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  • The Digital Journal of Photography
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        • Fujinon GF
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          • Leica Super-APO-Summicron-SL 21 mm F2 ASPH
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          • Leica Summilux-M 50mm F1.4 ASPH Close Focus 2023 model: First impressions
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          • Nikon PC Nikkor 19mm F4E ED tilt shift lens review
          • Nikon AF-S Nikkor 180-400mm F4E TC1.4 FL ED VR
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          • Nikon Nikkor Z 14-24mm F2.8 S lens review
          • Nikon Nikkor Z 24-70mm F2.8 S
          • Nikon Nikkor Z 24-70mm F4 S
          • Nikon Nikkor Z 58mm F0.95 S Noct: Initial Impressions
        • Sigma (All Mounts)
          • Sigma 24mm F2 DG DN C lens review
          • Sigma 45mm F2.8 DG DN Contemporary lens review: Great rendering and build quality
          • Sigma 105mm F1.4 DG HSM Art
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          • Contax Zeiss PC-Distagon 2.8/35 T* lens review
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        • LEE100 Polariser Filter review
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        • Filter sizes for Leica M lenses
  • Articles
    • Features
      • Aperture values for comparison
      • Canon EOS R5 User Guide
        • Setting up Back-button AF on the Canon EOS R5
        • Setting up AF shortcuts on the Canon EOS R5
        • Setting playback in the viewfinder of the Canon EOS R5
        • Using Adapted Lenses on the Canon EOS R5
      • Lightroom
        • Step-by-Step Lightroom Classic Workflow plus useful tips
        • Organise photos in Lightroom using Collections
        • What are the benefits of Virtual Copies in Lightroom?
        • How to create and use Virtual Copies in Lightroom
      • Capture One Pro
        • Capture One Pro 21: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Top 10 Features You Should Know
        • Capture One Pro 12 review
        • Tutorials
          • Importing Images into Capture One
          • How to easily install and organise Styles in Capture One Pro
          • Black and White Conversion using Capture One Pro
        • Hidden Features of Capture One
          • Hidden Features of Capture One Pro: Save Filters for Searching Metadata
          • Hidden Features of Capture One: Save your Workspace
          • Hidden Features of Capture One Pro: Redeploy as a Fast Browser
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  • Leica Super-APO-Summicron-SL lens on a white background
    Lens Reviews

    Leica Super-APO-Summicron-SL 21 mm F2 ASPH lens review

    March 12, 2025 / Comments Off on Leica Super-APO-Summicron-SL 21 mm F2 ASPH lens review

    The Leica Super-APO-Summicron-SL 21 mm F2 ASPH is a high-speed wide-angle for Leica SL cameras. It was announced in October 2023. This lens has the Super-Apo moniker and has a complex design of 14 elements in total, arranged in 11 groups. Leica doesn’t say how many AD (anomalous partial dispersion) elements there are but claims that ‘most’ of the 14 elements are made from ‘special custom glass.’ That may include the three elements with aspherical surfaces, but it’s unclear. Like others in the SL range, the lens also adopts a ‘digital element,’ or what’s better known as a built-in profile, to correct vignetting, distortion and chromatic aberration. While it’s perhaps…

    read more
    Kevin Carter

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    Fujifilm Fujinon GF50mm F3.5 R LM WR lens review

    November 5, 2024
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    Contax Zeiss PC-Distagon 2.8/35 T* Tech Specs

    November 12, 2025
    Sony FE 85mm F1.8 no caps on a white background

    Sony FE 85mm F1.8 lens review: Excellent image quality at a reasonable price

    November 2, 2019
  • Black Leica mirrorless camera with lens on a white background.
    News

    Leica SL3-S added to SL system

    January 16, 2025 / Comments Off on Leica SL3-S added to SL system

    Leica has officially launched its latest mirrorless camera, the SL3, at a press event in Wetzlar, Germany. Building on the highly respected and robust design of its predecessors, the SL3-S features a 24.6-megapixel full-frame BSI CMOS sensor, enhanced autofocus capabilities, and improved low-light performance, making it a capable and flexible tool for both professional photographers and filmmakers. Stills highlights: 24 MP CMOS enhanced low-light BSI-type sensor ISO range: 50 – 200,000 5-axis IBIS, up to 5 EV correction New high-speed Hybrid-AF system AF continuous shooting at up to 30 fps (12-bit) or up to 5fps (14-bit) 48 and 96 MP multishot mode, handheld or tripod Tamper-proof metadata with Content Credentials…

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    Kevin Carter

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    MindShift Gear Backlight 26L review: Versatile and comfortable

    August 19, 2019
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    LEE100 Polariser Filter review

    April 9, 2024

    Canon UK store sale with 10% off RF lenses

    July 4, 2025
  • Leica camera on aa white background.
    News

    What I would like to see released in 2024

    June 5, 2024 / Comments Off on What I would like to see released in 2024

    Manufacturers are often accused of not listening to customers when it comes to introducing new features but I’m sure it’s complicated to strike a balance between what’s achievable and their users’ wishes. Nevertheless, it’s still odd that we haven’t seen some features that would appear to be easy to add, such as those via software or firmware updates. So, here’s a list of some firmware or software (via the maker’s app) features that I would like to see added to cameras this year: Auto aperture series selection, where the photographer can program the camera to select and capture a series across a range of aperture settings. The camera must alter…

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    Kevin Carter

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    Capture One Pro 21: Should you buy a perpetual license or a subscription?

