• The Digital Journal of Photography
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        • Canon RF
          • Canon RF 35mm F1.4 L VCM lens review
        • Fujinon GF
          • Fujifilm Fujinon GF20-35mm F4 R WR
          • Fujifilm Fujinon GF30mm F5.6 T/S review
          • Fujifilm Fujinon GF50mm F3.5 R LM WR
        • Leica L Mount
          • Leica Super-APO-Summicron-SL 21 mm F2 ASPH
          • Leica APO Summicron-SL 50mm F2 ASPH lens review
          • Leica APO Summicron-SL 90mm F2 ASPH
        • Leica M mount
          • Leica Summilux-M 50mm F1.4 ASPH Close Focus 2023 model: First impressions
          • Zeiss 35mm F1.4 ZM Distagon lens review
        • Nikon F
          • Nikon PC Nikkor 19mm F4E ED tilt shift lens review
          • Nikon AF-S Nikkor 180-400mm F4E TC1.4 FL ED VR
        • Nikon Z
          • Nikon Nikkor Z 14-24mm F2.8 S lens review
          • Nikon Nikkor Z 24-70mm F2.8 S
          • Nikon Nikkor Z 24-70mm F4 S
          • Nikon Nikkor Z 58mm F0.95 S Noct: Initial Impressions
        • Sigma (All Mounts)
          • Sigma 24mm F2 DG DN C lens review
          • Sigma 45mm F2.8 DG DN Contemporary lens review: Great rendering and build quality
          • Sigma 105mm F1.4 DG HSM Art
        • Sony FE
          • Sony FE 85mm F1.8
        • Zeiss
          • Contax Zeiss PC-Distagon 2.8/35 T* lens review
      • Lens Database
        • Aperture values for comparison
        • Filter sizes for Canon RF lenses
        • Filter sizes for Canon EF lenses
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        • Fujifilm Fujinon GF30mm F5.6 T/S specs compared with Canon EF 24mm F3.5L TS-E
    • Cameras
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        • Leica M11 Monochrom Review
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      • Camera Database
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        • NEC MultiSync PA271Q
      • Peripherals
        • CFexpress Type B cards: Which to choose for the Canon EOS R5 and Nikon Z8?
        • Loupedeck+ review: The future of image editing?
        • OWC USB-C Travel Dock
        • SanDisk Professional PRO-G40 SSD
        • Samsung T7 Shield Portable SSD USB 3.2 Gen 2
        • Samsung T9 Portable SSD USB 3.2 Gen 2×2
    • Accessories
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        • Billingham 307
        • Gitzo GC5101 and GC4101 tripod bags reviewed
        • Leica M/M-P Protector review
        • MindShift Gear Backlight 26L
      • Filters
        • Recomended Filters for Lens Protection
        • LEE100 Filter Holder review
        • LEE100 Polariser Filter review
  • Articles
    • Features
      • Canon EOS R5 User Guide
        • Setting up Back-button AF on the Canon EOS R5
        • Setting up AF shortcuts on the Canon EOS R5
        • Setting playback in the viewfinder of the Canon EOS R5
        • Using Adapted Lenses on the Canon EOS R5
      • Lightroom
        • Step-by-Step Lightroom Classic Workflow
        • Organise photos in Lightroom using Collections
        • What are the benefits of Virtual Copies in Lightroom?
        • How to create and use Virtual Copies in Lightroom
      • Capture One Pro
        • Capture One Pro 21: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Top 10 Features You Should Know
        • Capture One Pro 12 review
        • Tutorials
          • Importing Images into Capture One
          • How to Install Styles Easily in Capture One Pro
          • Black and White Conversion using Capture One Pro
        • Hidden Features of Capture One
          • Hidden Features of Capture One Pro: Save Filters for Searching Metadata
          • Hidden Features of Capture One: Save your Workspace
          • Hidden Features of Capture One Pro: Redeploy as a Fast Browser
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  • The Digital Journal of Photography
  • News
  • Reviews
    • Lenses
      • Lens Reviews
