Lenses
Fujifilm Fujinon GF30mm F5.6 T/S specs compared with Canon EF 24mm F3.5L TS-E
I realise this isn’t an apples-to-apples comparison but as many architecture photographers adapt the Canon 24mm TS-E to use on their Fujifilm GFX system cameras then the side-by-side contrast makes more sense. It’s surprising how similar the specs are but early testing of the Fujifilm GF30mm T/S with the 100MP Fujifilm GFX100 II (which has an optimised sensor for this lens, apparently) suggests super-impressive optical performance, even when shifted to the maximum. Also, if there was any doubt that the tilt and shift functions can be oriented separately to use in the same ‘direction’ (it wasn’t that clear in the press release), then I can confirm they can. When fully…
Fujifilm Fujinon GF30mm F5.6 T/S specs
Technical Data Manufacturer Fujifilm Model Fujinon GF30mm F5.6 T/S Web www.fujifilm-X.com Elements/construction 16 elements in 11 groups (1x Super ED, 3x ED) Angle of view 84.7° (diagonal) 24mm equivalent Tilt/Shift +/- 8.5° Tilt, +/- 15 mm Shift Max aperture F5.6 (9-blades, rounded) Min aperture F32 Min focus distance 0.3m (11.9 in) Mount GF mount Filter size 105mm (with adapter ring), 72mm front cap* Length 135.8mm (5.5 in.) Diameter 87.1mm (3.4 in.) Weight 1340g (2.95 lb) Price £3,899 inc VAT ($3,999) The Fujinon GF30mm F5.6 T/S will be sold with an RRP of £3899 inc VAT. Read our review here. User manual at: www.fujifilm-x.com Additional coverage/press release. Pre-order: WEX UK |…
SIGMA 28-45mm F1.8 DG DN Art specs
Technical Data Manufacturer Sigma Model SIGMA 28-45mm F1.8 DG DN | Art Web www.sigmauk.com Elements/construction 18 elements in 15 groups (5x SLD, 3x Asph) Angle of view 75.4°-51.3° (diagonal) Max aperture F1.8 Min aperture F16 Min focus distance 0.3 m (11.9 in) Mount SL & FE mount Filter size 82mm Length 151.4/153.4 mm (6.0 in.) SL/FE Diameter 87.8mm (3.5 in.) Weight 960/950g (33.9/33.5 oz) Price £1299 inc VAT ($1,349) The SIGMA 28-45mm F1.8 DG DN Art will be on sale from the 20th of June with an RRP of £1,299 inc VAT. Pre-order: WEX UK | Amazon | Park Cameras UK B&H Photo US | Adorama | Amazon To…
Aperture values for comparison of lens speed
Comparing maximum aperture values in third- and half-stops can be challenging, so I’ve created a table to facilitate this comparison. Below F1.0, the differences become even more complex, so please consider this information as a guideline rather than definitive (and it may be subject to updates). However, you’re unlikely to encounter many lenses in regular production with such apertures. For instance, both the Nikon Noct Nikkor and the Leica Noctilux have a maximum aperture of F0.95, which is 1/3 stop “faster” than F1.0, nearly 1 stop faster than F1.2 and 1 1/3 stops faster than F1.4, making them a significant benefit for low-light photography. Interestingly, if you’re a film buff,…
Canon RF 35mm F1.4 L VCM specs
Technical Data Manufacturer Canon Model RF 35mm F1.4L VCM Web www.canon.co.uk Elements/construction 14 elements in 11 groups (2x UD, 2x Asph) Angle of view 63° (diagonal) Max aperture F1.4 Min aperture F16 Min focus distance 0.28 m (11.02 in) Mount RF mount Filter size 67mm Length 99.3 mm (3.9 in.) Diameter 76.5 mm (3 in.) Weight 555 g (1.2 lb) Price £1699 inc VAT ($1,599) Read our review here. Check specs against the Canon EF 35mm F1.4L II USM here. Specs compared with the Nikon Nikkor Z 35mm F1.4 here. This is a much more affordable offering, so it’s not necessarily a fair comparison (made by a third party,…
Fujifilm Fujinon GF20-35mm F4 R WR specs
Technical Data Manufacturer Fujifilm – Fujinon Model Fujinon GF20-35mm F4 R WR (equivalent to 16-28mm in 35mm format) Web www.fujifilm-x.com Elements/construction 14 elements in 10 groups Angle of view 108° to 76° (diagonal) Max aperture F4 Min aperture F22 Min focus distance 0.35 m (13.8″) Mount G mount Filter size 82mm Length 112.5 mm (4 in.) Diameter 88.5 mm (3.5 in.) Weight 725 g (25.6 oz) Price £2349 inc VAT ($2,499) Read our review here. Check stock and prices of the Fujifilm Fujinon GF20-35mm F4 R WR at the following retailers: WEX Photo (UK)| Park Cameras (UK) | MPB Used (UK) B&H Photo (US) | Adorama (US) | KEH…
Nikon Nikkor Z 14-24mm F2.8 S lens data
Technical Data Manufacturer Nikon Model Nikkor Z 14-24mm F2.8 S Web www.nikon.co.uk Elements/construction 16 elements in 11 groups Angle of view 114° to 84° (diagonal) Max aperture F2.8 Min aperture F22 Min focus distance 0.28 m (0.92 ft) Mount Z mount Filter size 112mm (with hood) Length 124.5 mm (5 in.) Diameter 88.5 mm (3.5 in.) Weight 650 g (1 lb 7 oz) Price £2379 inc VAT Check Stock and Prices [Affiliate links] Amazon UK | Wex Photo | Park Cameras Amazon US | B&H Photo | Adorama Secondhand MPB UK | KEH US
Nikon Nikkor Z 14-24mm F2.8 S lens review
The Nikkor Z 14-24mm F2.8 S is one of Nikon’s high-end S-line triumvirate of high-speed zooms (at the time of writing) and in effect replaces the renowned F-mount lens of the same focal length and ratio that redefined the ultra-wide-angle zoom in the SLR era. Kevin Carter takes a closer look. As a ‘made for mirrorless’ lens, it’s much smaller and lighter than its esteemed forerunner (650g vs 970g), thanks largely to a far less wildly convex front element. Indeed, the two highly convex elements at the front of the F-mount lens have been replaced by a single double-sided aspheric front element in the new S-line. While the change in…
Leica Q3 review: the quintessential Leica
Leica’s Q series is the company’s best-selling digital camera to date and it’s not all that difficult to see why. Kevin Carter looks at the latest iteration, the Leica Q3 Small, light and unobtrusive the Leica Q embodies all that’s attractive of the Leica M with added the benefit of a Kabe-designed Leica autofocus 28mm F1.7 lens. This is the closest we have to an autofocus M series camera, and unless you’re adept at using one of those you’ll be more successful shooting at the initial aperture or close to it and far more discrete using a Leica Q. What’s more, the latest iteration the Leica Q3 is the fastest…
Leica M11 Monochrom Review
Why Black & White? Photographing in Black & White or mono or greyscale or whatever you want to call it requires you to think differently than when photographing in colour. With a film camera, you can switch to B&W from colour and vice versa ad infinitum: the operation remains unchanged, allowing you to become accustomed to the camera and “see” either in light and shadows or in colour. In that respect, a modern digital colour camera echoes its predecessor, allowing you to choose between B&W and colour at will. However, a dedicated B&W camera like the Leica M11 Monochrom doesn’t; you’re forced to think in terms of light and shadows,…
