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  • The Digital Journal of Photography
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          • Leica APO Summicron-SL 50mm F2 ASPH lens review
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          • Leica Summilux-M 50mm F1.4 ASPH Close Focus 2023 model: First impressions
          • Zeiss 35mm F1.4 ZM Distagon lens review
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          • Nikon PC Nikkor 19mm F4E ED tilt shift lens review
          • Nikon AF-S Nikkor 180-400mm F4E TC1.4 FL ED VR
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          • Nikon Nikkor Z 14-24mm F2.8 S lens review
          • Nikon Nikkor Z 24-70mm F2.8 S
          • Nikon Nikkor Z 24-70mm F4 S
          • Nikon Nikkor Z 58mm F0.95 S Noct: Initial Impressions
        • Sigma (All Mounts)
          • Sigma 24mm F2 DG DN C lens review
          • Sigma 45mm F2.8 DG DN Contemporary lens review: Great rendering and build quality
          • Sigma 105mm F1.4 DG HSM Art
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          • Sony FE 85mm F1.8
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          • Contax Zeiss PC-Distagon 2.8/35 T* lens review
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        • From the past: Hasselblad H4D 60 review
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        • LEE100 Filter Holder review
        • LEE100 Polariser Filter review
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        • Filter sizes for Canon EF lenses
        • Filter sizes for Fujinon GF lenses
        • Filter sizes for Leica M lenses
  • Articles
    • Features
      • Aperture values for comparison
      • Canon EOS R5 User Guide
        • Setting up Back-button AF on the Canon EOS R5
        • Setting up AF shortcuts on the Canon EOS R5
        • Setting playback in the viewfinder of the Canon EOS R5
        • Using Adapted Lenses on the Canon EOS R5
      • Lightroom
        • Step-by-Step Lightroom Classic Workflow plus useful tips
        • Organise photos in Lightroom using Collections
        • What are the benefits of Virtual Copies in Lightroom?
        • How to create and use Virtual Copies in Lightroom
      • Capture One Pro
        • Capture One Pro 21: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Top 10 Features You Should Know
        • Capture One Pro 12 review
        • Tutorials
          • Importing Images into Capture One
          • How to easily install and organise Styles in Capture One Pro
          • Black and White Conversion using Capture One Pro
        • Hidden Features of Capture One
          • Hidden Features of Capture One Pro: Save Filters for Searching Metadata
          • Hidden Features of Capture One: Save your Workspace
          • Hidden Features of Capture One Pro: Redeploy as a Fast Browser
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  • Big Ssigma portraait lens on a white background
    Lens Database,  Lenses

    Sigma 135mm F1.4 DG Art specs

    September 12, 2025 / Comments Off on Sigma 135mm F1.4 DG Art specs

      Technical Data Manufacturer Sigma Model Sigma 135mm F1.4 DG Art Web www.sigmauk.com Elements/construction 17 elements in 13 groups (4x FLD, 2x Asph) Angle of view 18.2° (diagonal) Max aperture F1.4 (13 rounded blades) Min aperture F16 Min focus distance 1.1 m (3.61 ft) Mount SL & FE mount only Filter size 105 mm Length 135.5 mm (5.3 in.) Diameter 111.7 mm (4.4 in.) Weight 1,430 g (50.4 oz) Price £1649 inc VAT ($1,699) The Sigma 135mm F1.4 DG Art will be on sale from the 25th of September. Pre-order: WEX UK | Amazon | Park Cameras UK | Sigma UK B&H Photo US | Adorama | Amazon (US)  …

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    Sigma 200mm F2 DG OS Sports specs

