• The Digital Journal of Photography
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          • Fujifilm Fujinon GF30mm F5.6 T/S review
          • Fujifilm Fujinon GF50mm F3.5 R LM WR
        • Leica L Mount
          • Leica Super-APO-Summicron-SL 21 mm F2 ASPH
          • Leica APO Summicron-SL 50mm F2 ASPH lens review
          • Leica APO Summicron-SL 90mm F2 ASPH
        • Leica M mount
          • Leica Summilux-M 50mm F1.4 ASPH Close Focus 2023 model: First impressions
          • Zeiss 35mm F1.4 ZM Distagon lens review
        • Nikon F
          • Nikon PC Nikkor 19mm F4E ED tilt shift lens review
          • Nikon AF-S Nikkor 180-400mm F4E TC1.4 FL ED VR
        • Nikon Z
          • Nikon Nikkor Z 14-24mm F2.8 S lens review
          • Nikon Nikkor Z 24-70mm F2.8 S
          • Nikon Nikkor Z 24-70mm F4 S
          • Nikon Nikkor Z 58mm F0.95 S Noct: Initial Impressions
        • Sigma (All Mounts)
          • Sigma 24mm F2 DG DN C lens review
          • Sigma 45mm F2.8 DG DN Contemporary lens review: Great rendering and build quality
          • Sigma 105mm F1.4 DG HSM Art
        • Sony FE
          • Sony FE 85mm F1.8
        • Zeiss
          • Contax Zeiss PC-Distagon 2.8/35 T* lens review
      • Lens Database
        • Aperture values for comparison
        • Filter sizes for Canon RF lenses
        • Filter sizes for Canon EF lenses
        • Filter sizes for Fujinon GF lenses
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        • Fujifilm Fujinon GF30mm F5.6 T/S specs compared with Canon EF 24mm F3.5L TS-E
    • Cameras
      • Canon
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        • CFexpress Type B cards: Which to choose for the Canon EOS R5 and Nikon Z8?
        • Loupedeck+ review: The future of image editing?
        • OWC USB-C Travel Dock
        • SanDisk Professional PRO-G40 SSD
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        • Samsung T9 Portable SSD USB 3.2 Gen 2×2
    • Accessories
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        • Billingham 307
        • Gitzo GC5101 and GC4101 tripod bags reviewed
        • Leica M/M-P Protector review
        • MindShift Gear Backlight 26L
      • Filters
        • Recomended Filters for Lens Protection
        • LEE100 Filter Holder review
        • LEE100 Polariser Filter review
  • Articles
    • Features
      • Canon EOS R5 User Guide
        • Setting up Back-button AF on the Canon EOS R5
        • Setting up AF shortcuts on the Canon EOS R5
        • Setting playback in the viewfinder of the Canon EOS R5
        • Using Adapted Lenses on the Canon EOS R5
      • Lightroom
        • Step-by-Step Lightroom Classic Workflow
        • Organise photos in Lightroom using Collections
        • What are the benefits of Virtual Copies in Lightroom?
        • How to create and use Virtual Copies in Lightroom
      • Capture One Pro
        • Capture One Pro 21: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Top 10 Features You Should Know
        • Capture One Pro 12 review
        • Tutorials
          • Importing Images into Capture One
          • How to Install Styles Easily in Capture One Pro
          • Black and White Conversion using Capture One Pro
        • Hidden Features of Capture One
          • Hidden Features of Capture One Pro: Save Filters for Searching Metadata
          • Hidden Features of Capture One: Save your Workspace
          • Hidden Features of Capture One Pro: Redeploy as a Fast Browser
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  • The Digital Journal of Photography
  • News
  • Reviews
    • Lenses
      • Lens Reviews
        • Canon RF
          • Canon RF 35mm F1.4 L VCM lens review
        • Fujinon GF
          • Fujifilm Fujinon GF20-35mm F4 R WR
          • Fujifilm Fujinon GF30mm F5.6 T/S review
          • Fujifilm Fujinon GF50mm F3.5 R LM WR
        • Leica L Mount
          • Leica Super-APO-Summicron-SL 21 mm F2 ASPH
          • Leica APO Summicron-SL 50mm F2 ASPH lens review
          • Leica APO Summicron-SL 90mm F2 ASPH
        • Leica M mount
          • Leica Summilux-M 50mm F1.4 ASPH Close Focus 2023 model: First impressions
          • Zeiss 35mm F1.4 ZM Distagon lens review
        • Nikon F
          • Nikon PC Nikkor 19mm F4E ED tilt shift lens review
          • Nikon AF-S Nikkor 180-400mm F4E TC1.4 FL ED VR
        • Nikon Z
          • Nikon Nikkor Z 14-24mm F2.8 S lens review
          • Nikon Nikkor Z 24-70mm F2.8 S
          • Nikon Nikkor Z 24-70mm F4 S
          • Nikon Nikkor Z 58mm F0.95 S Noct: Initial Impressions
        • Sigma (All Mounts)
          • Sigma 24mm F2 DG DN C lens review
          • Sigma 45mm F2.8 DG DN Contemporary lens review: Great rendering and build quality
          • Sigma 105mm F1.4 DG HSM Art
        • Sony FE
          • Sony FE 85mm F1.8
        • Zeiss
          • Contax Zeiss PC-Distagon 2.8/35 T* lens review
      • Lens Database
        • Aperture values for comparison
        • Filter sizes for Canon RF lenses
        • Filter sizes for Canon EF lenses
        • Filter sizes for Fujinon GF lenses
        • Filter sizes for Leica M lenses
        • Fujifilm Fujinon GF30mm F5.6 T/S specs compared with Canon EF 24mm F3.5L TS-E
    • Cameras
      • Canon
      • Fujifilm
      • Leica
        • Leica SL3
        • Leica Q3
        • Leica Q3 43
        • Leica M9
        • Leica M11
        • Leica M11 Monochrom Review
      • Nikon
      • Camera Database
    • Hardware
      • Monitors
        • NEC MultiSync PA271Q
      • Peripherals
        • CFexpress Type B cards: Which to choose for the Canon EOS R5 and Nikon Z8?
        • Loupedeck+ review: The future of image editing?
        • OWC USB-C Travel Dock
        • SanDisk Professional PRO-G40 SSD
        • Samsung T7 Shield Portable SSD USB 3.2 Gen 2
        • Samsung T9 Portable SSD USB 3.2 Gen 2×2
    • Accessories
      • Bags and Cases
        • Billingham 307
        • Gitzo GC5101 and GC4101 tripod bags reviewed
        • Leica M/M-P Protector review
        • MindShift Gear Backlight 26L
      • Filters
        • Recomended Filters for Lens Protection
        • LEE100 Filter Holder review
        • LEE100 Polariser Filter review
  • Articles
    • Features
      • Canon EOS R5 User Guide
        • Setting up Back-button AF on the Canon EOS R5
        • Setting up AF shortcuts on the Canon EOS R5
        • Setting playback in the viewfinder of the Canon EOS R5
        • Using Adapted Lenses on the Canon EOS R5
      • Lightroom
        • Step-by-Step Lightroom Classic Workflow
        • Organise photos in Lightroom using Collections
        • What are the benefits of Virtual Copies in Lightroom?
        • How to create and use Virtual Copies in Lightroom
      • Capture One Pro
        • Capture One Pro 21: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Top 10 Features You Should Know
        • Capture One Pro 12 review
        • Tutorials
          • Importing Images into Capture One
          • How to Install Styles Easily in Capture One Pro
          • Black and White Conversion using Capture One Pro
        • Hidden Features of Capture One
          • Hidden Features of Capture One Pro: Save Filters for Searching Metadata
          • Hidden Features of Capture One: Save your Workspace
          • Hidden Features of Capture One Pro: Redeploy as a Fast Browser
    • Rumors
    • Photographers
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  • Nikon 24-70mm f2.8 II zoom on a white background
    News

