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  • The Digital Journal of Photography
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          • Canon RF 35mm F1.4 L VCM lens review
        • Fujinon GF
          • Fujifilm Fujinon GF20-35mm F4 R WR
          • Fujifilm Fujinon GF30mm F5.6 T/S review
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        • Leica L Mount
          • Leica Super-APO-Summicron-SL 21 mm F2 ASPH
          • Leica APO Summicron-SL 50mm F2 ASPH lens review
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          • Leica Summilux-M 50mm F1.4 ASPH Close Focus 2023 model: First impressions
          • Zeiss 35mm F1.4 ZM Distagon lens review
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          • Nikon PC Nikkor 19mm F4E ED tilt shift lens review
          • Nikon AF-S Nikkor 180-400mm F4E TC1.4 FL ED VR
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          • Nikon Nikkor Z 14-24mm F2.8 S lens review
          • Nikon Nikkor Z 24-70mm F2.8 S
          • Nikon Nikkor Z 24-70mm F4 S
          • Nikon Nikkor Z 58mm F0.95 S Noct: Initial Impressions
        • Sigma (All Mounts)
          • Sigma 24mm F2 DG DN C lens review
          • Sigma 45mm F2.8 DG DN Contemporary lens review: Great rendering and build quality
          • Sigma 105mm F1.4 DG HSM Art
        • Sony FE
          • Sony FE 85mm F1.8
        • Zeiss
          • Contax Zeiss PC-Distagon 2.8/35 T* lens review
      • Lens Database
        • Aperture values for comparison
        • Filter sizes for Canon RF lenses
        • Filter sizes for Canon EF lenses
        • Filter sizes for Fujinon GF lenses
        • Filter sizes for Leica M lenses
        • Fujifilm Fujinon GF30mm F5.6 T/S specs compared with Canon EF 24mm F3.5L TS-E
    • Cameras
      • Canon
      • Fujifilm
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        • Leica SL3
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        • Leica Q3 43
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        • Leica M11 Monochrom Review
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        • NEC MultiSync PA271Q
      • Peripherals
        • CFexpress Type B cards: Which to choose for the Canon EOS R5 and Nikon Z8?
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        • OWC USB-C Travel Dock
        • SanDisk Professional PRO-G40 SSD
        • Samsung T7 Shield Portable SSD USB 3.2 Gen 2
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    • Accessories
      • Bags and Cases
        • Billingham 307
        • Gitzo GC5101 and GC4101 tripod bags reviewed
        • Leica M/M-P Protector review
        • MindShift Gear Backlight 26L
      • Filters
        • Recomended Filters for Lens Protection
        • LEE100 Filter Holder review
        • LEE100 Polariser Filter review
  • Articles
    • Features
      • Canon EOS R5 User Guide
        • Setting up Back-button AF on the Canon EOS R5
        • Setting up AF shortcuts on the Canon EOS R5
        • Setting playback in the viewfinder of the Canon EOS R5
        • Using Adapted Lenses on the Canon EOS R5
      • Lightroom
        • Step-by-Step Lightroom Classic Workflow
        • Organise photos in Lightroom using Collections
        • What are the benefits of Virtual Copies in Lightroom?
        • How to create and use Virtual Copies in Lightroom
      • Capture One Pro
        • Capture One Pro 21: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Top 10 Features You Should Know
        • Capture One Pro 12 review
        • Tutorials
          • Importing Images into Capture One
          • How to Install Styles Easily in Capture One Pro
          • Black and White Conversion using Capture One Pro
        • Hidden Features of Capture One
          • Hidden Features of Capture One Pro: Save Filters for Searching Metadata
          • Hidden Features of Capture One: Save your Workspace
          • Hidden Features of Capture One Pro: Redeploy as a Fast Browser
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  • Leica Super-APO-Summicron-SL lens on a white background
    Leica,  Leica L Mount,  Leica Super-APO-Summicron-SL 21 mm F2 ASPH,  Lens Reviews,  News,  Reviews

    Leica Super-APO-Summicron-SL 21 mm F2 ASPH lens review

    March 12, 2025 /

    The Leica Super-APO-Summicron-SL 21 mm F2 ASPH is a high-speed wide-angle for Leica SL cameras. It was announced in October 2023. This lens has the Super-Apo moniker and has a complex design of 14 elements in total, arranged in 11 groups. Leica doesn’t say how many AD (anomalous partial dispersion) elements there are but claims that ‘most’ of the 14 elements are made from ‘special custom glass.’ That may include the three elements with aspherical surfaces, but it’s unclear. Like others in the SL range, the lens also adopts a ‘digital element,’ or what’s better known as a built-in profile, to correct vignetting, distortion and chromatic aberration. While it’s perhaps…

