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          • Canon RF 35mm F1.4 L VCM lens review
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          • Fujifilm Fujinon GF30mm F5.6 T/S review
          • Fujifilm Fujinon GF50mm F3.5 R LM WR
        • Leica L Mount
          • Leica Super-APO-Summicron-SL 21 mm F2 ASPH
          • Leica APO Summicron-SL 50mm F2 ASPH lens review
          • Leica APO Summicron-SL 90mm F2 ASPH
        • Leica M mount
          • Leica Summilux-M 50mm F1.4 ASPH Close Focus 2023 model: First impressions
          • Zeiss 35mm F1.4 ZM Distagon lens review
        • Nikon F
          • Nikon PC Nikkor 19mm F4E ED tilt shift lens review
          • Nikon AF-S Nikkor 180-400mm F4E TC1.4 FL ED VR
        • Nikon Z
          • Nikon Nikkor Z 14-24mm F2.8 S lens review
          • Nikon Nikkor Z 24-70mm F2.8 S
          • Nikon Nikkor Z 24-70mm F4 S
          • Nikon Nikkor Z 58mm F0.95 S Noct: Initial Impressions
        • Sigma (All Mounts)
          • Sigma 24mm F2 DG DN C lens review
          • Sigma 45mm F2.8 DG DN Contemporary lens review: Great rendering and build quality
          • Sigma 105mm F1.4 DG HSM Art
        • Sony FE
          • Sony FE 85mm F1.8
        • Zeiss
          • Contax Zeiss PC-Distagon 2.8/35 T* lens review
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        • From the past: Hasselblad H4D 60 review
      • Leica
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        • Leica Q3 43
        • Leica M9
        • Leica M11
        • Leica M11 Monochrom Review
      • Nikon
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        • NEC MultiSync PA271Q
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        • CFexpress Type B cards: Which to choose for the Canon EOS R5 and Nikon Z8?
        • Loupedeck+ review: The future of image editing?
        • OWC USB-C Travel Dock
        • SanDisk Professional PRO-G40 SSD
        • Samsung T7 Shield Portable SSD USB 3.2 Gen 2
        • Samsung T9 Portable SSD USB 3.2 Gen 2×2
    • Accessories
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        • Billingham 307
        • Gitzo GC5101 and GC4101 tripod bags reviewed
        • Leica M/M-P Protector review
        • MindShift Gear Backlight 26L
      • Filters
        • Recomended Filters for Lens Protection
        • LEE100 Filter Holder review
        • LEE100 Polariser Filter review
        • Filter sizes for Canon RF lenses
        • Filter sizes for Canon EF lenses
        • Filter sizes for Fujinon GF lenses
        • Filter sizes for Leica M lenses
  • Articles
    • Features
      • Aperture values for comparison
      • Canon EOS R5 User Guide
        • Setting up Back-button AF on the Canon EOS R5
        • Setting up AF shortcuts on the Canon EOS R5
        • Setting playback in the viewfinder of the Canon EOS R5
        • Using Adapted Lenses on the Canon EOS R5
      • Lightroom
        • Step-by-Step Lightroom Classic Workflow plus useful tips
        • Organise photos in Lightroom using Collections
        • What are the benefits of Virtual Copies in Lightroom?
        • How to create and use Virtual Copies in Lightroom
      • Capture One Pro
        • Capture One Pro 21: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Top 10 Features You Should Know
        • Capture One Pro 12 review
        • Tutorials
          • Importing Images into Capture One
          • How to easily install and organise Styles in Capture One Pro
          • Black and White Conversion using Capture One Pro
        • Hidden Features of Capture One
          • Hidden Features of Capture One Pro: Save Filters for Searching Metadata
          • Hidden Features of Capture One: Save your Workspace
          • Hidden Features of Capture One Pro: Redeploy as a Fast Browser
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  • The Digital Journal of Photography