    Five key takeaways from the new Nikon Nikkor Z 24-70mm F2.8 S II lens announcement

    August 22, 2025 /

    Here are the five key takeaways from the new Nikon Nikkor Z 24-70mm f/2.8 S II lens, announced today: Innovative Design: The lens features an internal zoom mechanism, making it the world’s first professional 24-70mm F2.8 lens with this design. This allows for consistent handling and balance while zooming, enhancing usability for both photographers and videographers. Lightweight and Durable: Weighing only 675 grams, it is the lightest lens in its class. The lens is also built with pro-grade weather sealing, making it more robust and suitable for outdoor use. Enhanced Autofocus Performance: Equipped with Nikon’s Silky Swift Voice Coil Motor, the lens offers 5x faster autofocus that is 50% quieter…

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    Kevin Carter Comments Off on Five key takeaways from the new Nikon Nikkor Z 24-70mm F2.8 S II lens announcement

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    Nikon Z9 price drop plus free 660GB CFe card in anticipation of the Canon EOS R1 announcement of next week

    July 12, 2024 /

    With the announcement next week of what’s expected to be the new Canon EOS R1, rival Nikon has dropped the price of its flagship Nikon Z9 to £4,999 (from £5,299) plus they’re offering a free Nikon branded 660GB CFexpress card usually priced at £619. All prices include VAT. The Canon EOS R1 is expected to be announced on 17 July, 2024. It’s also believed the Canon EOS R5 Mark II will also be announced on the same day. I don’t want to speculate on the features of the Canon EOS R1 but I expect the camera to be aimed at photojournalists, rather than a camera with ‘all-round’ professional appeal, like…

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    Nikon announces £650 35mm F1.4 for Z system

    June 26, 2024 /

    Nikon has announced the Nikkor Z 35mm F1.4 a lens that’s usually reserved for those with deep pockets, but it will go on sale for just £650 inc VAT. While not the high-end S-series lens that was on the roadmap (indicated to be a 35mm F1.2) this is still a welcome (if not curious) addition to the range. The lens has internal focusing (IF) and a ‘Multi-Focus’ system moving more than one of the focusing elements, though it’s not clear at this time if more than one STM motor is employed. It weighs just 415g. It has a relatively small 62mm front filter thread. The new lens will be available…

