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          • Zeiss 35mm F1.4 ZM Distagon lens review
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          • Nikon Nikkor Z 58mm F0.95 S Noct: Initial Impressions
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          • Sigma 45mm F2.8 DG DN Contemporary lens review: Great rendering and build quality
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        • LEE100 Filter Holder review
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        • Setting up Back-button AF on the Canon EOS R5
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        • Using Adapted Lenses on the Canon EOS R5
      • Lightroom
        • Step-by-Step Lightroom Classic Workflow plus useful tips
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        • What are the benefits of Virtual Copies in Lightroom?
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      • Capture One Pro
        • Capture One Pro 21: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Should you buy a perpetual license or a subscription?
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        • Tutorials
          • Importing Images into Capture One
          • How to easily install and organise Styles in Capture One Pro
          • Black and White Conversion using Capture One Pro
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  • The Digital Journal of Photography
  • News
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    • Favourite gear
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      • Lens Reviews
        • Canon RF
          • Canon RF 35mm F1.4 L VCM lens review
        • Fujinon GF
          • Fujifilm Fujinon GF20-35mm F4 R WR
          • Fujifilm Fujinon GF30mm F5.6 T/S review
          • Fujifilm Fujinon GF50mm F3.5 R LM WR
        • Leica L Mount
          • Leica Super-APO-Summicron-SL 21 mm F2 ASPH
          • Leica APO Summicron-SL 50mm F2 ASPH lens review
          • Leica APO Summicron-SL 90mm F2 ASPH
        • Leica M mount
          • Leica Summilux-M 50mm F1.4 ASPH Close Focus 2023 model: First impressions
          • Zeiss 35mm F1.4 ZM Distagon lens review
        • Nikon F
          • Nikon PC Nikkor 19mm F4E ED tilt shift lens review
          • Nikon AF-S Nikkor 180-400mm F4E TC1.4 FL ED VR
        • Nikon Z
          • Nikon Nikkor Z 14-24mm F2.8 S lens review
          • Nikon Nikkor Z 24-70mm F2.8 S
          • Nikon Nikkor Z 24-70mm F4 S
          • Nikon Nikkor Z 58mm F0.95 S Noct: Initial Impressions
        • Sigma (All Mounts)
          • Sigma 24mm F2 DG DN C lens review
          • Sigma 45mm F2.8 DG DN Contemporary lens review: Great rendering and build quality
          • Sigma 105mm F1.4 DG HSM Art
        • Sony FE
          • Sony FE 85mm F1.8
        • Zeiss
          • Contax Zeiss PC-Distagon 2.8/35 T* lens review
      • Lens Database
    • Cameras
      • Canon
      • Fujifilm
      • Hasselblad
        • From the past: Hasselblad H4D 60 review
      • Leica
        • Leica SL3
        • Leica Q3
        • Leica Q3 43
        • Leica M9
        • Leica M11
        • Leica M11 Monochrom Review
      • Nikon
      • Camera Database
    • Hardware
      • Monitors
        • NEC MultiSync PA271Q
      • Peripherals
        • CFexpress Type B cards: Which to choose for the Canon EOS R5 and Nikon Z8?
        • Loupedeck+ review: The future of image editing?
        • OWC USB-C Travel Dock
        • SanDisk Professional PRO-G40 SSD
        • Samsung T7 Shield Portable SSD USB 3.2 Gen 2
        • Samsung T9 Portable SSD USB 3.2 Gen 2×2
    • Accessories
      • Bags and Cases
        • Billingham 307
        • Gitzo GC5101 and GC4101 tripod bags reviewed
        • Leica M/M-P Protector review
        • MindShift Gear Backlight 26L
      • Filters
        • Recomended Filters for Lens Protection
        • LEE100 Filter Holder review
        • LEE100 Polariser Filter review
        • Filter sizes for Canon RF lenses
        • Filter sizes for Canon EF lenses
        • Filter sizes for Fujinon GF lenses
        • Filter sizes for Leica M lenses
  • Articles
    • Features
      • Aperture values for comparison
      • Canon EOS R5 User Guide
        • Setting up Back-button AF on the Canon EOS R5
        • Setting up AF shortcuts on the Canon EOS R5
        • Setting playback in the viewfinder of the Canon EOS R5
        • Using Adapted Lenses on the Canon EOS R5
      • Lightroom
        • Step-by-Step Lightroom Classic Workflow plus useful tips
        • Organise photos in Lightroom using Collections
        • What are the benefits of Virtual Copies in Lightroom?
        • How to create and use Virtual Copies in Lightroom
      • Capture One Pro
        • Capture One Pro 21: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Top 10 Features You Should Know
        • Capture One Pro 12 review
        • Tutorials
          • Importing Images into Capture One
          • How to easily install and organise Styles in Capture One Pro
          • Black and White Conversion using Capture One Pro
        • Hidden Features of Capture One
          • Hidden Features of Capture One Pro: Save Filters for Searching Metadata
          • Hidden Features of Capture One: Save your Workspace
          • Hidden Features of Capture One Pro: Redeploy as a Fast Browser
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News

