• The Digital Journal of Photography
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          • Canon RF 35mm F1.4 L VCM lens review
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          • Fujifilm Fujinon GF30mm F5.6 T/S review
          • Fujifilm Fujinon GF50mm F3.5 R LM WR
        • Leica L Mount
          • Leica Super-APO-Summicron-SL 21 mm F2 ASPH
          • Leica APO Summicron-SL 50mm F2 ASPH lens review
          • Leica APO Summicron-SL 90mm F2 ASPH
        • Leica M mount
          • Leica Summilux-M 50mm F1.4 ASPH Close Focus 2023 model: First impressions
          • Zeiss 35mm F1.4 ZM Distagon lens review
        • Nikon F
          • Nikon PC Nikkor 19mm F4E ED tilt shift lens review
          • Nikon AF-S Nikkor 180-400mm F4E TC1.4 FL ED VR
        • Nikon Z
          • Nikon Nikkor Z 14-24mm F2.8 S lens review
          • Nikon Nikkor Z 24-70mm F2.8 S
          • Nikon Nikkor Z 24-70mm F4 S
          • Nikon Nikkor Z 58mm F0.95 S Noct: Initial Impressions
        • Sigma (All Mounts)
          • Sigma 24mm F2 DG DN C lens review
          • Sigma 45mm F2.8 DG DN Contemporary lens review: Great rendering and build quality
          • Sigma 105mm F1.4 DG HSM Art
        • Sony FE
          • Sony FE 85mm F1.8
        • Zeiss
          • Contax Zeiss PC-Distagon 2.8/35 T* lens review
      • Lens Database
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        • From the past: Hasselblad H4D 60 review
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        • Samsung T7 Shield Portable SSD USB 3.2 Gen 2
        • Samsung T9 Portable SSD USB 3.2 Gen 2×2
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        • Billingham 307
        • Gitzo GC5101 and GC4101 tripod bags reviewed
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        • Recomended Filters for Lens Protection
        • LEE100 Filter Holder review
        • LEE100 Polariser Filter review
        • Filter sizes for Canon RF lenses
        • Filter sizes for Canon EF lenses
        • Filter sizes for Fujinon GF lenses
        • Filter sizes for Leica M lenses
  • Articles
    • Features
      • Aperture values for comparison
      • Canon EOS R5 User Guide
        • Setting up Back-button AF on the Canon EOS R5
        • Setting up AF shortcuts on the Canon EOS R5
        • Setting playback in the viewfinder of the Canon EOS R5
        • Using Adapted Lenses on the Canon EOS R5
      • Lightroom
        • Step-by-Step Lightroom Classic Workflow
        • Organise photos in Lightroom using Collections
        • What are the benefits of Virtual Copies in Lightroom?
        • How to create and use Virtual Copies in Lightroom
      • Capture One Pro
        • Capture One Pro 21: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Top 10 Features You Should Know
        • Capture One Pro 12 review
        • Tutorials
          • Importing Images into Capture One
          • How to easily install and organise Styles in Capture One Pro
          • Black and White Conversion using Capture One Pro
        • Hidden Features of Capture One
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          • Hidden Features of Capture One: Save your Workspace
          • Hidden Features of Capture One Pro: Redeploy as a Fast Browser
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  • The Digital Journal of Photography
  • News
  • Reviews
    • Lenses
      • Lens Reviews
        • Canon RF
          • Canon RF 35mm F1.4 L VCM lens review
        • Fujinon GF
          • Fujifilm Fujinon GF20-35mm F4 R WR
          • Fujifilm Fujinon GF30mm F5.6 T/S review
          • Fujifilm Fujinon GF50mm F3.5 R LM WR
        • Leica L Mount