    August 19, 2025 / Comments Off on Sigma 200mm F2 DG OS Sports specs

      Technical Data Manufacturer Sigma Model Sigma 200mm F2 DG OS Sports Web www.sigmauk.com Elements/construction 19 elements in 14 groups (2x FLD, 2x SLD, OIS ≤ 6.5 stops) Angle of view 12.3° (diagonal) Max aperture F2 (11 blades) Min aperture F22 Min focus distance 1.7 m (5.58 ft) Mount SL & FE mount only Filter size 105 mm Length 201/203 mm (7.9/8 in.) SL/FE Diameter 118.9 mm (4.7 in.) Weight 960/950g (33.9/33.5 oz) Price £2,999 inc VAT ($2,999) The  Sigma 200mm F2 DG OS Sports will be on sale from the 4th of September with an RRP of £2,999 inc VAT. Pre-order: WEX UK | Amazon | Park Cameras UK…

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  • News

    Sigma 200mm F2 DG OS Sports and Canon EF 200mm F2L IS USM specs compared

    August 19, 2025 / Comments Off on Sigma 200mm F2 DG OS Sports and Canon EF 200mm F2L IS USM specs compared

    Key Features of the Sigma 200mm F2 DG OS | Sports Lens World’s First 200mm F2 Full-Frame Mirrorless Lens: This lens is specifically designed for full-frame mirrorless cameras, offering exceptional optical performance. Exceptional Optical Performance: With a construction of 19 elements in 14 groups, including 2 FLD and 2 SLD glass elements, it delivers high resolution and contrast, even at maximum aperture. High-Speed Autofocus and Optical Stabilisation: Equipped with HLA (High-response Linear Actuator) for fast and accurate autofocus, along with a 6.5-stop optical stabilisation system for enhanced image stability. Durability and Weather Resistance: Features a dust- and splash-resistant structure, thermal insulation paint, and robust design, making it reliable in various shooting…

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    Leica announces the M11-P with new editing protection feature

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    Lens Reviews

    Sigma 24mm F2 DG DN C lens review

    November 18, 2024 / Comments Off on Sigma 24mm F2 DG DN C lens review

    Sigma is well known for its Art series lenses, but the maker’s full-frame ‘Contemporary’ or C  series lenses deserve equal recognition for offering great image quality in a smaller, lighter package. Take the Sigma 24mm F2 DG DN C lens reviewed here, for example. With a metal outer barrel and milled metal aperture and focus rings, it’s a very nicely made lens indeed. What’s more, weighing just 365g and measuring 72mm in length, the L-mount version I was sent pairs incredibly well with the tiny Sigma fp sent for testing. Inside, the lens has 13 elements arranged in 11 groups, with one fancy, fluorite-like FLD element, two SLD (Super-Low Dispersion)…

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    Fujifilm Fujinon GF50mm F3.5 R LM WR lens review

    November 5, 2024 / Comments Off on Fujifilm Fujinon GF50mm F3.5 R LM WR lens review

    What is it? The Fujifilm Fujinon GF50mm is a highly compact and relatively lightweight lens for Fujifilm medium format mirrorless cameras. It’s the equivalent of a 40mm on a full-frame 35mm camera, and at one time, back in the 70s, this focal length was hugely popular. Much of that had to do with price, as they competed with medium-speed (F1.8/2) 50mms – the kit lenses of the day – and were often sold as a more affordable alternative. These smaller and lighter 3-group, 4-element Tessar “pancake” designs were and still are highly compelling. Indeed, today the Olympus Zuiko 40mm F2 is around £600, secondhand, and the Contax Zeiss T* 45mm…

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  • Sigma 28-45mm F1.8 zoom on white background.
    Lens Database,  Lenses

