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          • Leica APO Summicron-SL 50mm F2 ASPH lens review
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          • Leica Summilux-M 50mm F1.4 ASPH Close Focus 2023 model: First impressions
          • Zeiss 35mm F1.4 ZM Distagon lens review
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          • Nikon Nikkor Z 58mm F0.95 S Noct: Initial Impressions
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          • Sigma 45mm F2.8 DG DN Contemporary lens review: Great rendering and build quality
          • Sigma 105mm F1.4 DG HSM Art
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        • Gitzo GC5101 and GC4101 tripod bags reviewed
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        • LEE100 Filter Holder review
        • LEE100 Polariser Filter review
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        • Filter sizes for Leica M lenses
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        • Setting up Back-button AF on the Canon EOS R5
        • Setting up AF shortcuts on the Canon EOS R5
        • Setting playback in the viewfinder of the Canon EOS R5
        • Using Adapted Lenses on the Canon EOS R5
      • Lightroom
        • Step-by-Step Lightroom Classic Workflow plus useful tips
        • Organise photos in Lightroom using Collections
        • What are the benefits of Virtual Copies in Lightroom?
        • How to create and use Virtual Copies in Lightroom
      • Capture One Pro
        • Capture One Pro 21: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Top 10 Features You Should Know
        • Capture One Pro 12 review
        • Tutorials
          • Importing Images into Capture One
          • How to easily install and organise Styles in Capture One Pro
          • Black and White Conversion using Capture One Pro
        • Hidden Features of Capture One
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  • The Digital Journal of Photography
  • News
  • Reviews
    • Favourite gear
    • Lenses
      • Lens Reviews
        • Canon RF
          • Canon RF 35mm F1.4 L VCM lens review
        • Fujinon GF
          • Fujifilm Fujinon GF20-35mm F4 R WR
          • Fujifilm Fujinon GF30mm F5.6 T/S review
          • Fujifilm Fujinon GF50mm F3.5 R LM WR
        • Leica L Mount
          • Leica Super-APO-Summicron-SL 21 mm F2 ASPH
          • Leica APO Summicron-SL 50mm F2 ASPH lens review
          • Leica APO Summicron-SL 90mm F2 ASPH
        • Leica M mount
          • Leica Summilux-M 50mm F1.4 ASPH Close Focus 2023 model: First impressions
          • Zeiss 35mm F1.4 ZM Distagon lens review
        • Nikon F
          • Nikon PC Nikkor 19mm F4E ED tilt shift lens review
          • Nikon AF-S Nikkor 180-400mm F4E TC1.4 FL ED VR
        • Nikon Z
          • Nikon Nikkor Z 14-24mm F2.8 S lens review
          • Nikon Nikkor Z 24-70mm F2.8 S
          • Nikon Nikkor Z 24-70mm F4 S
          • Nikon Nikkor Z 58mm F0.95 S Noct: Initial Impressions
        • Sigma (All Mounts)
          • Sigma 24mm F2 DG DN C lens review
          • Sigma 45mm F2.8 DG DN Contemporary lens review: Great rendering and build quality
          • Sigma 105mm F1.4 DG HSM Art
        • Sony FE
          • Sony FE 85mm F1.8
        • Zeiss
          • Contax Zeiss PC-Distagon 2.8/35 T* lens review
      • Lens Database
    • Cameras
      • Canon
      • Fujifilm
      • Hasselblad
        • From the past: Hasselblad H4D 60 review
      • Leica
        • Leica SL3
        • Leica Q3
        • Leica Q3 43
        • Leica M9
        • Leica M11
        • Leica M11 Monochrom Review
      • Nikon
      • Camera Database
    • Hardware
      • Monitors
        • NEC MultiSync PA271Q
      • Peripherals
        • CFexpress Type B cards: Which to choose for the Canon EOS R5 and Nikon Z8?
        • Loupedeck+ review: The future of image editing?
        • OWC USB-C Travel Dock
        • SanDisk Professional PRO-G40 SSD
        • Samsung T7 Shield Portable SSD USB 3.2 Gen 2
        • Samsung T9 Portable SSD USB 3.2 Gen 2×2
    • Accessories
      • Bags and Cases
        • Billingham 307
        • Gitzo GC5101 and GC4101 tripod bags reviewed
        • Leica M/M-P Protector review
        • MindShift Gear Backlight 26L
      • Filters
        • Recomended Filters for Lens Protection
        • LEE100 Filter Holder review
        • LEE100 Polariser Filter review
        • Filter sizes for Canon RF lenses
        • Filter sizes for Canon EF lenses
        • Filter sizes for Fujinon GF lenses
        • Filter sizes for Leica M lenses
  • Articles
    • Features
      • Aperture values for comparison
      • Canon EOS R5 User Guide
        • Setting up Back-button AF on the Canon EOS R5
        • Setting up AF shortcuts on the Canon EOS R5
        • Setting playback in the viewfinder of the Canon EOS R5
        • Using Adapted Lenses on the Canon EOS R5
      • Lightroom
        • Step-by-Step Lightroom Classic Workflow plus useful tips
        • Organise photos in Lightroom using Collections
        • What are the benefits of Virtual Copies in Lightroom?
        • How to create and use Virtual Copies in Lightroom
      • Capture One Pro
        • Capture One Pro 21: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Top 10 Features You Should Know
        • Capture One Pro 12 review
        • Tutorials
          • Importing Images into Capture One
          • How to easily install and organise Styles in Capture One Pro
          • Black and White Conversion using Capture One Pro
        • Hidden Features of Capture One
          • Hidden Features of Capture One Pro: Save Filters for Searching Metadata
          • Hidden Features of Capture One: Save your Workspace
          • Hidden Features of Capture One Pro: Redeploy as a Fast Browser
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  • Lee100 polariser and case
    Accessories,  Filters,  News,  Reviews