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    Kevin Carter Comments Off on Leica Super-APO-Summicron-SL 21 mm F2 ASPH lens review

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    Leica APO Summicron-SL 50mm F2 ASPH lens review

    March 14, 2024 /

    Announced on 15 August 2019 (see our coverage here), the Leica APO Summicron-SL 50mm F2 ASPH is a relatively compact high-end lens for Leica SL cameras. Inside, the lens design is complex for a 50mm. But, it’s designed for a digital sensor so there are some prerequisites to satisfy. It has no less than 12 elements in total, with several AD (anomalous dispersion) elements to mitigate CA and fringing plus three with aspherical surfaces to reduce SA and distortion. The lens also adopts what some call a “digital element,” or a lens profile, to correct vignetting, distortion and CA, more as an afterthought in this case as the lens is…

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    Sony Introduce High-Resolution Alpha 7R IV Camera with World’s First 61.0 MP Back-illuminated Full-frame Image Sensor

    July 16, 2019 /

    Sony today announced the latest addition to its acclaimed Alpha™ 7R series full-frame mirrorless camera line-up; the extremely versatile, powerful Alpha 7R IV (model ILCE-7RM4).

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    Phase One announces IQ4 digital backs with JPEG processing

    August 28, 2018 /

    Phase One has announced the latest series of IQ4 digital backs for the Phase One XF camera. As the top-tier range, all three versions feature a full-frame 54 x 40 mm CMOS that’s 2.5x the size of a 35mm ‘full-frame’ sensor. Two of the three new backs feature a 150MP CMOS sensor with back-side illuminated (BSI) architecture for improved sensitivity, despite the smaller sensel size (now 3.76 μ). The IQ4 150MP digital back has a standard RGB array with a sensitivity of  ISO 50 – 25,600, while the ‘Achromatic’ version is san filter array for monochrome (black and white) capture only. The IQ4 150MP Achromatic digital back has a higher…

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    Nikon announces AF-S NIKKOR 500mm F5.6E PF ED VR

    August 23, 2018 /

    After the expected announcement of the new Nikon Z 6 and Z 7 mirrorless cameras, Nikon has also announced a new super-telephoto lens for the existing Nikon F mount based DSLRs. The new lens is also compatible with the new Z series cameras using the new FTZ mount. The new super-telephoto adopts Phase Fresnel (PF) tech’ seen in the earlier 300mm F4 PF to reduce both the size and weight. It measures just 237mm in length. With one PF element and three ED glass elements – there are no fluorite elements – it weighs just 1460g, almost half the weight of the existing AF-S 500mm F4E ED VR. A lighter…

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    Leica announces Leica M10-P: The quietest M

    August 21, 2018 /

    Leica Camera AG, the company behind the Leica M series rangefinder cameras, has announced an P-version of the current Leica M10.  The “P” moniker was first used on the Leica MP in 1956. It resurfaced commercially with the introduction of the Leica M4-P in 1980, as the successor to the M4-2, to denote the new model was intended for “Professional” use. At least that was the inference. As then, updates to the current M10 are relatively minor, mainly cosmetic. However, Leica claim the M10-P has the quietest shutter of all M-series models to date. This is no mean feat, considering the film models used a horizontal-running, rubberized-cloth type shutter. Today’s…

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    Leica APO Summicron-SL 90mm F2 ASPH lens review: The best money can buy

    July 3, 2018 /

    All modern lenses perform well, especially short-tele primes like the Leica APO Summicron-SL 90mm F2 ASPH, but the sizes over the last couple of years have become enormous. Admittedly, this is due to the makers’ preoccupation with ultra-high-speed lenses but independents like Sigma and Zeiss aren’t holding back. It seems that size is no longer a barrier, but that’s strangely at odds with the trend in smaller mirrorless cameras. Even Leica, the maker of the original compact primes for the M-series, succumbed to that mindset with the first lenses for the Leica SL models Both the Summilux-SL 50mm F1.4 ASPH and the Vario-Elmarit 24-90mm F2.8-3.5 ASPH are optically outstanding. If you need lenses…

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    What To Do With A Million Years with Juno Calypso

    May 18, 2018 /

    Saturday 19 May 4pm talk at Offprint Exhibition at TJ Boulting until June 23rd Juno Calypso has produced her first publication to coincide with her solo show at TJ Boulting. She will present it at Offprint at the Trolley Books artist table and hear her talk about her new project at 4pm in the free public talks programme curated by Photoworks. In addition, TJ Boulting are proud to present the first solo show at the gallery by Juno Calypso. Known for her iconic photographic series of self-portraits in ‘The Honeymoon Suite’, for this new body of work Calypso discovered a surreal and unique location – an underground house in Nevada,…

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