    April 8, 2021
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    Fujifilm annouces new flagship medium format camera: GFX100 II

    September 12, 2023

    Updated: Capture One adds RAW support for Fujifilm GFX 50S

    September 25, 2018
  • Hardware,  Leica L Mount,  Lens Reviews,  News,  Reviews

    Leica APO Summicron-SL 50mm F2 ASPH lens review

    March 14, 2024 / Comments Off on Leica APO Summicron-SL 50mm F2 ASPH lens review

    Announced on 15 August 2019 (see our coverage here), the Leica APO Summicron-SL 50mm F2 ASPH is a relatively compact high-end lens for Leica SL cameras. Inside, the lens design is complex for a 50mm. However, it’s designed for a digital sensor, so some prerequisites must be met. It has no less than 12 elements in total, with several AD (anomalous dispersion) elements to mitigate CA and fringing, plus three with aspherical surfaces to reduce SA and distortion. The lens also adopts what some call a “digital element,” or a lens profile, to correct vignetting, distortion and CA, more as an afterthought in this case, as the lens is so…

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    Kevin Carter

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    Review: Samsung T9 Portable SSD USB 3.2 Gen 2×2

    April 25, 2024
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    Nikon Z 7 mirrorless camera: Promising addition to range

    August 29, 2018
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    SanDisk Professional PRO-G40 SSD review

    November 20, 2023
  • Zeiss 1,5/35 Distagon
    Leica M mount,  Lens Reviews,  Reviews

    Zeiss 35mm F1.4 ZM Distagon lens review

    August 4, 2023 / Comments Off on Zeiss 35mm F1.4 ZM Distagon lens review

    Intro Although marketed for the maker’s M-mount Zeiss Ikon rangefinder, the range of ZM lenses is rightly popular with Leica M users. All are accessibly priced compared with their Leica equivalents, and optical performance is often on a par, if not sometimes regarded as being technically superior. With the Zeiss Ikon camera now retired, this new high-speed 35mm model is aimed squarely at Leica’s core users.  Compared to the latest iteration from Wetzlar, the Zeiss 35mm F1.4 ZM Distagon is priced somewhat modestly at around £1680 inc VAT. It’s supplied without a case or hood, but there’s no mistaking the quality. Build Externally, the design is reminiscent of previous models,…

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    Kevin Carter

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    Leica Summilux-M 50mm F1.4 ASPH Close Focus 2023 model: First impressions

    July 25, 2023
  • Leica,  News

    Leica APO-Summicron-SL 50mm F2 ASPH lens announced

    August 15, 2019 / Comments Off on Leica APO-Summicron-SL 50mm F2 ASPH lens announced

    Leica has announced the Leica APO-Summicron-SL 50mm F2 ASPH lens, an L-mount lens that’s not only compatible with the Leica SL currently, but as a part of the L-Mount alliance, the lens is compatible with the Lumix S1 series made by Panasonic, as well as the Sigma fp.  The lens features 12 elements with three aspherical surfaces and an unknown number – Leica claim the “majority” of elements being made of anomalous partial dispersion glass for apochromatic correction. As with other lenses in the Summicron-SL series, the 50mm F2 ASPH features a Dual Syncro Drive (DSD) stepping motor for fast autofocus, which allows for the lens to be driven over its…

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    Kevin Carter

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    Leica SL2 Announced

    November 7, 2019
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    Leica Q3 43 review

    December 11, 2024
  • Leica,  Lens Database

    Leica APO-Summicron-SL 50mm F2 ASPH tech specs

    August 15, 2019 / Comments Off on Leica APO-Summicron-SL 50mm F2 ASPH tech specs

    Technical data: Lens APO-Summicron-SL 50 mm f/2 ASPH.   Angle of view (diagonal, horizontal, vertical) 47.2° / 40.0° / 27.3°   Optical design Number of elements/groups 12/10 Number of aspherical elements 3 Position of entrance pupil in front of the bayonet flange 63.2 mm Focusing Working range 0.35 m to infinity Smallest object field 120 × 180 mm Largest reproduction ratio 1:5 Aperture Settings/functions Electronically controlled iris, setting with the camera setting dial, half- or one-third stop settings possible Aperture setting range 2 – 22 Smallest aperture 22 Bayonet/sensor format Leica L-bayonet, full-frame 35 mm format   Filter thread E67   Dimensions and weight Length to bayonet flange 102 mm…

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    Kevin Carter

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    Leica Q3 review: the quintessential Leica

    December 8, 2023

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    August 21, 2018
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    Leica M11 Monochrom Review

    September 13, 2023
  • Leica L Mount,  Lens Reviews,  News,  Reviews

    Leica APO Summicron-SL 90mm F2 ASPH lens review: The best money can buy

    July 3, 2018 / Comments Off on Leica APO Summicron-SL 90mm F2 ASPH lens review: The best money can buy

    All modern lenses perform well, especially short-tele primes like the Leica APO Summicron-SL 90mm F2 ASPH, but the sizes over the last couple of years have become enormous. Admittedly, this is due to the makers’ preoccupation with ultra-high-speed lenses but independents like Sigma and Zeiss aren’t holding back. It seems that size is no longer a barrier, but that’s strangely at odds with the trend in smaller mirrorless cameras. Even Leica, the maker of the original compact primes for the M-series, succumbed to that mindset with the first lenses for the Leica SL models Both the Summilux-SL 50mm F1.4 ASPH and the Vario-Elmarit 24-90mm F2.8-3.5 ASPH are optically outstanding. If you need lenses…

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    Kevin Carter

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    Leica APO Summicron-SL 50mm F2 ASPH lens review

    March 14, 2024

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