    LEE100 Polariser Filter review

    April 9, 2024 / Comments Off on LEE100 Polariser Filter review

    Lee100 Filter Holder – Why do you need it? Although you can use image editing software to achieve many of the same effects using specific filters, such as a polariser to cut reflections and improve saturation remains an advantage for some types of photography, such as interiors and landscapes. As they cut down on exposure somewhat, they’re also used as an ND. They are also pretty expensive, so if you have several lenses of different thread diameters, using a holder can save a lot of money. Please note this review has been edited and updated from the Lee100 Filter Holder review, which can be read here. Lee100 circular-type polariser Lee…

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    News

    High-speed V90 SDXC card prices continue to fluctuate

    April 5, 2024 / Comments Off on High-speed V90 SDXC card prices continue to fluctuate

    Prices continue to fluctuate for the vaunted V90 speed SDXC cards, which are highly prized for continuous shooting with stills and high-bit 4K video. While high-speed CFexpress cards will continue to take over from SDXC cards the V90 spec, which boasts the fastest read and write speeds, is still recommended for the Leica M11, Q2/Q3, Fujifilm GFX 100 II/100s/50s and many other new camera models with an SD slot or use SD as a back-up. Little-known brand Nextorage which was recently formed by ex-Sony staff currently has a sale on Amazon for SDXC V90 cards and their super-fast B1 Pro CF-expresss Type B cards. For, example the Nextorage 128GB V90…

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  • Hardware,  Leica L Mount,  Lens Reviews,  News,  Reviews

    Leica APO Summicron-SL 50mm F2 ASPH lens review

    March 14, 2024 / Comments Off on Leica APO Summicron-SL 50mm F2 ASPH lens review

    Announced on 15 August 2019 (see our coverage here), the Leica APO Summicron-SL 50mm F2 ASPH is a relatively compact high-end lens for Leica SL cameras. Inside, the lens design is complex for a 50mm. However, it’s designed for a digital sensor, so some prerequisites must be met. It has no less than 12 elements in total, with several AD (anomalous dispersion) elements to mitigate CA and fringing, plus three with aspherical surfaces to reduce SA and distortion. The lens also adopts what some call a “digital element,” or a lens profile, to correct vignetting, distortion and CA, more as an afterthought in this case, as the lens is so…

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  • SL3 with no lens
    News

    Leica SL3 camera announced

    March 8, 2024 / Comments Off on Leica SL3 camera announced

    Leica has announced the Leica SL3, the latest top-of-the-range model in the 35mm full-frame SL system. This is an exciting new camera for Leica and a hugely compelling update to the SL2, however, keen-eyed readers will see that there’s no multi-shot function, which was one of the key features of the SL2 (and SL2-S), or at least a key-differentiator between it and rivals (who haven’t yet matched Leica/Panasonic in either implementation or result). I spoke with a Leica executive and they informed me that the multi-shot feature has not been included this time but if there is strong demand for it then they will consider adding it at a later…

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  • Nikon Z8 with 24-120mm lens attached from on.
    News,  Nikon

    Cinema camera maker RED acquired by Nikon

    March 7, 2024 / Comments Off on Cinema camera maker RED acquired by Nikon

    In a surprise announcement this morning, Nikon Japan – there has been no word from the UK subsidiary – announced they’ve acquired the cinema camera maker RED, making the US-based independent company a subsidiary. While it’s not surprising that RED has been acquired – James Jannard was the founder of Oakley sunglasses until moving onto RED cinema cameras-  what is unexpected is that Canon has seemingly missed this opportunity. Press release: Nikon Corporation (President: Toshikazu Madate, Minato-ku, Tokyo) announced today that it has entered into an agreement with James Jannard, founder of RED.com, LLC (President: Jarred Land, California, hereinafter referred to as “RED”), a U.S.-based company that develops, manufactures, sells,…

