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          • Fujifilm Fujinon GF30mm F5.6 T/S review
          • Fujifilm Fujinon GF50mm F3.5 R LM WR
        • Leica L Mount
          • Leica Super-APO-Summicron-SL 21 mm F2 ASPH
          • Leica APO Summicron-SL 50mm F2 ASPH lens review
          • Leica APO Summicron-SL 90mm F2 ASPH
        • Leica M mount
          • Leica Summilux-M 50mm F1.4 ASPH Close Focus 2023 model: First impressions
          • Zeiss 35mm F1.4 ZM Distagon lens review
        • Nikon F
          • Nikon PC Nikkor 19mm F4E ED tilt shift lens review
          • Nikon AF-S Nikkor 180-400mm F4E TC1.4 FL ED VR
        • Nikon Z
          • Nikon Nikkor Z 14-24mm F2.8 S lens review
          • Nikon Nikkor Z 24-70mm F2.8 S
          • Nikon Nikkor Z 24-70mm F4 S
          • Nikon Nikkor Z 58mm F0.95 S Noct: Initial Impressions
        • Sigma (All Mounts)
          • Sigma 24mm F2 DG DN C lens review
          • Sigma 45mm F2.8 DG DN Contemporary lens review: Great rendering and build quality
          • Sigma 105mm F1.4 DG HSM Art
        • Sony FE
          • Sony FE 85mm F1.8
        • Zeiss
          • Contax Zeiss PC-Distagon 2.8/35 T* lens review
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        • From the past: Hasselblad H4D 60 review
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        • Leica M11 Monochrom Review
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        • CFexpress Type B cards: Which to choose for the Canon EOS R5 and Nikon Z8?
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        • OWC USB-C Travel Dock
        • SanDisk Professional PRO-G40 SSD
        • Samsung T7 Shield Portable SSD USB 3.2 Gen 2
        • Samsung T9 Portable SSD USB 3.2 Gen 2×2
    • Accessories
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        • Billingham 307
        • Gitzo GC5101 and GC4101 tripod bags reviewed
        • Leica M/M-P Protector review
        • MindShift Gear Backlight 26L
      • Filters
        • Recomended Filters for Lens Protection
        • LEE100 Filter Holder review
        • LEE100 Polariser Filter review
        • Filter sizes for Canon RF lenses
        • Filter sizes for Canon EF lenses
        • Filter sizes for Fujinon GF lenses
        • Filter sizes for Leica M lenses
  • Articles
    • Features
      • Aperture values for comparison
      • Canon EOS R5 User Guide
        • Setting up Back-button AF on the Canon EOS R5
        • Setting up AF shortcuts on the Canon EOS R5
        • Setting playback in the viewfinder of the Canon EOS R5
        • Using Adapted Lenses on the Canon EOS R5
      • Lightroom
        • Step-by-Step Lightroom Classic Workflow plus useful tips
        • Organise photos in Lightroom using Collections
        • What are the benefits of Virtual Copies in Lightroom?
        • How to create and use Virtual Copies in Lightroom
      • Capture One Pro
        • Capture One Pro 21: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Top 10 Features You Should Know
        • Capture One Pro 12 review
        • Tutorials
          • Importing Images into Capture One
          • How to easily install and organise Styles in Capture One Pro
          • Black and White Conversion using Capture One Pro
        • Hidden Features of Capture One
          • Hidden Features of Capture One Pro: Save Filters for Searching Metadata
          • Hidden Features of Capture One: Save your Workspace
          • Hidden Features of Capture One Pro: Redeploy as a Fast Browser
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  • The Digital Journal of Photography
  • News
  • Reviews
    • Lenses
      • Lens Reviews
        • Canon RF
          • Canon RF 35mm F1.4 L VCM lens review
        • Fujinon GF
          • Fujifilm Fujinon GF20-35mm F4 R WR
          • Fujifilm Fujinon GF30mm F5.6 T/S review
          • Fujifilm Fujinon GF50mm F3.5 R LM WR
        • Leica L Mount
          • Leica Super-APO-Summicron-SL 21 mm F2 ASPH
          • Leica APO Summicron-SL 50mm F2 ASPH lens review
          • Leica APO Summicron-SL 90mm F2 ASPH
        • Leica M mount
          • Leica Summilux-M 50mm F1.4 ASPH Close Focus 2023 model: First impressions
          • Zeiss 35mm F1.4 ZM Distagon lens review
        • Nikon F
          • Nikon PC Nikkor 19mm F4E ED tilt shift lens review
          • Nikon AF-S Nikkor 180-400mm F4E TC1.4 FL ED VR
        • Nikon Z
          • Nikon Nikkor Z 14-24mm F2.8 S lens review
          • Nikon Nikkor Z 24-70mm F2.8 S
          • Nikon Nikkor Z 24-70mm F4 S
          • Nikon Nikkor Z 58mm F0.95 S Noct: Initial Impressions
        • Sigma (All Mounts)
          • Sigma 24mm F2 DG DN C lens review
          • Sigma 45mm F2.8 DG DN Contemporary lens review: Great rendering and build quality
          • Sigma 105mm F1.4 DG HSM Art
        • Sony FE
          • Sony FE 85mm F1.8
        • Zeiss
          • Contax Zeiss PC-Distagon 2.8/35 T* lens review
      • Lens Database
    • Cameras
      • Canon
      • Fujifilm
      • Hasselblad
        • From the past: Hasselblad H4D 60 review
      • Leica
        • Leica SL3
        • Leica Q3
        • Leica Q3 43
        • Leica M9
        • Leica M11
        • Leica M11 Monochrom Review
      • Nikon
      • Camera Database
    • Hardware
      • Monitors
        • NEC MultiSync PA271Q
      • Peripherals
        • CFexpress Type B cards: Which to choose for the Canon EOS R5 and Nikon Z8?
        • Loupedeck+ review: The future of image editing?
        • OWC USB-C Travel Dock
        • SanDisk Professional PRO-G40 SSD
        • Samsung T7 Shield Portable SSD USB 3.2 Gen 2
        • Samsung T9 Portable SSD USB 3.2 Gen 2×2
    • Accessories
      • Bags and Cases
        • Billingham 307
        • Gitzo GC5101 and GC4101 tripod bags reviewed
        • Leica M/M-P Protector review
        • MindShift Gear Backlight 26L
      • Filters
        • Recomended Filters for Lens Protection
        • LEE100 Filter Holder review
        • LEE100 Polariser Filter review
        • Filter sizes for Canon RF lenses
        • Filter sizes for Canon EF lenses
        • Filter sizes for Fujinon GF lenses
        • Filter sizes for Leica M lenses
  • Articles
    • Features
      • Aperture values for comparison
      • Canon EOS R5 User Guide
        • Setting up Back-button AF on the Canon EOS R5
        • Setting up AF shortcuts on the Canon EOS R5
        • Setting playback in the viewfinder of the Canon EOS R5
        • Using Adapted Lenses on the Canon EOS R5
      • Lightroom
        • Step-by-Step Lightroom Classic Workflow plus useful tips
        • Organise photos in Lightroom using Collections
        • What are the benefits of Virtual Copies in Lightroom?
        • How to create and use Virtual Copies in Lightroom
      • Capture One Pro
        • Capture One Pro 21: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Top 10 Features You Should Know
        • Capture One Pro 12 review
        • Tutorials
          • Importing Images into Capture One
          • How to easily install and organise Styles in Capture One Pro
          • Black and White Conversion using Capture One Pro
        • Hidden Features of Capture One
          • Hidden Features of Capture One Pro: Save Filters for Searching Metadata
          • Hidden Features of Capture One: Save your Workspace
          • Hidden Features of Capture One Pro: Redeploy as a Fast Browser
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Mobile, News, Samsung

