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        • Canon RF
          • Canon RF 35mm F1.4 L VCM lens review
        • Fujinon GF
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          • Fujifilm Fujinon GF30mm F5.6 T/S review
          • Fujifilm Fujinon GF50mm F3.5 R LM WR
        • Leica L Mount
          • Leica Super-APO-Summicron-SL 21 mm F2 ASPH
          • Leica APO Summicron-SL 50mm F2 ASPH lens review
          • Leica APO Summicron-SL 90mm F2 ASPH
        • Leica M mount
          • Leica Summilux-M 50mm F1.4 ASPH Close Focus 2023 model: First impressions
          • Zeiss 35mm F1.4 ZM Distagon lens review
        • Nikon F
          • Nikon PC Nikkor 19mm F4E ED tilt shift lens review
          • Nikon AF-S Nikkor 180-400mm F4E TC1.4 FL ED VR
        • Nikon Z
          • Nikon Nikkor Z 14-24mm F2.8 S lens review
          • Nikon Nikkor Z 24-70mm F2.8 S
          • Nikon Nikkor Z 24-70mm F4 S
          • Nikon Nikkor Z 58mm F0.95 S Noct: Initial Impressions
        • Sigma (All Mounts)
          • Sigma 24mm F2 DG DN C lens review
          • Sigma 45mm F2.8 DG DN Contemporary lens review: Great rendering and build quality
          • Sigma 105mm F1.4 DG HSM Art
        • Sony FE
          • Sony FE 85mm F1.8
        • Zeiss
          • Contax Zeiss PC-Distagon 2.8/35 T* lens review
      • Lens Database
        • Aperture values for comparison
        • Filter sizes for Canon RF lenses
        • Filter sizes for Canon EF lenses
        • Filter sizes for Fujinon GF lenses
        • Filter sizes for Leica M lenses
        • Fujifilm Fujinon GF30mm F5.6 T/S specs compared with Canon EF 24mm F3.5L TS-E
    • Cameras
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        • CFexpress Type B cards: Which to choose for the Canon EOS R5 and Nikon Z8?
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        • OWC USB-C Travel Dock
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        • Gitzo GC5101 and GC4101 tripod bags reviewed
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      • Filters
        • Recomended Filters for Lens Protection
        • LEE100 Filter Holder review
        • LEE100 Polariser Filter review
  • Articles
    • Features
      • Canon EOS R5 User Guide
        • Setting up Back-button AF on the Canon EOS R5
        • Setting up AF shortcuts on the Canon EOS R5
        • Setting playback in the viewfinder of the Canon EOS R5
        • Using Adapted Lenses on the Canon EOS R5
      • Lightroom
        • Step-by-Step Lightroom Classic Workflow
        • Organise photos in Lightroom using Collections
        • What are the benefits of Virtual Copies in Lightroom?
        • How to create and use Virtual Copies in Lightroom
      • Capture One Pro
        • Capture One Pro 21: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Top 10 Features You Should Know
        • Capture One Pro 12 review
        • Tutorials
          • Importing Images into Capture One
          • How to Install Styles Easily in Capture One Pro
          • Black and White Conversion using Capture One Pro
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  • The Digital Journal of Photography
  • News
  • Reviews
    • Lenses
      • Lens Reviews
        • Canon RF
          • Canon RF 35mm F1.4 L VCM lens review
        • Fujinon GF
          • Fujifilm Fujinon GF20-35mm F4 R WR
          • Fujifilm Fujinon GF30mm F5.6 T/S review
          • Fujifilm Fujinon GF50mm F3.5 R LM WR
        • Leica L Mount
          • Leica Super-APO-Summicron-SL 21 mm F2 ASPH
          • Leica APO Summicron-SL 50mm F2 ASPH lens review
          • Leica APO Summicron-SL 90mm F2 ASPH
        • Leica M mount
          • Leica Summilux-M 50mm F1.4 ASPH Close Focus 2023 model: First impressions
          • Zeiss 35mm F1.4 ZM Distagon lens review
        • Nikon F
          • Nikon PC Nikkor 19mm F4E ED tilt shift lens review
          • Nikon AF-S Nikkor 180-400mm F4E TC1.4 FL ED VR
        • Nikon Z
          • Nikon Nikkor Z 14-24mm F2.8 S lens review
          • Nikon Nikkor Z 24-70mm F2.8 S
          • Nikon Nikkor Z 24-70mm F4 S
          • Nikon Nikkor Z 58mm F0.95 S Noct: Initial Impressions
        • Sigma (All Mounts)
          • Sigma 24mm F2 DG DN C lens review
          • Sigma 45mm F2.8 DG DN Contemporary lens review: Great rendering and build quality
          • Sigma 105mm F1.4 DG HSM Art
        • Sony FE
          • Sony FE 85mm F1.8
        • Zeiss
          • Contax Zeiss PC-Distagon 2.8/35 T* lens review
      • Lens Database
        • Aperture values for comparison
        • Filter sizes for Canon RF lenses
        • Filter sizes for Canon EF lenses
        • Filter sizes for Fujinon GF lenses
        • Filter sizes for Leica M lenses
        • Fujifilm Fujinon GF30mm F5.6 T/S specs compared with Canon EF 24mm F3.5L TS-E
    • Cameras
      • Canon
      • Fujifilm
      • Leica
        • Leica SL3
        • Leica Q3
        • Leica Q3 43
        • Leica M9
        • Leica M11
        • Leica M11 Monochrom Review
      • Nikon
      • Camera Database
    • Hardware
      • Monitors
        • NEC MultiSync PA271Q
      • Peripherals
        • CFexpress Type B cards: Which to choose for the Canon EOS R5 and Nikon Z8?
        • Loupedeck+ review: The future of image editing?
        • OWC USB-C Travel Dock
        • SanDisk Professional PRO-G40 SSD
        • Samsung T7 Shield Portable SSD USB 3.2 Gen 2
        • Samsung T9 Portable SSD USB 3.2 Gen 2×2
    • Accessories
      • Bags and Cases
        • Billingham 307
        • Gitzo GC5101 and GC4101 tripod bags reviewed
        • Leica M/M-P Protector review
        • MindShift Gear Backlight 26L
      • Filters
        • Recomended Filters for Lens Protection
        • LEE100 Filter Holder review
        • LEE100 Polariser Filter review
  • Articles
    • Features
      • Canon EOS R5 User Guide
        • Setting up Back-button AF on the Canon EOS R5
        • Setting up AF shortcuts on the Canon EOS R5
        • Setting playback in the viewfinder of the Canon EOS R5
        • Using Adapted Lenses on the Canon EOS R5
      • Lightroom
        • Step-by-Step Lightroom Classic Workflow
        • Organise photos in Lightroom using Collections
        • What are the benefits of Virtual Copies in Lightroom?
        • How to create and use Virtual Copies in Lightroom
      • Capture One Pro
        • Capture One Pro 21: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Top 10 Features You Should Know
        • Capture One Pro 12 review
        • Tutorials
          • Importing Images into Capture One
          • How to Install Styles Easily in Capture One Pro
          • Black and White Conversion using Capture One Pro
        • Hidden Features of Capture One
          • Hidden Features of Capture One Pro: Save Filters for Searching Metadata
          • Hidden Features of Capture One: Save your Workspace
          • Hidden Features of Capture One Pro: Redeploy as a Fast Browser
    • Rumors
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  • Glass 'Protector' filter made by Canon on a white background.
    Filter Sizes RF Lenses,  Lens Database,  Lenses,  News