B&H Photo special on Capture One Pro downloads

US retailer B&H Photo has currently a special price on my favourite RAW converter, Capture One Pro. It’s selling a single user license* (with download emailed over 3-7 days) for $179,…

read more
October 14, 2021
News

Sigma announces world’s first F1.8 zoom for full-frame 35mm cameras: SIGMA 28-45mm F1.8 DG DN Art

Lens maker Sigma has announced the SIGMA 28-45mm F1.8 DG DN Art, the world’s first F1.8 high-speed zoom lens for full-frame 35mm mirrorless cameras (narrowly beating the much more expensive…

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June 3, 2024
News, Phase One

Get 25% off Capture One Upgrades, 20% off Style Kits

Phase One are offering 25% off the price of the regular upgrades available to existing Capture One Pro license holders. If you’ve been waiting to upgrade to version 12, now…

read more
April 15, 2019
  • Sony FE 85mm F1.8 no caps on a white background
    Lens Reviews,  News,  Reviews,  Sony FE

    Sony FE 85mm F1.8 lens review: Excellent image quality at a reasonable price

    November 2, 2019 / Comments Off on Sony FE 85mm F1.8 lens review: Excellent image quality at a reasonable price

    Overview Announced in early 2017, the Sony FE 85mm F1.8 is a short-tele designed for the company’s mirrorless full-frame a9/a7 models. It will of course, also serve double duty on the APS-C a6000 series, where it’s more or less a 135mm equivalent. Although not a premium G-master model like the F1.4 version announced the year before, it’s a lot smaller and lighter and still has some features that might be considered “premium.” This includes ED glass, a near-silent, twin-focus drive system (using a stepping motor), a focus-hold button that can be customised, weather sealing and a nine-blade circular aperture. It’s also quite nicely made, with a mainly metal exterior and…

    read more
    Kevin Carter

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    Nikon Nikkor Z 14-24mm F2.8 S lens review

    February 1, 2024
    Zeiss PC-D lens for Contax

    Contax Zeiss PC-Distagon 2.8/35 T* lens review

    May 27, 2025
  • Capture One App Icon circa 2015
    Capture One Pro,  Capture One Pro,  News

    Capture One Deals Explained

    October 30, 2019 / 1 Comment

    Update (December 07, 2019): Phase One has announced Capture One Pro 20 (version 13). There aren’t any special prices now, but you can still buy a license and bundle some styles together for impressive savings. Please add the promo code ‘DJP’ during checkout (you can make sure it’s recognized as a penny/cent is removed from the price) as a show of support for this site. I’ll earn some small commission payments which will help towards maintaining the site. Update (November 05, 2019): There are no discounts available for purchasing Capture One Pro 12 now, but there are still some savings to be had if you buy their styles with a…

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    Kevin Carter

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    Capture One Pro 21: Should you buy a perpetual license or a subscription?

