I realise this isn’t an apples-to-apples comparison but as many architecture photographers adapt the Canon 24mm TS-E to use on their Fujifilm GFX system cameras then the side-by-side contrast ma...
Technical Data Manufacturer Fujifilm Model Fujinon GF30mm F5.6 T/S Web www.fujifilm-X.com Elements/construction 16 elements in 11 groups (1x Super ED, 3x ED) Angle of view 84.7° (diagonal) 24mm equiva...
Technical Data Manufacturer Sigma Model SIGMA 28-45mm F1.8 DG DN | Art Web www.sigmauk.com Elements/construction 18 elements in 15 groups (5x SLD, 3x Asph) Angle of view 75.4°-51.3° (diagonal) ...
Comparing maximum aperture values in third- and half-stops can be challenging, so I’ve created a table to facilitate this comparison. Below F1.0, the differences become even more complex, so please co...
Technical Data Manufacturer Canon Model RF 35mm F1.4L VCM Web www.canon.co.uk Elements/construction 14 elements in 11 groups (2x UD, 2x Asph) Angle of view 63° (diagonal) Max aperture F1.4 Min apertur...
Technical Data Manufacturer Fujifilm – Fujinon Model Fujinon GF20-35mm F4 R WR (equivalent to 16-28mm in 35mm format) Web www.fujifilm-x.com Elements/construction 14 elements in 10 groups Angle ...
Technical Data Manufacturer Nikon Model Nikkor Z 14-24mm F2.8 S Web www.nikon.co.uk Elements/construction 16 elements in 11 groups Angle of view 114° to 84° (diagonal) Max aperture F2.8 Min aperture F...
The Nikkor Z 14-24mm F2.8 S is one of Nikon’s high-end S-line triumvirate of high-speed zooms (at the time of writing) and in effect replaces the renowned F-mount lens of the same focal length and rat...
Why Black & White? Photographing in Black & White or mono or greyscale or whatever you want to call it requires you to think differently than when photographing in colour. With a film camera, ...
