Leica
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Leica SL2 Announced
Leica has announced the long-leaked and long-expected update to the full-frame mirrorless SL, the appropriately named SL2. It brings several expected and significant updates to the original Leica SL, including a sensor upgrade from the old 24.2MP unit to a 47MP sensor, similar but not identical in pixel count to that in the Leica Q and that of their technology partner Panasonic and their Lumix DC-S1R camera. Although often overlooked, it’s no secret that the original SL electronics and many of its internal components are made by Panasonic and it’s not difficult to see that the SL2 shares much of its DNA with the Panasonic Lumix DC-S1R. Although the imaging…
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Leica APO-Summicron-SL 50mm F2 ASPH lens announced
Leica has announced the Leica APO-Summicron-SL 50mm F2 ASPH lens, an L-mount lens that’s not only compatible with the Leica SL currently but as a part of the L-Mount alliance, the lens is compatible with the Lumix S1 series made by Panasonic as well as the Sigma fp. The lens features 12 elements with three aspherical surfaces and an unknown number of elements – Leica claim as the ‘majority’ – being made of anomalous partial dispersion glass for apochromatic correction. As with other lenses in the Summicron-SL series, the 50mm F2 ASPH features a Dual Syncro Drive (DSD) stepping motor for fast autofocus, which allows for the lens to be driven…
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Leica APO-Summicron-SL 50mm F2 ASPH
Technical data: Lens APO-Summicron-SL 50 mm f/2 ASPH. Angle of view (diagonal, horizontal, vertical) 47.2° / 40.0° / 27.3° Optical design Number of elements/groups 12/10 Number of aspherical elements 3 Position of entrance pupil in front of the bayonet flange 63.2 mm Focusing Working range 0.35 m to infinity Smallest object field 120 × 180 mm Largest reproduction ratio 1:5 Aperture Settings/functions Electronically controlled iris, setting with the camera setting dial, half- or one-third stop settings possible Aperture setting range 2 – 22 Smallest aperture 22 Bayonet/sensor format Leica L-bayonet, full-frame 35 mm format Filter thread E67 Dimensions and weight Length to bayonet flange 102 mm…
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Sigma introduce MC-21 Mount Converter for L mount bodies
Sigma has introduced the MC-21 mount converter for mirrorless L-mount bodies, at the time of writing includes the Leica SL/TL and the new Panasonic S1 and S1R. There are two versions of the converter, the £249.99 EF-L allows Canon EF mount lenses, including Sigma lenses with EF mount to attach to L mount bodies. Priced at just £99, the second, SA-L version, allows Sigma lenses with the SA mount to fit the same bodies. Sigma has confirmed the new converter has compatibility with 29 Sigma full-frame and APS-C lenses with the latter automatically enabling the auto-crop feature on full-frame bodies. Other models are not guaranteed to be fully compatible. Lens…
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Leica announces special edition Leica Q Khaki
Leica has announced a special edition of the Leica Q, the Leica Q Khaki. Clad in khaki leather trim and with chrome top and bottom plates the Leica Q Khaki is reminiscent of the Leica M Safari versions. In all other respects, the new khaki model is the same as regular Leica Q. The Leica Q remains one of the most compelling compacts currently available, however, the announcement of another limited edition will fuel the debate about when to expect a new model. It is believed that a version 2 or upgraded model when it comes will feature a new higher resolution sensor, 4K video and 120 fps for slow…
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Leica announces Leica M10-P: The quietest M
Leica Camera AG, the company behind the Leica M series rangefinder cameras, has announced an P-version of the current Leica M10. The “P” moniker was first used on the Leica MP in 1956. It resurfaced commercially with the introduction of the Leica M4-P in 1980, as the successor to the M4-2, to denote the new model was intended for “Professional” use. At least that was the inference. As then, updates to the current M10 are relatively minor, mainly cosmetic. However, Leica claim the M10-P has the quietest shutter of all M-series models to date. This is no mean feat, considering the film models used a horizontal-running, rubberized-cloth type shutter. Today’s…
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