EOS C50 cinema camera: Compact and Lightweight Design: The EOS C50 is Canon’s smallest and lightest cinema camera, weighing approximately 680 g (1.5 lbs), making it ideal for handheld and verité shooting in various settings. Advanced Imaging Capabilities: It features a new 7K full-frame CMOS sensor, dual base ISO 800 / 6400, open gate 3:2 mode for anamorphic and multi-format capture, capable of 7K 60P internal RAW recording and oversampled 4K up to 120p. It also has 32-megapixel still photo capture, positioning it as a true hybrid camera suitable for both video and photography. Versatile Recording Options: The…

    read more
    Kevin Carter Comments Off on Canon has announced the RF mount EOS C50 cinema camera

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    Leica announces the M11-P with new editing protection feature

    October 26, 2023
  • News

    Five Key Takeaways from the Nikon ZR Full-Frame Cinema Camera specs

    September 10, 2025 /

    Nikon has announced the first Nikon-branded Cinema Camera after the acquisition of RED, the highly respected US-based cinema camera company. It’s a true hybrid in the sense that it adopts IP from both companies; the main components of the mirrorless Z6 III, including the sensor and Expeed 7 processor, and RED’s colour processing technology. As expected, the ZR features a rectangular box-shaped body, typical of entry-level cinema cameras. Here are the Five Key takeaways of the Nikon ZR Full-Frame Cinema Camera announcement: Camera Specifications and Features: The Nikon ZR features a 6K full-frame sensor capable of recording up to 6K/60p. It includes a Dual Base ISO of 800/6400, maintaining a…

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    NEC MultiSync PA271Q monitor review

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  • Sigma 35mm lens on a white background.
    News

    Sigma announces new 35mm F1.2 and 135mm F1.4 lenses for full-frame Sony and Leica cameras

    September 9, 2025 /

    Sigma has announced a new 35mm F1.2 DG Art series prime for Sony E-mount and Leica SL-mount cameras. This new DG II model is a completely new design and replaces the previous version. Being around 30% lighter and 20% shorter, it boasts a significant decrease in size and weight. The redesigned lens features one SLD element, four asphericals and an undisclosed number of elements made from high anomalous dispersion glass. It also features a floating element design by virtue of two High-response linear actuators, one each for the two focusing groups. When changing focus, the dedicated AF acutator in combination with the adoption of the aspherical elements “significantly suppresses focus-breathing,”…

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    Kevin Carter Comments Off on Sigma announces new 35mm F1.2 and 135mm F1.4 lenses for full-frame Sony and Leica cameras

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    SanDisk Professional PRO-G40 SSD review

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    Canon RF 35mm F1.4 L VCM specs compared with predecessor, Canon EF 35mm F1.4L USM II

    June 6, 2024
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    Adobe announces update to version 8.0 of Lightroom Classic CC

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  • Sony FE 16-25mm F2.8 G zoom lens on a white background
    News

    Sony announces a compact large aperture wide-angle G series zoom FE 16-25mm F2.8 G

    April 16, 2024 /

    Sony has announced a new compact, large aperture wide-angle G series zoom the Sony FE 16-25mm F2.8 G aimed at both stills photographers and video/filmmakers. The filter thread size is just 67mm and it looks like it’s an IF design (with no extending lens barrels) so it should be capable of taking a decent matte box or filter holder and a raft of filters. 67mm is just at the limit (minimum) of most matte box systems. This is the second lens to follow this short-zoom style, after the Sony FE 24-50mm F2.8 G” announced in February 2024 and uses the same size filter thread. Will a third, say a 50-100mm…

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