    Filter sizes for Canon RF lenses

    March 18, 2025 /

    Manufacturers have favourite filter sizes. Canon, for example, often adopted 72mm and 77mm for L-series EF mount lenses but that has changed somewhat with the RF mount to 67mm, 77mm and 82mm being common sizes. Once a popular size on the original Canon FD breach-lock mount lenses from the 70s (not FDn), the 55mm filter thread size is also making a comeback. For Canon lenses, I recommend Canon ‘Protect’ or Protector filters as they’re extremely high quality. They’re also very reasonably priced, at least for the popular sizes. Sizes above 82mm are steep, though, so you could look for more competitive offerings such as the excellent Firecrest models for that…

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    Canon,  News,  Nikon

    Nikon Nikkor Z 35mm F1.4 specs compared with Canon RF 35mm F1.4L VCM

    June 26, 2024 /

      Technical Data Comparison Manufacturer Canon Nikon Model RF 35mm F1.4L VCM Nikkor Z 35mm F1.4 Web www.canon.co.uk www.nikon.co.uk Elements/construction 14 elements in 11 groups  11 elements in 9 groups   Special glass types 2x UD, 2x Asph 2x Asph Aperture blades 11 rounded 9 rounded Angle of view 63° (diagonal) 63° (diagonal) Max aperture F1.4 F1.4 Min aperture F16 F16 Min focus distance 0.28 m (11.02 in) 0.27 m (10.6 in) Mount RF mount Z mount Filter size 67mm  62mm Length 99.3mm (3.9 in.) 86.5mm (3.4 in.) Diameter 76.5mm (3 in.) 74.5mm (2.93  in.) Weight 555g (1.2 lb) 415g (0.91 lb) Price £1699 inc VAT ($1,599) £650 inc VAT ($699)…

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    Fujifilm Fujinon GF30mm F5.6 T/S three-shot hand-held panorama at maximum shift (± 15mm)

    June 20, 2024 /

      Handheld three-shot pano with GF30mm F5.6 T/S, totalling 175 MP. As this was shot without a tripod, there’s quite a bit of overlap in the centre, but what’s of interest here is that maximum shift ±15mm has been applied to show the worst case. Focus was confirmed using magnified LV, which is my preferred option of the various focusing aids. This three-shot pano was stitched in Lightroom Classic with an automatic (built-in) lens profile applied, which can’t be turned off. Still, no further ‘manual’ corrections were made to display the vignetting, and it’s no big deal, as it could be cleaned up. Automatic profiles like this don’t show what’s…

