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        • Setting playback in the viewfinder of the Canon EOS R5
        • Using Adapted Lenses on the Canon EOS R5
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        • Canon RF
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        • Fujinon GF
          • Fujifilm Fujinon GF20-35mm F4 R WR
          • Fujifilm Fujinon GF30mm F5.6 T/S review
          • Fujifilm Fujinon GF50mm F3.5 R LM WR
        • Leica L Mount
          • Leica Super-APO-Summicron-SL 21 mm F2 ASPH
          • Leica APO Summicron-SL 50mm F2 ASPH lens review
          • Leica APO Summicron-SL 90mm F2 ASPH
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          • Leica Summilux-M 50mm F1.4 ASPH Close Focus 2023 model: First impressions
          • Zeiss 35mm F1.4 ZM Distagon lens review
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          • Nikon PC Nikkor 19mm F4E ED tilt shift lens review
          • Nikon AF-S Nikkor 180-400mm F4E TC1.4 FL ED VR
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          • Nikon Nikkor Z 14-24mm F2.8 S lens review
          • Nikon Nikkor Z 24-70mm F2.8 S
          • Nikon Nikkor Z 24-70mm F4 S
          • Nikon Nikkor Z 58mm F0.95 S Noct: Initial Impressions
        • Sigma (All Mounts)
          • Sigma 24mm F2 DG DN C lens review
          • Sigma 45mm F2.8 DG DN Contemporary lens review: Great rendering and build quality
          • Sigma 105mm F1.4 DG HSM Art
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          • Sony FE 85mm F1.8
        • Zeiss
          • Contax Zeiss PC-Distagon 2.8/35 T* lens review
      • Lens Database
        • Aperture values for comparison
        • Filter sizes for Canon RF lenses
        • Filter sizes for Canon EF lenses
        • Filter sizes for Fujinon GF lenses
        • Filter sizes for Leica M lenses
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    • Cameras
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        • OWC USB-C Travel Dock
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    • Accessories
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        • Billingham 307
        • Gitzo GC5101 and GC4101 tripod bags reviewed
        • Leica M/M-P Protector review
        • MindShift Gear Backlight 26L
      • Filters
        • Recomended Filters for Lens Protection
        • LEE100 Filter Holder review
        • LEE100 Polariser Filter review
  • Articles
    • Features
      • Canon EOS R5 User Guide
        • Setting up Back-button AF on the Canon EOS R5
        • Setting up AF shortcuts on the Canon EOS R5
        • Setting playback in the viewfinder of the Canon EOS R5
        • Using Adapted Lenses on the Canon EOS R5
      • Lightroom
        • Step-by-Step Lightroom Classic Workflow
        • Organise photos in Lightroom using Collections
        • What are the benefits of Virtual Copies in Lightroom?
        • How to create and use Virtual Copies in Lightroom
      • Capture One Pro
        • Capture One Pro 21: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Top 10 Features You Should Know
        • Capture One Pro 12 review
        • Tutorials
          • Importing Images into Capture One
          • How to easily install and organise Styles in Capture One Pro
          • Black and White Conversion using Capture One Pro
        • Hidden Features of Capture One
          • Hidden Features of Capture One Pro: Save Filters for Searching Metadata
          • Hidden Features of Capture One: Save your Workspace
          • Hidden Features of Capture One Pro: Redeploy as a Fast Browser
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News

Amazon Prime Day deals

Amazon Prime Day always offers some good deals on photography gear, particularly on memory cards and accessories. Links below are affiliate links. As an Amazon Associate, I earn from qualifying…

read more
July 9, 2025
News

Capture One adds support for Canon EOS R5 and Sony A7S III

Capture One has added RAW file support for the following new cameras: Canon EOS R5 Canon EOS R6 Sony A7S III (tethered support is not currently available) Sigma FP In…

read more
August 20, 2020
News

DxOMark returns to lens testing

After a break of several months DxOMark has returned to testing lenses. The first model to have the data published is the new Z-mount Nikon Nikkor Z 50mm F1.8 S…

read more
April 24, 2019
  • Leica Q in khaki with silver chrome top and bottom covers.
    Leica,  News

