Handheld three-shot pano with GF30mm F5.6 T/S, totalling 175 MP. As this was shot without a tripod, there’s quite a bit of overlap in the centre, but what’s of interest here is that...
The new Nikon Z6III looks to be targeting Nikon’s traditional press customers, as well as high-end amateur users. As such, it’s a more sensible ‘backup’ camera to the Nikon Z9 ...
I realise this isn’t an apples-to-apples comparison but as many architecture photographers adapt the Canon 24mm TS-E to use on their Fujifilm GFX system cameras then the side-by-side contrast ma...
Technical Data Manufacturer Fujifilm Model Fujinon GF30mm F5.6 T/S Web www.fujifilm-X.com Elements/construction 16 elements in 11 groups (1x Super ED, 3x ED) Angle of view 84.7° (diagonal) 24mm equiva...
Technical Data Manufacturer Sigma Model SIGMA 28-45mm F1.8 DG DN | Art Web www.sigmauk.com Elements/construction 18 elements in 15 groups (5x SLD, 3x Asph) Angle of view 75.4°-51.3° (diagonal) ...
Comparing maximum aperture values in third- and half-stops can be challenging, so I’ve created a table to facilitate this comparison. Below F1.0, the differences become even more complex, so please co...
Canon has introduced the mirrorless successor to the much-vaunted EF 35mm F1.4L USM II, only it’s not quite what we were expecting. Like the recently announced Canon RF 24-105mm F2.8L, this new ...
Technical Data Manufacturer Canon Model RF 35mm F1.4L VCM Web www.canon.co.uk Elements/construction 14 elements in 11 groups (2x UD, 2x Asph) Angle of view 63° (diagonal) Max aperture F1.4 Min apertur...
Manufacturers are often accused of not listening to customers when it comes to introducing new features but I’m sure it’s complicated to strike a balance between what’s achievable an...