Samsung announces mid-range Galaxy A7 with triple-camera

Samsung has announced the Galaxy A7, a mid-range smartphone that features a rear-facing triple-camera. The new Galaxy A7 comes several months after rival Huawei launched the P20 Pro a high-end…

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September 22, 2018
Articles, Capture One, Capture One Pro, Features, News

Capture One Pro: Top 10 Features You Should Know

Already the ‘go-to solution’ for high-end imaging pros, Capture One Pro is becoming increasingly popular with a much wider audience. Part of this could be the bundling with Sony and…

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September 12, 2018
News, Phase One

Phase One pre-announces price increase on Capture One Pro Sony

Update, December 18, 2018: Readers of this site can save 5% on subscriptions including annual pre-paid and month-by-month, up to December 31st. Simply Visit the official Phase One online store (affiliate link) and add…

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September 12, 2018
  • Leica,  Lens Database

    Leica APO-Summicron-SL 50mm F2 ASPH

    August 15, 2019 / Comments Off on Leica APO-Summicron-SL 50mm F2 ASPH

    Technical data: Lens APO-Summicron-SL 50 mm f/2 ASPH.   Angle of view (diagonal, horizontal, vertical) 47.2° / 40.0° / 27.3°   Optical design Number of elements/groups 12/10 Number of aspherical elements 3 Position of entrance pupil in front of the bayonet flange 63.2 mm Focusing Working range 0.35 m to infinity Smallest object field 120 × 180 mm Largest reproduction ratio 1:5 Aperture Settings/functions Electronically controlled iris, setting with the camera setting dial, half- or one-third stop settings possible Aperture setting range 2 – 22 Smallest aperture 22 Bayonet/sensor format Leica L-bayonet, full-frame 35 mm format   Filter thread E67   Dimensions and weight Length to bayonet flange 102 mm…

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    British bag manufacturer Billingham has announced a new Hadley Pro 2020 model to the range. The Hadley Pro series* is one of the most popular in the manufacturer’s catalogue and the new model adds several new features, including the ability to take slightly larger bodies and lenses. New features include: • High-strength handle reinforced with fibreglass to minimise stress with leather underside for extra comfort and grip, particularly when carrying heavy equipment • Removable, adjustable shoulder sling made from rugged shuttle woven spun polyester, delivering further flexibility and convenience • Durable luggage trolley retainer strap • Weather-proof zipped pocket on the back to stow and protect important documents The Hadley…