  • News
  • Reviews
    • Lenses
      • Lens Reviews
        • Canon RF
          • Canon RF 35mm F1.4 L VCM lens review
        • Fujinon GF
          • Fujifilm Fujinon GF20-35mm F4 R WR
          • Fujifilm Fujinon GF30mm F5.6 T/S review
          • Fujifilm Fujinon GF50mm F3.5 R LM WR
        • Leica L Mount
          • Leica Super-APO-Summicron-SL 21 mm F2 ASPH
          • Leica APO Summicron-SL 50mm F2 ASPH lens review
          • Leica APO Summicron-SL 90mm F2 ASPH
        • Leica M mount
          • Leica Summilux-M 50mm F1.4 ASPH Close Focus 2023 model: First impressions
          • Zeiss 35mm F1.4 ZM Distagon lens review
        • Nikon F
          • Nikon PC Nikkor 19mm F4E ED tilt shift lens review
          • Nikon AF-S Nikkor 180-400mm F4E TC1.4 FL ED VR
        • Nikon Z
          • Nikon Nikkor Z 14-24mm F2.8 S lens review
          • Nikon Nikkor Z 24-70mm F2.8 S
          • Nikon Nikkor Z 24-70mm F4 S
          • Nikon Nikkor Z 58mm F0.95 S Noct: Initial Impressions
        • Sigma (All Mounts)
          • Sigma 24mm F2 DG DN C lens review
          • Sigma 45mm F2.8 DG DN Contemporary lens review: Great rendering and build quality
          • Sigma 105mm F1.4 DG HSM Art
        • Sony FE
          • Sony FE 85mm F1.8
        • Zeiss
          • Contax Zeiss PC-Distagon 2.8/35 T* lens review
      • Lens Database
    • Cameras
      • Canon
      • Fujifilm
      • Hasselblad
        • From the past: Hasselblad H4D 60 review
      • Leica
        • Leica SL3
        • Leica Q3
        • Leica Q3 43
        • Leica M9
        • Leica M11
        • Leica M11 Monochrom Review
      • Nikon
      • Camera Database
    • Hardware
      • Monitors
        • NEC MultiSync PA271Q
      • Peripherals
        • CFexpress Type B cards: Which to choose for the Canon EOS R5 and Nikon Z8?
        • Loupedeck+ review: The future of image editing?
        • OWC USB-C Travel Dock
        • SanDisk Professional PRO-G40 SSD
        • Samsung T7 Shield Portable SSD USB 3.2 Gen 2
        • Samsung T9 Portable SSD USB 3.2 Gen 2×2
    • Accessories
      • Bags and Cases
        • Billingham 307
        • Gitzo GC5101 and GC4101 tripod bags reviewed
        • Leica M/M-P Protector review
        • MindShift Gear Backlight 26L
      • Filters
        • Recomended Filters for Lens Protection
        • LEE100 Filter Holder review
        • LEE100 Polariser Filter review
        • Filter sizes for Canon RF lenses
        • Filter sizes for Canon EF lenses
        • Filter sizes for Fujinon GF lenses
        • Filter sizes for Leica M lenses
  • Articles
    • Features
      • Aperture values for comparison
      • Canon EOS R5 User Guide
        • Setting up Back-button AF on the Canon EOS R5
        • Setting up AF shortcuts on the Canon EOS R5
        • Setting playback in the viewfinder of the Canon EOS R5
        • Using Adapted Lenses on the Canon EOS R5
      • Lightroom
        • Step-by-Step Lightroom Classic Workflow plus useful tips
        • Organise photos in Lightroom using Collections
        • What are the benefits of Virtual Copies in Lightroom?
        • How to create and use Virtual Copies in Lightroom
      • Capture One Pro
        • Capture One Pro 21: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Top 10 Features You Should Know
        • Capture One Pro 12 review
        • Tutorials
          • Importing Images into Capture One
          • How to easily install and organise Styles in Capture One Pro
          • Black and White Conversion using Capture One Pro
        • Hidden Features of Capture One
          • Hidden Features of Capture One Pro: Save Filters for Searching Metadata
          • Hidden Features of Capture One: Save your Workspace
          • Hidden Features of Capture One Pro: Redeploy as a Fast Browser
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  • News