    Leica announces special edition Leica Q Khaki

    October 13, 2018 /

    Leica has announced a special edition of the Leica Q, the Leica Q Khaki. Clad in khaki leather trim and with chrome top and bottom plates the Leica Q Khaki is reminiscent of the Leica M Safari versions. In all other respects, the new khaki model is the same as regular Leica Q. The Leica Q remains one of the most compelling compacts currently available, however, the announcement of another limited edition will fuel the debate about when to expect a new model. It is believed that a version 2 or upgraded model when it comes will feature a new higher resolution sensor, 4K video and 120 fps for slow…

    read more
    Kevin Carter Comments Off on Leica announces special edition Leica Q Khaki

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  • News,  Phase One

    Capture One Pro Fujifilm Available As Perpetual License

    October 9, 2018 /

    Phase One announced at Photokina this year that Capture One Pro 11.3 was available with extended RAW support for Fujifilm cameras, most notably that they supported the medium format  GFX 50S (and new GFX 50R, unofficially). Phase One also introduced a less feature rich Express version Capture One Express Fujifilm specifically for Fujifilm users, which is offered as a similar arrangement to the Capture One Express Sony.  Capture One Express lacks some of the features of the Pro version such as Sessions, Layers and tethered camera control, but RAW file support for the cameras and lens profiles doesn’t vary. See here for the full list of features. A Pro version…

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    Kevin Carter Comments Off on Capture One Pro Fujifilm Available As Perpetual License

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    October 14, 2021
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    Sigma 45mm F2.8 DG DN Contemporary lens review: Great rendering and build quality

    September 23, 2019
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    Updated: Profoto adds new portable B10 light to range and promises smart connectivity

    September 14, 2018
  • Mobile,  News

    LG announces Five Camera LG V40 THINQ

    October 3, 2018 /

    Korea based LG Electronics has today unveiled the LG V40 THINQ, a premium smartphone with five cameras, though it’s not quite what it seems in that the rear camera setup has only three separate camera modules. The other two are used for selfies on the front. The high-end model has three rear camera modules to simulate a single zoom and features a 16MP sensor with super-wide field (107 degree) F1.9 lens, and a second with a large 12MP sensor with 1.4 micron pixels and standard lens (78 degree) with a F1.5 aperture. The third module includes a telephoto lens (45 degree) with F2.4 aperture and similar 12MP sensor, albeit with…

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    Kevin Carter Comments Off on LG announces Five Camera LG V40 THINQ

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    Sony to launch Xperia PRO smartphone in the UK

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    Samsung announces mid-range Galaxy A7 with triple-camera

    September 22, 2018

    Samsung anounces high resolution sensors for smartphone cameras

    October 30, 2018
  • Sigma 105mm F1.4 DG HSM Art on a white background
    Canon EF,  Lens Reviews,  News,  Reviews,  Sigma (All Mounts),  Sigma 105mm F1.4 DG HSM Art

    Sigma 105mm F1.4 DG HSM Art lens review: Outstanding performer

    September 29, 2018 /

    The Sigma 105mm F1.4 DG HSM Art debuted earlier in the year, around May, and is priced at around $1400/£1500. From the DG designation, you can tell that it’s a full-frame lens, and it’s available in Canon, Nikon and Sigma mounts. It is of course, targeting the superb but pricey Nikon AF-S Nikkor 105mm F1.4E ED, but would also appeal to Canon users, where a high-speed L-series model in that focal length is strangely absent from the line-up. It may also be possible that it becomes available in the Sony FE mount; it is already suitable for mirrorless cameras. Sigma has recently introduced some Art series in Sony FE mount,…

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    Kevin Carter Comments Off on Sigma 105mm F1.4 DG HSM Art lens review: Outstanding performer
  • Fujifilm GFX100 without lens.
    Fujifilm,  News

    Fujifilm GFX 100 medium format camera with IBIS announced

    September 26, 2018 /

    In addition to announcing the new rangefinder-style Fujifilm GFX 50R and three new lenses, see here for more details, Fuji took the opportunity to make a development announcement. The 102MP GFX 100 medium format camera is a more conventionally styled model than the current GFX 50S and will include on-sensor PDAF across the entire frame. Information is sparse but the 102 megapixel sensor in the GFX 100 is expected to be 43.8 x 32.2mm sensor, like that found in the 50S and 50R models.  The GFX 100 also features sensor-based image stabilization – a first in medium format, and 4K video from the X Processor 4 engine. A mock-up was shown…