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  • Nikon Nikkor Z 12-24mm F2.8S top but showing a blacked out LCD.
    Lens Database,  Lenses,  Nikon

    Nikon Nikkor Z 14-24mm F2.8 S lens data

    February 20, 2024 / Comments Off on Nikon Nikkor Z 14-24mm F2.8 S lens data

    Technical Data Manufacturer Nikon Model Nikkor Z 14-24mm F2.8 S Web www.nikon.co.uk Elements/construction 16 elements in 11 groups Angle of view 114° to 84° (diagonal) Max aperture F2.8 Min aperture F22 Min focus distance 0.28 m (0.92 ft) Mount Z mount Filter size 112mm (with hood) Length 124.5 mm (5 in.) Diameter 88.5 mm (3.5 in.) Weight 650 g (1 lb 7 oz) Price £2379 inc VAT   Check Stock and Prices [Affiliate links] Amazon UK | Wex Photo | Park Cameras Amazon US | B&H Photo | Adorama Secondhand MPB UK | KEH US

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    News,  Nikon

    Nikon adds RAW file based Pixel Shift to Nikon Z 8

    February 7, 2024 / Comments Off on Nikon adds RAW file based Pixel Shift to Nikon Z 8

    Nikon has announced a new firmware update (Version 2.0) bringing a host of new features to the already impressively specified Nikon Z 8. The most intriguing is the addition of ‘Pixel Shift,’ which aims to improve detail while also reducing noise levels. A further attraction is diffraction mitigation by careful use of aperture selection. It’s not clear what the ‘effective resolution’ is from the press release but the fact that the Nikon Z 8 outputs RAW files to merge in their NX Studio utility (which was also upgraded today) is encouraging; Canon’s decision to add the functionality to the Canon EOS R5 outputting a finished JPEG missed the mark. As…

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  • Nikon Nikkor Z 12-24mm F2.8S top but showing a blacked out LCD.
    Lens Reviews,  Lenses,  News,  Nikon,  Nikon Z,  Reviews

    Nikon Nikkor Z 14-24mm F2.8 S lens review

    February 1, 2024 / Comments Off on Nikon Nikkor Z 14-24mm F2.8 S lens review

    The Nikkor Z 14-24mm F2.8 S is one of Nikon’s high-end S-line triumvirate of high-speed zooms (at the time of writing) and in effect replaces the renowned F-mount lens of the same focal length and ratio that redefined the ultra-wide-angle zoom in the SLR era. Kevin Carter takes a closer look. As a ‘made for mirrorless’ lens, it’s much smaller and lighter than its esteemed forerunner (650g vs 970g), thanks largely to a far less wildly convex front element. Indeed, the two highly convex elements at the front of the F-mount lens have been replaced by a single double-sided aspheric front element in the new S-line. While the change in…

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  • This is the smaller GC4101 padded tripod bag.
    Accessories,  Bags,  News

    Gitzo GC5101 and GC4101 tripod bags reviewed

    January 15, 2024 / Comments Off on Gitzo GC5101 and GC4101 tripod bags reviewed

    When a tripod is needed, a decent one is essential, and most high-end models don’t come with a bag. A good tripod is a long-term investment, so a decent bag is another essential, especially if you use it on location. Kevin Carter takes a closer look. I own both the Gitzo GC5101 and GC4101, which are designed for Gitzo’s Systematic range of tripods. While there’s only around 8cm or so in length between them, the GC5101 is much larger in terms of internal volume and was designed presumably for the Geant (Giant) model, a 5-series Systematic that still measures some 73cm (35-in) even when collapsed. I don’t have that tripod;…

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  • Leica Q3 front on
    Cameras,  Leica,  Leica,  News,  Reviews

    Leica Q3 review: the quintessential Leica

    December 8, 2023 / Comments Off on Leica Q3 review: the quintessential Leica

    Leica’s Q series is the company’s best-selling digital camera to date and it’s not all that difficult to see why. Kevin Carter looks at the latest iteration, the Leica Q3 Small, light and unobtrusive the Leica Q embodies all that’s attractive of the Leica M with added the benefit of a Kabe-designed Leica autofocus 28mm F1.7 lens. This is the closest we have to an autofocus M series camera, and unless you’re adept at using one of those you’ll be more successful shooting at the initial aperture or close to it and far more discrete using a Leica Q. What’s more, the latest iteration the Leica Q3 is the fastest…

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