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    Fujifilm Fujinon GF30mm F5.6 T/S specs compared with Canon EF 24mm F3.5L TS-E

    June 15, 2024 /

    I realise this isn’t an apples-to-apples comparison but as many architecture photographers adapt the Canon 24mm TS-E to use on their Fujifilm GFX system cameras then the side-by-side contrast makes more sense. It’s surprising how similar the specs are but early testing of the Fujifilm GF30mm T/S with the 100MP Fujifilm GFX100 II (which has an optimised sensor for this lens, apparently) suggests super-impressive optical performance, even when shifted to the maximum. Also, if there was any doubt that the tilt and shift functions can be oriented separately to use in the same ‘direction’ (it wasn’t that clear in the press release), then I can confirm they can. When fully…

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    Canon,  News

    Canon RF 35mm F1.4 L VCM specs compared with predecessor, Canon EF 35mm F1.4L USM II

    June 6, 2024 /

    Canon has introduced the mirrorless successor to the much-vaunted EF 35mm F1.4L USM II, only it’s not quite what we were expecting. Like the recently announced Canon RF 24-105mm F2.8L, this new lens is a hybrid model, appealing to filmmakers and still photographers. As such, it features a new voice-coil motor (VCM) for AF, a type of linear motor noted for its smooth focusing, supplemented with a second Nano USM to control the ‘floating’ (independently moved) element used in close-range correction. It also relies quite heavily on digital correction, though it’s not alone these days. A new step-less manual aperture ring is included, but only for video; apparently, it’s not…

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    Canon,  Lens Database,  Lenses

    Canon RF 35mm F1.4 L VCM specs

    June 6, 2024 /

    Technical Data Manufacturer Canon Model RF 35mm F1.4L VCM Web www.canon.co.uk Elements/construction 14 elements in 11 groups (2x UD, 2x Asph) Angle of view 63° (diagonal) Max aperture F1.4 Min aperture F16 Min focus distance 0.28 m (11.02 in) Mount RF mount Filter size 67mm  Length 99.3 mm (3.9 in.) Diameter 76.5 mm (3 in.) Weight 555 g (1.2 lb) Price £1699 inc VAT ($1,599)   Read our review here. Check specs against the Canon EF 35mm F1.4L II USM here. Specs compared with the Nikon Nikkor Z 35mm F1.4 here. This is a much more affordable offering, so it’s not necessarily a fair comparison (made by a third party,…

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  • News

    Canon adds heavy-hitting RF 800mm F5.6 and 1200mm F8 super-telephoto lenses to range

    February 25, 2022 /

    Canon has added the RF 800mm F5.6 and RF 1200mm F8 to their mirrorless EOS R series cameras using the RF mount. This is presumably due to Canon experiencing a little pressure from Sony, as they’ve recently started targeting sports and action photographers with high speed telephotos to go with the Sony A9 and A1 cameras. Even Nikon have announced an interesting alternative with their PF 800mm F6.3, which appears to be targeting birders but no doubt, due to the smaller sizer and lower weight, but will also appeal to sports photographers. It’s a prudent move from Canon, however these two new lenses aren’t quite what they appear to be.…

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  • Canon EOS R3 on a white background.
    Canon,  News

    Canon EOS R3 to be launched soon

    September 12, 2021 /

    The Canon EOS R3 will be with us shortly and it marks a significant change in Canon’s line up – serial leaker Nokishita has stated that the resolution is 24MP. Given Nokishita Camera is likely a retailer in Japan, and/or has access (perhaps as a reseller) to one of the big online stores, the native resolution can no longer be contested. Evidently, Canon is feeling the pressure from Sony as this is destined to give the Sony a9 and a9 II a run for the money (or perhaps not at $5,999, at least initially anyway). As a sports-oriented camera, the EOS R3 likely won’t disappoint but what does that say…

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    Is the Canon EOS R3 sensor really 24MP? Continued

    August 25, 2021 /

    Amazon-owned site DPReview state in an “exclusive” that the sensor resolution has been “confirmed” as 24MP. I while I agree it could very likely be 24MP (I thought it would be 30MP personally), the writer of the news article is still not presenting any evidence of the native resolution. It’s not clear from the interview with the photo editor in the news story that files are full-size JPEGs. How does he know that the files he is receiving are not Medium JPEGs from a 47MP camera? I’m not saying the files aren’t full-size JPEGS, but I’ve still not seen anything that confirms 24MP is the native resolution. Furthermore, I’m still…

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  • Canon EOS R3 on a white background.
    Canon,  News

    Is the Canon EOS R3 sensor really only 24MP?

    August 2, 2021 /

    With the Olympics underway in Tokyo we’ve started to see some images taken with the upcoming Canon EOS R3 (prototype or more likely a pre-production model), which isn’t really surprising as the camera has been in the hands of a few select photojournalists for a few months now. Equally unsurprising is that a few images from one photographer have been found with the camera EXIF data intact. While they could have deleted it quite easily, even with the pressured environment of the games, it’s unlikely a working photographer is going to remove it. More importantly, Canon would know that and know that people would try looking for it. A few…

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