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          • Fujifilm Fujinon GF50mm F3.5 R LM WR
        • Leica L Mount
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          • Leica APO Summicron-SL 90mm F2 ASPH
        • Leica M mount
          • Leica Summilux-M 50mm F1.4 ASPH Close Focus 2023 model: First impressions
          • Zeiss 35mm F1.4 ZM Distagon lens review
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          • Nikon AF-S Nikkor 180-400mm F4E TC1.4 FL ED VR
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          • Nikon Nikkor Z 14-24mm F2.8 S lens review
          • Nikon Nikkor Z 24-70mm F2.8 S
          • Nikon Nikkor Z 24-70mm F4 S
          • Nikon Nikkor Z 58mm F0.95 S Noct: Initial Impressions
        • Sigma (All Mounts)
          • Sigma 24mm F2 DG DN C lens review
          • Sigma 45mm F2.8 DG DN Contemporary lens review: Great rendering and build quality
          • Sigma 105mm F1.4 DG HSM Art
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          • Contax Zeiss PC-Distagon 2.8/35 T* lens review
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  • The Digital Journal of Photography
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    • Lenses
      • Lens Reviews
        • Canon RF
          • Canon RF 35mm F1.4 L VCM lens review
        • Fujinon GF
          • Fujifilm Fujinon GF20-35mm F4 R WR
          • Fujifilm Fujinon GF30mm F5.6 T/S review
          • Fujifilm Fujinon GF50mm F3.5 R LM WR
        • Leica L Mount
          • Leica Super-APO-Summicron-SL 21 mm F2 ASPH
          • Leica APO Summicron-SL 50mm F2 ASPH lens review
          • Leica APO Summicron-SL 90mm F2 ASPH
        • Leica M mount
          • Leica Summilux-M 50mm F1.4 ASPH Close Focus 2023 model: First impressions
          • Zeiss 35mm F1.4 ZM Distagon lens review
        • Nikon F
          • Nikon PC Nikkor 19mm F4E ED tilt shift lens review
          • Nikon AF-S Nikkor 180-400mm F4E TC1.4 FL ED VR
        • Nikon Z
          • Nikon Nikkor Z 14-24mm F2.8 S lens review
          • Nikon Nikkor Z 24-70mm F2.8 S
          • Nikon Nikkor Z 24-70mm F4 S
          • Nikon Nikkor Z 58mm F0.95 S Noct: Initial Impressions
        • Sigma (All Mounts)
          • Sigma 24mm F2 DG DN C lens review
          • Sigma 45mm F2.8 DG DN Contemporary lens review: Great rendering and build quality
          • Sigma 105mm F1.4 DG HSM Art
        • Sony FE
          • Sony FE 85mm F1.8
        • Zeiss
          • Contax Zeiss PC-Distagon 2.8/35 T* lens review
      • Lens Database
        • Aperture values for comparison
        • Filter sizes for Canon RF lenses
        • Filter sizes for Canon EF lenses
        • Filter sizes for Fujinon GF lenses
        • Filter sizes for Leica M lenses
        • Fujifilm Fujinon GF30mm F5.6 T/S specs compared with Canon EF 24mm F3.5L TS-E
    • Cameras
      • Canon
      • Fujifilm
      • Leica
        • Leica SL3
        • Leica Q3
        • Leica Q3 43
        • Leica M9
        • Leica M11
        • Leica M11 Monochrom Review
      • Nikon
      • Camera Database
    • Hardware
      • Monitors
        • NEC MultiSync PA271Q
      • Peripherals
        • CFexpress Type B cards: Which to choose for the Canon EOS R5 and Nikon Z8?
        • Loupedeck+ review: The future of image editing?
        • OWC USB-C Travel Dock
        • SanDisk Professional PRO-G40 SSD
        • Samsung T7 Shield Portable SSD USB 3.2 Gen 2
        • Samsung T9 Portable SSD USB 3.2 Gen 2×2
    • Accessories
      • Bags and Cases
        • Billingham 307
        • Gitzo GC5101 and GC4101 tripod bags reviewed
        • Leica M/M-P Protector review
        • MindShift Gear Backlight 26L
      • Filters
        • Recomended Filters for Lens Protection
        • LEE100 Filter Holder review
        • LEE100 Polariser Filter review
  • Articles
    • Features
      • Canon EOS R5 User Guide
        • Setting up Back-button AF on the Canon EOS R5
        • Setting up AF shortcuts on the Canon EOS R5
        • Setting playback in the viewfinder of the Canon EOS R5
        • Using Adapted Lenses on the Canon EOS R5
      • Lightroom
        • Step-by-Step Lightroom Classic Workflow
        • Organise photos in Lightroom using Collections
        • What are the benefits of Virtual Copies in Lightroom?
        • How to create and use Virtual Copies in Lightroom
      • Capture One Pro
        • Capture One Pro 21: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Top 10 Features You Should Know
        • Capture One Pro 12 review
        • Tutorials
          • Importing Images into Capture One
          • How to Install Styles Easily in Capture One Pro
          • Black and White Conversion using Capture One Pro
        • Hidden Features of Capture One
          • Hidden Features of Capture One Pro: Save Filters for Searching Metadata
          • Hidden Features of Capture One: Save your Workspace
          • Hidden Features of Capture One Pro: Redeploy as a Fast Browser
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  • Lens Database,  Lenses