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    Fujifilm announces rangefinder-esque GFX 50R and three lenses

    September 26, 2018 /

    Fujifilm has announced the GFX 50R, a rangefinder-styled medium format model based on the earlier GFX 50S. It adopts the same 51.4-MP cropped medium format sensor (43.8 x 32.2mm) as its sibling and much of the rest of the internals, albeit in a smaller, more compact body and with a significantly lower ticket. The GFX 50R adds Bluetooth connectivity with a smartphone and offers a similar build and weatherproofing as the 50S.  The built-in OLED viewfinder is a smaller 3.69M-dot unit but offers a reasonably generous 0.77x magnification. At the rear, the 3.2-in 2360K-dot touchscreen LCD uses a conventional tilting mechanism. The 50R has dual SD card slots with support…

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    Updated: Capture One adds RAW support for Fujifilm GFX 50S

    September 25, 2018 /

    Phase One A/S, the developers of Capture One RAW software, have today announced Capture One Express for Fujifilm. This pared-down Express version of Capture One provides support of RAW files from an extensive range of Fujifilm T- and GFX-series cameras, including the medium format Fujifilm GFX 50S and the recently announced GFX 50R. A similar version exists for Capture One Express for Sony, which supports RAW files from Sony cameras. The company has also announced an upgrade to the fully-featured version of Capture One Pro to version 11.3, which besides adding support for the new Phase One IQ4 150 digital back also includes the same expanded support for Fujifilm RAW…

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  • Mobile,  News,  Samsung

    Samsung announces mid-range Galaxy A7 with triple-camera

    September 22, 2018 /

    Samsung has announced the Galaxy A7, a mid-range smartphone that features a rear-facing triple-camera. The new Galaxy A7 comes several months after rival Huawei launched the P20 Pro a high-end device using a triple camera in conjunction with Leica, the renowned lens and camera manufacturer. The new Galaxy A7 features a 24MP sensor and F1.7 primary camera module (with an unspecified focal length but likely a wide-angle, equivalent to 28mm) as well as an 8MP sensor with F2.4 super-wide-angle with a 120-degree field of view (equivalent to a 12.5mm). Surprisingly, unlike the Huawei P20 Pro, the third camera is not equipped with a short telephoto lens. Instead the Samsung Galaxy…

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    Kevin Carter Comments Off on Samsung announces mid-range Galaxy A7 with triple-camera

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    May 6, 2021

    Samsung anounces high resolution sensors for smartphone cameras

    October 30, 2018
  • Sony's thoughtfully named SEL24F14GM shown from the side.
    News,  Sony

    Sony announces Full Frame 24mm F1.4 G Master Prime for E-mount

    September 20, 2018 /

    Sony has announced a new ultra-high speed lens for its mirrorless APS-C and full-frame camera systems, the FE 24mm F1.4 G Master Prime. It has a relatively complex design of 13 elements in 10 groups, with three of those being ED glass to reduce CA and focuses to (a fairly typical) 0.24m (0.79 ft). Sony claim the adoption of two XA (extreme aspherical) elements effectively suppresses sagittal flare, more commonly known as coma. Thus, with its wide angular field of view and ultra-high speed  F1.4 maximum aperture, should appeal to photographers hoping to capture the night sky without the tell-tale aberration that results in smeared stars (point light sources), usually more…

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    Kevin Carter Comments Off on Sony announces Full Frame 24mm F1.4 G Master Prime for E-mount

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    August 23, 2018
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  • Profoto B10 flash unit
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    Updated: Profoto adds new portable B10 light to range and promises smart connectivity

    September 14, 2018 /

    After the teaser last week hinting at a new addition to the range, high-end lighting manufacturer Profoto has announced the ultra-portable, cordless B10. Powered by a lightweight yet powerful rechargeable Li-ion battery that provides up to 400 full power flashes and up to 75 minutes of full continuous light for shooting video, the 250Ws B10 is said to have the equivalent power of five speedlights. Besides offering flash and continuous light with adjustable color temperature, the new B10 offers a large rear screen with a highly legible interface and fewer controls. The B10 is compatible with the company’s Air TTL remotes or from the built-in remote in the A1 flash and…

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    New Editorial Style Packs Announced for Capture One Pro

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