    Sigma UK announces pricing and availability of 40mm F1.4 Art

    November 2, 2018 / Comments Off on Sigma UK announces pricing and availability of 40mm F1.4 Art

    Sigma UK has announced that the price of the highly anticipated Sigma 40mm F1.4 DG HSM Art is to be £1099.99 inc VAT. The retail price is significantly higher than either the 35mm or 50mm F1.4 models but the new lens features a much more complex optical construction than either. As well as appealing to stills photographers for its indeterminate field of view,  it is also expected to be a highly attractive option for filmmakers for the same reason. A spokesman for the company said the new lens will be available this month (November) in Sigma, Canon and Nikon mounts. When launched at Photokina, the lens was slated for October.…

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    Nikon Nikkor Z 24-70mm F4S lens review: Compact and capable performer

    September 30, 2019
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    Canon EOS R5 Mark II commentary

    July 18, 2024
    Tilt-shift lens on the Fujifilm GFX 100 II

    Fujifilm annouces new flagship medium format camera: GFX100 II

    September 12, 2023
  • Mobile,  News

    Samsung anounces high resolution sensors for smartphone cameras

    October 30, 2018 / Comments Off on Samsung anounces high resolution sensors for smartphone cameras

    Samsung Electronics has launched two new high-resolution image sensors that are destined for multi-camera arrays in smartphones. The two “Isocell” sensors – a 48-megapixel and a 32-megapixel unit both feature small size 0.8 micron pixels and are crucially compact to fit the slim bodies demanded of smartphone makers. Called GM1 and GD1 respectively, the two new sensors feature Samsung’s Isocell Plus technology which adopts an innovative pixel structure that improves both light sensitivity and color fidelity, and what Samsung are calling Tetracell technology where the output from four pixels is combined into one (oversampled) for reduced noise. The sensors also support the gyro-based electronic image stabilization (EIS) technology used in…

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    Kevin Carter

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    Samsung announces mid-range Galaxy A7 with triple-camera

    September 22, 2018

    LG announces Five Camera LG V40 THINQ

    October 3, 2018
    Sony Pro mobile front and rear.

    Sony to launch Xperia PRO smartphone in the UK

    May 6, 2021
  • Lightoom icon on a black background
    News

    Adobe announces update to version 8.0 of Lightroom Classic CC

    October 17, 2018 / Comments Off on Adobe announces update to version 8.0 of Lightroom Classic CC

    At Adobe MAX 2018 in Los Angeles Adobe previewed Lightroom Classic CC version 8.0. Not to be confused with the recently introduced the cloud- and desktop- based Lightroom CC (now at version 2.0), Lightroom Classic CC is the familiar desktop-only version of the app, and is still the go-to option for enthusiasts and imaging professionals.  New to this release is a highly practical and time saving HDR Panorama merge feature, that combines what was previously a two-stage process into one. This option allows both bracketed and overlapping frames with the maximal dynamic range to be stitched together to form wide or ultra-wide perspectives.  It’s also available in the lastest update to Adobe…

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    Kevin Carter

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    This is a picture of an OWC Atlas Pro 512GB CFexpress card.

    OWC add faster Gen 4 spec to certain Atlas CFexpress Type B cards

    October 20, 2023
    New Sigma Graphic

    Sigma Black Friday Promotion Details

    November 18, 2019

    Canon announces the development of the EOS R3 and three tele lenses

    April 14, 2021
  • News

    Fully-featured Photoshop to come to the iPad

    October 15, 2018 / Comments Off on Fully-featured Photoshop to come to the iPad

    Adobe have today announced that a fully featured Photoshop CC is coming to the iPad.  

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    Kevin Carter

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    Canon EOS R5 Mark II commentary

    July 18, 2024
    LEE 100 Filter Holder

    Grab a free filter ring when buying a Lee 100 Holder

    March 28, 2021

    Sigma introduces 28mm F1.4 DG Art lens for Canon EF, Nikon F and Sigma mounts

    January 11, 2019
  • Leica Q in khaki with silver chrome top and bottom covers.
    Leica,  News

    Leica announces special edition Leica Q Khaki

    October 13, 2018 / Comments Off on Leica announces special edition Leica Q Khaki

    Leica has announced a special edition of the Leica Q, the Leica Q Khaki. Clad in khaki leather trim and with chrome top and bottom plates the Leica Q Khaki is reminiscent of the Leica M Safari versions. In all other respects, the new khaki model is the same as regular Leica Q. The Leica Q remains one of the most compelling compacts currently available, however, the announcement of another limited edition will fuel the debate about when to expect a new model. It is believed that a version 2 or upgraded model when it comes will feature a new higher resolution sensor, 4K video and 120 fps for slow…

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    Kevin Carter

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    Leica Q3 review: the quintessential Leica

    December 8, 2023

    Leica announces Leica M10-P: The quietest M

    August 21, 2018
    Leica Q3 43 with its distinctive yet subtle grey leather cover.

    Leica Q3 43 review

    December 11, 2024
  • News,  Phase One

    Capture One Pro Fujifilm Available As Perpetual License

    October 9, 2018 / Comments Off on Capture One Pro Fujifilm Available As Perpetual License

    Phase One announced at Photokina this year that Capture One Pro 11.3 was available with extended RAW support for Fujifilm cameras, most notably that they supported the medium format  GFX 50S (and new GFX 50R, unofficially). Phase One also introduced a less feature rich Express version Capture One Express Fujifilm specifically for Fujifilm users, which is offered as a similar arrangement to the Capture One Express Sony.  Capture One Express lacks some of the features of the Pro version such as Sessions, Layers and tethered camera control, but RAW file support for the cameras and lens profiles doesn’t vary. See here for the full list of features. A Pro version…

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    Nikon announces £650 35mm F1.4 for Z system

    June 26, 2024

    Canon announces new mirrorless full-frame EOS R system

    September 5, 2018
    Loupedeck+

    Loupedeck+ review: The future of image editing?