    SIGMA 28-45mm F1.8 DG DN Art specs

    June 10, 2024 / Comments Off on SIGMA 28-45mm F1.8 DG DN Art specs

      Technical Data Manufacturer Sigma Model SIGMA 28-45mm F1.8 DG DN | Art Web www.sigmauk.com Elements/construction 18 elements in 15 groups (5x SLD, 3x Asph) Angle of view 75.4°-51.3° (diagonal) Max aperture F1.8 Min aperture F16 Min focus distance 0.3 m (11.9 in) Mount SL & FE mount Filter size 82mm Length 151.4/153.4 mm (6.0 in.) SL/FE Diameter 87.8mm (3.5 in.) Weight 960/950g (33.9/33.5 oz) Price £1299 inc VAT ($1,349) The SIGMA 28-45mm F1.8 DG DN Art will be on sale from the 20th of June with an RRP of £1,299 inc VAT. Pre-order: WEX UK | Amazon | Park Cameras UK B&H Photo US | Adorama | Amazon   To…

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    What I would like to see released in 2024

    June 5, 2024 / Comments Off on What I would like to see released in 2024

    Manufacturers are often accused of not listening to customers when it comes to introducing new features but I’m sure it’s complicated to strike a balance between what’s achievable and their users’ wishes. Nevertheless, it’s still odd that we haven’t seen some features that would appear to be easy to add, such as those via software or firmware updates. So, here’s a list of some firmware or software (via the maker’s app) features that I would like to see added to cameras this year: Auto aperture series selection, where the photographer can program the camera to select and capture a series across a range of aperture settings. The camera must alter…

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    Sigma announces world’s first F1.8 zoom for full-frame 35mm cameras: SIGMA 28-45mm F1.8 DG DN Art

    June 3, 2024 / Comments Off on Sigma announces world’s first F1.8 zoom for full-frame 35mm cameras: SIGMA 28-45mm F1.8 DG DN Art

    Lens maker Sigma has announced the SIGMA 28-45mm F1.8 DG DN Art, the world’s first F1.8 high-speed zoom lens for full-frame 35mm mirrorless cameras (narrowly beating the much more expensive Canon RF 28-70mm F2.0L USM for the EOS R series). The new top-of-the-range Art series lens will be available in two versions to fit Sony E-mount and Leica SL-mount cameras. The new lens weighs 960g and features 18 elements in 15 groups (5 SLD, 3 aspherical elements). It adopts both inner zooming and internal focusing. There are many benefits to this, but one that’s not often mentioned in marketing material is that the design makes it more durable than lenses…

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    Fujifilm announces two Tilt / Shift lenses: Fujinon GF30mm F5.6 T/S and GF110mm F5.6 T/S Macro

    September 14, 2023 / Comments Off on Fujifilm announces two Tilt / Shift lenses: Fujinon GF30mm F5.6 T/S and GF110mm F5.6 T/S Macro

    This week, Fujifilm, became the latest manufacturer to add Tilt/Shift lenses to their medium format system. The introduction of the G30mm F5.6 T/S is good news for architectural photographers and landscape photographers in general. The GF110mm F5.6 T/S Macro is, of course, aimed at studio/tabletop photographers. As MF models, the new lenses will have to be bigger than those designed for 35mm (accounting for the larger image circle), so it will be interesting to see how these handle. I know many Fuji GFX users adapt the Canon Tilt/Shifts, so it will be interesting to see how the GF30mm F5.6 T/S compare with the Canon 24mm F3.5 TS-E (original and Mk…

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  • Sigma 14mm F1.4 DG DN side on with a white background.
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    Sigma announce 14mm F1.4 DG DN Art series lens for Sony E- and L-mount cameras

    June 9, 2023 / 1 Comment

    Sigma has announced a new high-grade Art series 14mm F1.4 DG DN lens for Sony E (FE) and Leica L-mount cameras. It is available from the 23rd June at £1399 inc VAT or $1599 in the US.   Preorder WEX (Sony FE mount/ Leica L-Mount) B&H Photo US Sigma says the lens has been “optically optimised” for astrophotography and it’s described as the World’s fastest lens for this kind of work and thus should be highly corrected for coma at infinity focus. However, it’s important to stress the lens also is corrected through profiling in-camera as well; through the use of what’s now being euphemistically called “digital or mathematical elements”.…

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