        • Canon RF
          • Canon RF 35mm F1.4 L VCM lens review
        • Fujinon GF
          • Fujifilm Fujinon GF20-35mm F4 R WR
          • Fujifilm Fujinon GF30mm F5.6 T/S review
          • Fujifilm Fujinon GF50mm F3.5 R LM WR
        • Leica L Mount
          • Leica Super-APO-Summicron-SL 21 mm F2 ASPH
          • Leica APO Summicron-SL 50mm F2 ASPH lens review
          • Leica APO Summicron-SL 90mm F2 ASPH
        • Leica M mount
          • Leica Summilux-M 50mm F1.4 ASPH Close Focus 2023 model: First impressions
          • Zeiss 35mm F1.4 ZM Distagon lens review
        • Nikon F
          • Nikon PC Nikkor 19mm F4E ED tilt shift lens review
          • Nikon AF-S Nikkor 180-400mm F4E TC1.4 FL ED VR
        • Nikon Z
          • Nikon Nikkor Z 14-24mm F2.8 S lens review
          • Nikon Nikkor Z 24-70mm F2.8 S
          • Nikon Nikkor Z 24-70mm F4 S
          • Nikon Nikkor Z 58mm F0.95 S Noct: Initial Impressions
        • Sigma (All Mounts)
          • Sigma 24mm F2 DG DN C lens review
          • Sigma 45mm F2.8 DG DN Contemporary lens review: Great rendering and build quality
          • Sigma 105mm F1.4 DG HSM Art
        • Sony FE
          • Sony FE 85mm F1.8
        • Zeiss
          • Contax Zeiss PC-Distagon 2.8/35 T* lens review
      • Lens Database
        • Aperture values for comparison
        • Filter sizes for Canon RF lenses
        • Filter sizes for Canon EF lenses
        • Filter sizes for Fujinon GF lenses
        • Filter sizes for Leica M lenses
        • Fujifilm Fujinon GF30mm F5.6 T/S specs compared with Canon EF 24mm F3.5L TS-E
    • Cameras
      • Canon
      • Fujifilm
      • Leica
        • Leica SL3
        • Leica Q3
        • Leica Q3 43
        • Leica M9
        • Leica M11
        • Leica M11 Monochrom Review
      • Nikon
      • Camera Database
    • Hardware
      • Monitors
        • NEC MultiSync PA271Q
      • Peripherals
        • CFexpress Type B cards: Which to choose for the Canon EOS R5 and Nikon Z8?
        • Loupedeck+ review: The future of image editing?
        • OWC USB-C Travel Dock
        • SanDisk Professional PRO-G40 SSD
        • Samsung T7 Shield Portable SSD USB 3.2 Gen 2
        • Samsung T9 Portable SSD USB 3.2 Gen 2×2
    • Accessories
      • Bags and Cases
        • Billingham 307
        • Gitzo GC5101 and GC4101 tripod bags reviewed
        • Leica M/M-P Protector review
        • MindShift Gear Backlight 26L
      • Filters
        • Recomended Filters for Lens Protection
        • LEE100 Filter Holder review
        • LEE100 Polariser Filter review
  • Articles
    • Features
      • Canon EOS R5 User Guide
        • Setting up Back-button AF on the Canon EOS R5
        • Setting up AF shortcuts on the Canon EOS R5
        • Setting playback in the viewfinder of the Canon EOS R5
        • Using Adapted Lenses on the Canon EOS R5
      • Lightroom
        • Step-by-Step Lightroom Classic Workflow
        • Organise photos in Lightroom using Collections
        • What are the benefits of Virtual Copies in Lightroom?
        • How to create and use Virtual Copies in Lightroom
      • Capture One Pro
        • Capture One Pro 21: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Top 10 Features You Should Know
        • Capture One Pro 12 review
        • Tutorials
          • Importing Images into Capture One
          • How to Install Styles Easily in Capture One Pro
          • Black and White Conversion using Capture One Pro
        • Hidden Features of Capture One
          • Hidden Features of Capture One Pro: Save Filters for Searching Metadata
          • Hidden Features of Capture One: Save your Workspace
          • Hidden Features of Capture One Pro: Redeploy as a Fast Browser
    • Rumors
    • Photographers
    • Mobile
    • Opinion
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      • Exhibitions
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  • News,  Phase One