          • Leica Super-APO-Summicron-SL 21 mm F2 ASPH
          • Leica APO Summicron-SL 50mm F2 ASPH lens review
          • Leica APO Summicron-SL 90mm F2 ASPH
        • Leica M mount
          • Leica Summilux-M 50mm F1.4 ASPH Close Focus 2023 model: First impressions
          • Zeiss 35mm F1.4 ZM Distagon lens review
        • Nikon F
          • Nikon PC Nikkor 19mm F4E ED tilt shift lens review
          • Nikon AF-S Nikkor 180-400mm F4E TC1.4 FL ED VR
        • Nikon Z
          • Nikon Nikkor Z 14-24mm F2.8 S lens review
          • Nikon Nikkor Z 24-70mm F2.8 S
          • Nikon Nikkor Z 24-70mm F4 S
          • Nikon Nikkor Z 58mm F0.95 S Noct: Initial Impressions
        • Sigma (All Mounts)
          • Sigma 24mm F2 DG DN C lens review
          • Sigma 45mm F2.8 DG DN Contemporary lens review: Great rendering and build quality
          • Sigma 105mm F1.4 DG HSM Art
        • Sony FE
          • Sony FE 85mm F1.8
        • Zeiss
          • Contax Zeiss PC-Distagon 2.8/35 T* lens review
      • Lens Database
    • Cameras
      • Canon
      • Fujifilm
      • Hasselblad
        • From the past: Hasselblad H4D 60 review
      • Leica
        • Leica SL3
        • Leica Q3
        • Leica Q3 43
        • Leica M9
        • Leica M11
        • Leica M11 Monochrom Review
      • Nikon
      • Camera Database
    • Hardware
      • Monitors
        • NEC MultiSync PA271Q
      • Peripherals
        • CFexpress Type B cards: Which to choose for the Canon EOS R5 and Nikon Z8?
        • Loupedeck+ review: The future of image editing?
        • OWC USB-C Travel Dock
        • SanDisk Professional PRO-G40 SSD
        • Samsung T7 Shield Portable SSD USB 3.2 Gen 2
        • Samsung T9 Portable SSD USB 3.2 Gen 2×2
    • Accessories
      • Bags and Cases
        • Billingham 307
        • Gitzo GC5101 and GC4101 tripod bags reviewed
        • Leica M/M-P Protector review
        • MindShift Gear Backlight 26L
      • Filters
        • Recomended Filters for Lens Protection
        • LEE100 Filter Holder review
        • LEE100 Polariser Filter review
        • Filter sizes for Canon RF lenses
        • Filter sizes for Canon EF lenses
        • Filter sizes for Fujinon GF lenses
        • Filter sizes for Leica M lenses
  • Articles
    • Features
      • Aperture values for comparison
      • Canon EOS R5 User Guide
        • Setting up Back-button AF on the Canon EOS R5
        • Setting up AF shortcuts on the Canon EOS R5
        • Setting playback in the viewfinder of the Canon EOS R5
        • Using Adapted Lenses on the Canon EOS R5
      • Lightroom
        • Step-by-Step Lightroom Classic Workflow
        • Organise photos in Lightroom using Collections
        • What are the benefits of Virtual Copies in Lightroom?
        • How to create and use Virtual Copies in Lightroom
      • Capture One Pro
        • Capture One Pro 21: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Top 10 Features You Should Know
        • Capture One Pro 12 review
        • Tutorials
          • Importing Images into Capture One
          • How to easily install and organise Styles in Capture One Pro
          • Black and White Conversion using Capture One Pro
        • Hidden Features of Capture One
          • Hidden Features of Capture One Pro: Save Filters for Searching Metadata
          • Hidden Features of Capture One: Save your Workspace
          • Hidden Features of Capture One Pro: Redeploy as a Fast Browser
    • Rumours
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    • Mobile
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  • Hasselblad X1D II front on with a lens attached.
    News,  Opinion