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    Lee Filters adds Hood and Tandem Filter Adaptor to LEE100 range

    August 2, 2019 / Comments Off on Lee Filters adds Hood and Tandem Filter Adaptor to LEE100 range

    Lee Filters has announced a collapsible Hood as well as a Tandem Filter Adaptor for the recently redesigned LEE100 Filter Holder, launched earlier in the year. Made from water-resistant reinforced nylon, the newly designed LEE100 Hood is characterised by its “sturdy” construction and self-supporting design, which does away with rails or guides. The 320g hood comes with an attachment ring that clips to the LEE100 Filter Holder using four locking tabs which can then locked in place using a single lever. This is then attached to the lens as normal with a threaded adaptor ring. The filter holder and hood can be rotated independently, allowing the use of graduated ND filters…

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    New Nikkor Z series lens to arrive in September

    July 31, 2019 / Comments Off on New Nikkor Z series lens to arrive in September

    Nikon has announced the Nikkor Z 85mm F1.8 S, a short fixed focal length prime lens for its full-frame mirrorless Z system. Nikon claims that the new fast portrait lens stands out for its “edge-to-edge sharpness” and “natural-looking bokeh”. Focus breathing “is all but eliminated,” Nikon add. Compared to the existing AF-S Nikkor 85mm F1.8G the new lens has the same minimum focus, filter thread size, and weighs 70g more. The new lens is also 19mm longer, though it’s smaller in diameter by 2mm. Nikon currently advertise the AF-S lens with a list of £499. The new lens will go on sale in September, 2019 at a list price of…

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    Importing Images into Capture One

    July 30, 2019 / Comments Off on Importing Images into Capture One

    If you’re new to Capture One, either as a beginner or more experienced photographer coming from Lightroom, then there are a few concepts that you need to know about the process that will help you when importing images.  Capture One (for Sony or Fujifilm) employs a Catalog-based only image management system, whereas Capture One Pro features an additional Session-based workflow. Sessions work a little differently to Catalogs. They don’t require all the images to be indexed when importing, so they can be a better solution in some circumstances.  Sessions tend to be used by professionals (but are just as useful for amateurs) when working on a job-by-job or subject-by-subject basis.…

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    July 16, 2019 / Comments Off on Sony Introduce High-Resolution Alpha 7R IV Camera with World’s First 61.0 MP Back-illuminated Full-frame Image Sensor

    Sony today announced the latest addition to its acclaimed Alpha™ 7R series full-frame mirrorless camera line-up; the extremely versatile, powerful Alpha 7R IV (model ILCE-7RM4).

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    Sigma has announced the world’s smallest full-frame camera, the ‘fp’. Despite owning the Fovean sensor design company, the new fp model features a 24.6MP BSI-CMOS Bayer design. The body is highly compact, measuring just 113 x 70 x 45mm and weighs just 370g. However, it is intended as a modular camera – there will be a range of grips, a flash bracket and a viewfinder eyepiece available. In order to retain its compact dimensions, the new fp camera adopts only an electronic shutter – there is no mechanical shutter – a first for this type of camera. Naturally, the camera features an L-mount and the lenses announced earlier by Sigma…

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    July 12, 2019 / Comments Off on Sigma to add 14-24mm F2.8 DG DN Art of full-frame mirrorless

    Sigma is adding a new ultra-wide 14-24mm F2.8 lens to its Art series for full-frame mirrorless cameras. the 14-24mm DG DN Art. It will be available in Sony E-mount and Leica/Panasonic L-mount versions. The optical design is similar to the existing 14-24mm F2.8 DG HSM Art for DSLRs, but it’s not identical. That model uses a 17-element design with three FLD (fluorite-like) elements and two SLD-type elements. The new 18-element design utilises five SLD and one FLD and three aspherical including the large diameter first element. The position of the remaining two has not yet been disclosed. The new lens is sealed and features a rear filter holder. It weighs…

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    In addition to the new 35mm F1.2 DG GN Art series, Sigma has announced a lightweight, moderate-speed prime lens for their Contemporary series for both Sony E-mount and L-mount mirrorless models. The new 45mm F2.8 DG GN weighs just 215g (7.5 ounces). The new eight-element lens has a 24cm (9.4″) minimum focus distance and includes an aperture ring on both mount versions. The lens will ship later this month (July) and will be priced at £549.99 (inc VAT) or $599 USD. More information can be found at Sigma’s Global Vision site. The new lens can be pre-ordered from the following stores: B&H Photo (US) WEX Photo (UK)   Read our review…

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      Sigma’s new 35mm F1.2 DG DN Art is the first full-frame Art series lens with an F1.2 maximum aperture intended for Sony E-mount and L-mount bodies. According to Sigma, the new 17-element lens has high optical correction with only distortion and vignetting correction applied in-camera. Both mount types will come with an aperture ring that can be de-clicked for video capture.  It will be available in July, 2019 with an SRP of £1,459.99 (inc VAT), $1499. More information can be found at Sigma’s Global Vision site. The new lens can be pre-ordered form the following stores: B&H Photo (US) WEX Photo (UK)   Press release (edited for clarity): Take…

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