    Sigma 200mm F2 DG OS Sports specs

    August 19, 2025 /

      Technical Data Manufacturer Sigma Model Sigma 200mm F2 DG OS Sports Web www.sigmauk.com Elements/construction 19 elements in 14 groups (2x FLD, 2x SLD, OIS ≤ 6.5 stops) Angle of view 12.3° (diagonal) Max aperture F2 (11 blades) Min aperture F22 Min focus distance 1.7 m (5.58 ft) Mount SL & FE mount only Filter size 105 mm Length 201/203 mm (7.9/8 in.) SL/FE Diameter 118.9 mm (4.7 in.) Weight 960/950g (33.9/33.5 oz) Price £2,999 inc VAT ($2,999) The  Sigma 200mm F2 DG OS Sports will be on sale from the 4th of September with an RRP of £2,999 inc VAT. Pre-order: WEX UK | Amazon | Park Cameras UK…

    read more
    Kevin Carter Comments Off on Sigma 200mm F2 DG OS Sports specs

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    Sigma 200mm F2 DG OS Sports and Canon EF 200mm F2L IS USM specs compared

    August 19, 2025 /

    Key Features of the Sigma 200mm F2 DG OS | Sports Lens World’s First 200mm F2 Full-Frame Mirrorless Lens: This lens is specifically designed for full-frame mirrorless cameras, offering exceptional optical performance. Exceptional Optical Performance: With a construction of 19 elements in 14 groups, including 2 FLD and 2 SLD glass elements, it delivers high resolution and contrast, even at maximum aperture. High-Speed Autofocus and Optical Stabilisation: Equipped with HLA (High-response Linear Actuator) for fast and accurate autofocus, along with a 6.5-stop optical stabilisation system for enhanced image stability. Durability and Weather Resistance: Features a dust- and splash-resistant structure, thermal insulation paint, and robust design, making it reliable in various shooting…

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  • Nikon AF-S Nikkor 180-400mm F4E TC1.4 FL ED VR
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    Nikon AF-S Nikkor 180-400mm F4E TC1.4 FL ED VR lens review: Nikon’s best tele-zoom

    September 27, 2019 /

    The Nikon AF-S Nikkor 180-400mm F4E TC1.4 FL ED VR is an updated version of the AF-S Nikkor 200-400mm F4G ED VR – one of the first lenses Nikon added stabilisation (VR) to (the other being the AF-S Nikkor 200mm F2.0, effectively a 300mm on the DX only bodies back then) and the favourite of animal safari photographers everywhere. Not surprisingly, it’s also a popular choice with those who cover sports. This new model, though, is much more than just an update – it’s a redesigned lens complete with a built-in 1.4x teleconverter that’s meant to counter the Canon EF 200-400mm F4L IS USM Extender 1.4x, itself a showcase model…

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