    Hasselblad X1D II 50C camera and XCD 35-75mm F3.5-4.5 zoom announced (Updated)

    June 19, 2019 /

    Hasselblad has announced an update to its cropped medium format mirrorless camera, in the form of the new X1D II 50C. Although it shares the same 50MP cropped (essentially 44 x 33mm) MF CMOS sensor as the original, it has some improved features and a new processor to speed up operation. This includes quicker start-up (now just under 4 seconds, from my time with the camera at the London launch) and continuous shooting now at 2.7fps, while black-out times between shots have also been reduced, claims the company. Other improvements include a new, larger 3.6-in 2.36-million-dot touchscreen at the rear with some menu and UI changes. The viewfinder display has…

    read more
    Kevin Carter Comments Off on Hasselblad X1D II 50C camera and XCD 35-75mm F3.5-4.5 zoom announced (Updated)

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    News,  Nikon

    Nikon to add Eye AF option in firmware update

    January 9, 2019 /

    If the Eye AF feature is as good as that found on the Sony a7 (later models) and a9, and the new Canon EOS R which has seen a fair amount of negative press (and mostly unwarranted in my opinion), then it will be a highly- prized option.

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  • News,  Nikon

    Nikon announces availability of ultra-wide 14-30mm F4 S zoom for Z-mount

    January 8, 2019 /

    Nikon has officially announced the Nikkor Z 14-30mm F4 S lens, the first ultra-wide, moderate speed zoom for its full-frame mirrorless system. The Nikkor Z 14-30mm F4 S was previously disclosed in a ‘roadmap’ during the launch of the new system at Photokina 2018. Weighing just 485g (17oz) and measuring 85mm (3.5 ins) long when retracted, the new lens is relatively light and compact, especially when compared with the current Nikon AF-S Nikkor 16-35mm F4G ED VR for DSLRs.   With a nearly flat front element the new lens also supports screw-in (82mm) filters, a world’s first for the focal length at the time of publishing according to Nikon. The…

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    Leica announces new lightweight L mount 28-70mm F2.8 zoom

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  • Nikon Nikkor Z 24-70mm F4
    Lens Reviews,  News,  Nikon,  Reviews

    Nikon Nikkor Z 24-70mm F4 sample gallery

    December 12, 2018 /

      Update (06/12/2019): Read our review of the Nikon Nikkor Z 24-70mm F4 S here. The Nikkor Z 24-70mm F4 is Nikon’s first zoom for its mirrorless Z 7 and Z 6 full-frame models. Given the marketing spiel about it being high-end, it is really just a consumer-grade lens, and one that seems more geared towards filmmakers than photographers. That said, it’s quite a capable performer, and we put it to work on the Nikon Z 7 in London’s Canary Wharf – take a look and please leave a comment. All images are edited to taste in Capture One Pro 12. Please click on the thumbnails for an enlarged view.…

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  • Sony's thoughtfully named SEL24F14GM shown from the side.
    News,  Sony

    Sony announces Full Frame 24mm F1.4 G Master Prime for E-mount

    September 20, 2018 /

    Sony has announced a new ultra-high speed lens for its mirrorless APS-C and full-frame camera systems, the FE 24mm F1.4 G Master Prime. It has a relatively complex design of 13 elements in 10 groups, with three of those being ED glass to reduce CA and focuses to (a fairly typical) 0.24m (0.79 ft). Sony claim the adoption of two XA (extreme aspherical) elements effectively suppresses sagittal flare, more commonly known as coma. Thus, with its wide angular field of view and ultra-high speed  F1.4 maximum aperture, should appeal to photographers hoping to capture the night sky without the tell-tale aberration that results in smeared stars (point light sources), usually more…

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  • Canon,  News

    Canon announces new mirrorless full-frame EOS R system

    September 5, 2018 /

      After images and detailed specifications leaked over the weekend, Canon has today confirmed the existence of its first full-frame mirrorless camera, the EOS R.  Adopting a new wider 44mm diameter RF mount than the current EF mount along with a short 20mm register, the introduction of the camera heralds a brand new system for Canon. Four new lenses;  RF 50mm F1.2L USM, RF 24-105mm F4L IS USM, and ultra-high speed RF 28-70mm F2L USM, a stabilized RF 35mm F1.8 Macro IS STM, and a trio of RF-EF adapters have also been announced. With a 30.3-MP Dual Pixel CMOS, presumed to be related to the EOS 5D Mark IV sensor,…

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  • News

    Rumor sites leak Nikon mirrorless Z6, Z7 and lenses

    August 22, 2018 /

    Nikon’s intention to enter the full-frame mirrorless segment hasn’t exactly been kept secret, we’ve seen mention of it in the mainstream press (admittedly where the publisher has a camera title in its portfolio). However, on the eve of the official announcement, several of the Japan-based rumor sites have published images of the 24-MP Z6 and identical-looking 45-MP Z7 cameras. They’re also confirmed three new lenses, two primes; 35mm F1.8 S, 50mm F1.8 S and one zoom; 24-70mm F4 S and an F-mount adapter. All will be revealed tomorrow but here are few musings based on what little we know so far. Firstly, the camera looks very similar to the Sony…

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    Sigma announce 14mm F1.4 DG DN Art series lens for Sony E- and L-mount cameras

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