    December 16, 2018
  • Mobile,  News

    LG announces Five Camera LG V40 THINQ

    October 3, 2018 / Comments Off on LG announces Five Camera LG V40 THINQ

    Korea based LG Electronics has today unveiled the LG V40 THINQ, a premium smartphone with five cameras, though it’s not quite what it seems in that the rear camera setup has only three separate camera modules. The other two are used for selfies on the front. The high-end model has three rear camera modules to simulate a single zoom and features a 16MP sensor with super-wide field (107 degree) F1.9 lens, and a second with a large 12MP sensor with 1.4 micron pixels and standard lens (78 degree) with a F1.5 aperture. The third module includes a telephoto lens (45 degree) with F2.4 aperture and similar 12MP sensor, albeit with…

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    Samsung anounces high resolution sensors for smartphone cameras

    October 30, 2018
    Sony Pro mobile front and rear.

    Sony to launch Xperia PRO smartphone in the UK

    May 6, 2021

    Samsung announces mid-range Galaxy A7 with triple-camera

    September 22, 2018
  • Sigma 105mm F1.4 DG HSM Art on a white background
    Canon EF,  Lens Reviews,  News,  Reviews,  Sigma (All Mounts),  Sigma 105mm F1.4 DG HSM Art

    Sigma 105mm F1.4 DG HSM Art lens review: Outstanding performer

    September 29, 2018 / Comments Off on Sigma 105mm F1.4 DG HSM Art lens review: Outstanding performer

    The Sigma 105mm F1.4 DG HSM Art debuted earlier in the year, around May, and is priced at around $1400/£1500. From the DG designation, you can tell that it’s a full-frame lens, and it’s available in Canon, Nikon and Sigma mounts. It is of course, targeting the superb but pricey Nikon AF-S Nikkor 105mm F1.4E ED, but would also appeal to Canon users, where a high-speed L-series model in that focal length is strangely absent from the line-up. It may also be possible that it becomes available in the Sony FE mount; it is already suitable for mirrorless cameras. Sigma has recently introduced some Art series in Sony FE mount,…

    read more
    Kevin Carter
  • Fujifilm GFX100 without lens.
    Fujifilm,  News

    Fujifilm GFX 100 medium format camera with IBIS announced

    September 26, 2018 / Comments Off on Fujifilm GFX 100 medium format camera with IBIS announced

    In addition to announcing the new rangefinder-style Fujifilm GFX 50R and three new lenses, see here for more details, Fuji took the opportunity to make a development announcement. The 102MP GFX 100 medium format camera is a more conventionally styled model than the current GFX 50S and will include on-sensor PDAF across the entire frame. Information is sparse but the 102 megapixel sensor in the GFX 100 is expected to be 43.8 x 32.2mm sensor, like that found in the 50S and 50R models.  The GFX 100 also features sensor-based image stabilization – a first in medium format, and 4K video from the X Processor 4 engine. A mock-up was shown…

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    Fujifilm GFX 50R

    Fujifilm announces rangefinder-esque GFX 50R and three lenses

    September 26, 2018
  • Fujifilm GFX 50R
    Fujifilm,  News

    Fujifilm announces rangefinder-esque GFX 50R and three lenses

    September 26, 2018 / 2 Comments

    Fujifilm has announced the GFX 50R, a rangefinder-styled medium format model based on the earlier GFX 50S. It adopts the same 51.4-MP cropped medium format sensor (43.8 x 32.2mm) as its sibling and much of the rest of the internals, albeit in a smaller, more compact body and with a significantly lower ticket. The GFX 50R adds Bluetooth connectivity with a smartphone and offers a similar build and weatherproofing as the 50S.  The built-in OLED viewfinder is a smaller 3.69M-dot unit but offers a reasonably generous 0.77x magnification. At the rear, the 3.2-in 2360K-dot touchscreen LCD uses a conventional tilting mechanism. The 50R has dual SD card slots with support…

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    Fujifilm GFX 100 medium format camera with IBIS announced

    September 26, 2018
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