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    Nikon Z6III announced with partially stacked 24.5MP CMOS, promising fast AF and EVF refresh rates

    June 17, 2024 /

    The new Nikon Z6III looks to be targeting Nikon’s traditional press customers, as well as high-end amateur users. As such, it’s a more sensible ‘backup’ camera to the Nikon Z9 than the Z8, offering a smaller file from the 24.5MP sensor and a good mix of video features for hybrid uses. Will also appeal to action and wildlife photographers, given the fast AF and a good range of native mount telephoto lenses in Nikon’s range. Sales start: July 2024 RRPs: Z6III Body – £2,699 (UK) | €3,099.00 (ROI) Pre-order: WEX UK | Amazon | Park Cameras UK B&H Photo US | Adorama | Amazon   London, United Kingdom, 17th June…

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    June 10, 2024 /

    The formal announcement will be made on June 17th at 8.00 am ET. Besides some form of pre-capture, details remain sketchy (obvs). Still, the new camera is expected to retain a 24 MP CMOS sensor (though wouldn’t be surprised to see the sensor resolution move to 30 MP) but with improvements to the viewfinder, DR, AF and video.

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    High-speed V90 SDXC card prices continue to fluctuate

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    Prices continue to fluctuate for the vaunted V90 speed SDXC cards, which are highly prized for continuous shooting with stills and high-bit 4K video. While high-speed CFexpress cards will continue to take over from SDXC cards the V90 spec, which boasts the fastest read and write speeds, is still recommended for the Leica M11, Q2/Q3, Fujifilm GFX 100 II/100s/50s and many other new camera models with an SD slot or use SD as a back-up. Little-known brand Nextorage which was recently formed by ex-Sony staff currently has a sale on Amazon for SDXC V90 cards and their super-fast B1 Pro CF-expresss Type B cards. For, example the Nextorage 128GB V90…

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    Cinema camera maker RED acquired by Nikon

    March 7, 2024 /

    In a surprise announcement this morning, Nikon Japan – there has been no word from the UK subsidiary – announced they’ve acquired the cinema camera maker RED, making the US-based independent company a subsidiary. While it’s not surprising that RED has been acquired – James Jannard was the founder of Oakley sunglasses until moving onto RED cinema cameras-  what is unexpected is that Canon has seemingly missed this opportunity. Press release: Nikon Corporation (President: Toshikazu Madate, Minato-ku, Tokyo) announced today that it has entered into an agreement with James Jannard, founder of RED.com, LLC (President: Jarred Land, California, hereinafter referred to as “RED”), a U.S.-based company that develops, manufactures, sells,…

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    Nikon Nikkor Z 14-24mm F2.8 S lens data

    February 20, 2024 /

    Technical Data Manufacturer Nikon Model Nikkor Z 14-24mm F2.8 S Web www.nikon.co.uk Elements/construction 16 elements in 11 groups Angle of view 114° to 84° (diagonal) Max aperture F2.8 Min aperture F22 Min focus distance 0.28 m (0.92 ft) Mount Z mount Filter size 112mm (with hood) Length 124.5 mm (5 in.) Diameter 88.5 mm (3.5 in.) Weight 650 g (1 lb 7 oz) Price £2379 inc VAT   Check Stock and Prices [Affiliate links] Amazon UK | Wex Photo | Park Cameras Amazon US | B&H Photo | Adorama Secondhand MPB UK | KEH US

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    Nikon Nikkor Z 14-24mm F2.8 S lens review

    February 1, 2024 /

    The Nikkor Z 14-24mm F2.8 S is one of Nikon’s high-end S-line triumvirate of high-speed zooms (at the time of writing) and in effect replaces the renowned F-mount lens of the same focal length and ratio that redefined the ultra-wide-angle zoom in the SLR era. Kevin Carter takes a closer look. As a ‘made for mirrorless’ lens, it’s much smaller and lighter than its esteemed forerunner (650g vs 970g), thanks largely to a far less wildly convex front element. Indeed, the two highly convex elements at the front of the F-mount lens have been replaced by a single double-sided aspheric front element in the new S-line. While the change in…

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    Nikon Nikkor Z 135mm F1.8 S Plena lens announced

    September 27, 2023 /

    Nikon has announced the Nikkor Z 135mm F1.8 S Plena lens, which is said to be optimised for out-of-focus highlights, after teasing the new model on YouTube. The Plena lens adopts 16 elements in 14 groups and includes one element using a relatively new type of glass from Nikon called an SR (Short-wavelength Refractive) element: “Nikon’s original SR (Short-wavelength Refractive) lens is a high- and specialized-dispersion glass lens featuring characteristics to greatly refract light with wavelengths shorter than that of blue. By controlling short-wavelength light that is difficult to compensate, light of various specific wavelengths can be more effectively collected achieving highly precise chromatic aberration compensation. Because this lens can…

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