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    Hidden Features of Capture One Pro: Redeploy as a Fast Browser

    May 15, 2021
  • Nikon Nikkor Z 58mm F0.95 S Noct on white background.
    News,  Nikon,  Opinion

    Nikon to launch new Noct-Nikkor end of October

    October 10, 2019 / 1 Comment

      Update: Nikon UK kindly sent me one to review for a leading UK photo magazine – you can see my first impressions here.   Nikon’s previously announced Nikkor Z 58mm F0.95 S Noct is set to ship at the end of the month (31st October) for a shade under $8,000 in the US, and around £8,299 (in VAT) in UK. The ultra-high speed Z-mount lens takes the Noct moniker from the AI/AIS 58mm F1.2 from the 70’s and early 80’s (first production was 1977) respectively. That lens was originally designed for low-light reportage and featured a single large diameter, hand-ground aspherical element in its optical design, where the brighter…

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    Kevin Carter

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    Sony FE 85mm F1.8 lens review: Excellent image quality at a reasonable price

    November 2, 2019
  • News

    Save 10% on Capture One during October

    October 7, 2019 / Comments Off on Save 10% on Capture One during October

    From today through to 31st October, you can save 10% on any Capture One Pro product (perpetual licenses, subscriptions and styles) purchased through the official Capture One store. During checkout, please add the promo code: OCT-AF-VAG. 1 Go to the official Capture One store, and select the product you want. Then click on Enter Promotional Code and add the OCT-AF-VAG in the dialog box that opens. Click Apply, and verify the 10% discount has been applied before adding your details. If you click on the checkout basket, top left, you’ll see two items have been added. The licence and a $20 gift card (offer extended through October) to spend on…

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    Kevin Carter

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    September 22, 2025

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    January 24, 2021
  • Sony A9II with 24-70mm F2.8 lens attached.
    News,  Sony

    Sony a9 II announced with new improved body design and enhanced connectivity features

    October 3, 2019 / Comments Off on Sony a9 II announced with new improved body design and enhanced connectivity features

    Introduced today, the new Sony a9 II follows a familiar body design to its predecessor but includes some design cues from the Sony a7R IV, including a larger grip and improved button design, refined (larger) joystick design and a lock button for the exposure compensation dial. Other refinements include an upgraded Bionz x processor, improved IBIS up to 5.5-stops (from 5-stops), upgraded weatherproofing, a shutter mechanism tested in excess of 500k cycles (in line with Nikon and Canon pro-models) and an improvement in the burst rate to 10 fps when used mechanically, up from around 5 fps. Continuous shooting with the electronic shutter remains at 20 fps, however, the dual…

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    February 8, 2022

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    November 10, 2025
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    Nikon adds RAW file based Pixel Shift to Nikon Z 8

    February 7, 2024
  • News

    New Editorial Style Packs Announced for Capture One Pro

    October 1, 2019 / Comments Off on New Editorial Style Packs Announced for Capture One Pro

    If you’re looking to improve the workflow for your editing in Capture One Pro, then I’m pleased to announce that our new Editorial Styles collection (available for instant download from this site) are perfect for saving time and recreate that cinematic effect with the popular matte look to the shadows. Available in a complete set for $79.99 reduced to $49.99 (plus sales tax, if applicable) the Editorial Style Pack consists of 24 individual Styles which have six different colour grades – Orange/Blue, Sage, Stone, Magenta, Tan and Cool Blue, each available in four density and contrast variations. Each Style adopts the stated colour grade with a matte look for the shadows…

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    June 6, 2019
  • Nikon Nikkor Z 24-70mm F4S
    Lens Reviews,  Lenses,  News,  Nikon Z,  Reviews