    Save 50% on Capture One Pro for Sony and Fujifilm licenses till end of April

    April 7, 2019 /

    Prices for Capture One Pro (for Sony) and Capture One Pro (for Fujifilm) licenses are reduced by 50% till the end of April, saving £110 ($110) on perpetual licenses that are normally, £219 ($219). If you prefer a subscription (see our article here), Capture One Pro for Sony or for Fujifilm models can be purchased for the equivalent of £8.00 ($8.00) per month when buying an annual plan (paid monthly). To find out more, including savings on Style Packs when buying the full version of Capture One Pro (which includes support for a wide range of camera brands, not solely Sony or Fujifilm), visit the official Capture One store.

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    Kevin Carter Comments Off on Save 50% on Capture One Pro for Sony and Fujifilm licenses till end of April

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  • News,  Phase One

    Capture One Pro Fujifilm Available As Perpetual License

    October 9, 2018 /

    Phase One announced at Photokina this year that Capture One Pro 11.3 was available with extended RAW support for Fujifilm cameras, most notably that they supported the medium format  GFX 50S (and new GFX 50R, unofficially). Phase One also introduced a less feature rich Express version Capture One Express Fujifilm specifically for Fujifilm users, which is offered as a similar arrangement to the Capture One Express Sony.  Capture One Express lacks some of the features of the Pro version such as Sessions, Layers and tethered camera control, but RAW file support for the cameras and lens profiles doesn’t vary. See here for the full list of features. A Pro version…

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  • News

    Updated: Capture One adds RAW support for Fujifilm GFX 50S

    September 25, 2018 /

    Phase One A/S, the developers of Capture One RAW software, have today announced Capture One Express for Fujifilm. This pared-down Express version of Capture One provides support of RAW files from an extensive range of Fujifilm T- and GFX-series cameras, including the medium format Fujifilm GFX 50S and the recently announced GFX 50R. A similar version exists for Capture One Express for Sony, which supports RAW files from Sony cameras. The company has also announced an upgrade to the fully-featured version of Capture One Pro to version 11.3, which besides adding support for the new Phase One IQ4 150 digital back also includes the same expanded support for Fujifilm RAW…

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  • News,  Phase One

    Phase One pre-announces price increase on Capture One Pro Sony

    September 12, 2018 /

    Update, December 18, 2018: Readers of this site can save 5% on subscriptions including annual pre-paid and month-by-month, up to December 31st. Simply Visit the official Phase One online store (affiliate link) and add the promo code AMBCARTER at checkout. Note discounts will not be available after that time, according to Phase One. Update (November 29, 2018): Phase One has today introduced Capture One Pro 12. Read our initial impressions here.  Update: Phase One raised the price to $199 (£189/199 Euros). If you’re in the UK, however, Amazon UK (affiliate link) still have copies of Capture One Pro Sony 11 to download (perpetual license) at just £65.35 inc VAT. (Sold out) Phase One, the maker of high-end medium…

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  • Capture One Pro
    Capture One,  Capture One Pro,  News

    Capture One Pro: Top 10 Features You Should Know

    September 12, 2018 /

    Already the ‘go-to solution’ for high-end imaging pros, Capture One Pro is becoming increasingly popular with a much wider audience. Part of this could be the bundling with Sony and Fujifilm mirrorless cameras or that, arguably, Capture One has better color and sharpness over Lightroom using the defaults. It may even be due to offering a choice between a subscription model and traditional, perpetual licensing fee. Whatever the reasons for the growth in popularity, if you’re new to Capture One, there are several features you should know to help you improve your workflow. If you prefer, this is available on YouTube: 1 Auto Adjustments The Auto Adjustments feature (Auto Adjust – version…

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