    Nikon Nikkor Z 24-70mm F4S lens review: Compact and capable performer

    September 30, 2019 / 1 Comment

    This is what you’ll get if you buy one of the mirrorless Nikon Z 6 or Z 7 cameras as part of a kit, but as one of Nikon’s S series of primes it’s meant as a ‘premium’ model. While we’ve yet to see what one of the ‘standard’ models is like build-wise, this sober-looking lens is a step or two above the DX equivalent zooms in the company’s range. It’s nicely made but it’s not quite up to the pro-oriented build of the Nikkor Z 24-70mm F2.8 S (reviewed here). Still, with a part-plastic part-metal outer, this is intended as lightweight and compact design. It even has a retractable…

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    Kevin Carter

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    July 4, 2019
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    Nikon Nikkor Z 24-70mm F4 sample gallery

    December 12, 2018
  • Nikon AF-S Nikkor 180-400mm F4E TC1.4 FL ED VR
    Lens Reviews,  News,  Nikon,  Nikon F,  Reviews

    Nikon AF-S Nikkor 180-400mm F4E TC1.4 FL ED VR lens review: Nikon’s best tele-zoom

    September 27, 2019 / Comments Off on Nikon AF-S Nikkor 180-400mm F4E TC1.4 FL ED VR lens review: Nikon’s best tele-zoom

    The Nikon AF-S Nikkor 180-400mm F4E TC1.4 FL ED VR is an updated version of the AF-S Nikkor 200-400mm F4G ED VR – one of the first lenses Nikon added stabilisation (VR) to (the other being the AF-S Nikkor 200mm F2.0, effectively a 300mm on the DX only bodies back then) and the favourite of animal safari photographers everywhere. Not surprisingly, it’s also a popular choice with those who cover sports. This new model, though, is much more than just an update – it’s a redesigned lens complete with a built-in 1.4x teleconverter that’s meant to counter the Canon EF 200-400mm F4L IS USM Extender 1.4x, itself a showcase model…

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    Kevin Carter

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    July 30, 2025
  • A Brutalist-style building photographed in early evening light.
    Articles,  Capture One Pro,  News,  Tutorials

    How to easily install and organise Styles in Capture One Pro

    September 25, 2019 / 1 Comment

    Capture One Styles are an important feature in Capture One and Capture One Pro. Styles are perhaps the single most important aid to your branding, and can save you both time and money when re-creating your unique creative vision. In addition to the Built-in Styles that are supplied with Capture One Pro, which you can use as a starting point to edit your images, you can also buy additional Styles or “Style Packs” from the official Capture One site [official link*] or from our Store.     While Styles can greatly improve your workflow and reduce the time you spend editing, they’re not an instant fix for problem images. It’s…

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    Kevin Carter

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  • Sigma 45mm F2.8 DG DN Contemporary
    Lens Reviews

    Sigma 45mm F2.8 DG DN Contemporary lens review: Great rendering and build quality

    September 23, 2019 / Comments Off on Sigma 45mm F2.8 DG DN Contemporary lens review: Great rendering and build quality

      Sigma’s range of ‘Contemporary’ series lenses, such as the Sigma 45mm F2.8 DG DN Contemporary, are all about maintaining a balance between size, performance and price. They’re not smaller versions of the Art series lenses, which are meant to deliver the best possible image quality, regardless of size. With a 55mm filter thread, and weighing 215g ( 7.58 oz), its diminutive size in E-mount nicely complements the Sony a7/9 series and in the L-mount version, maybe also the larger Leica SL and Lumix S1 models, which it has also been designed for. At around £549 / $549 [advertiser links], this all-metal lens is beautifully made. It even comes with…

    read more
    Kevin Carter

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    Canon RF 35mm F1.4 L VCM lens review

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    December 12, 2018
    Beautiful little Sigma 24mm F2 DG DN C lens on a white background.

    Sigma 24mm F2 DG DN C lens review

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