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  • The Digital Journal of Photography
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    • Favourite gear
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      • Lens Reviews
        • Canon RF
          • Canon RF 35mm F1.4 L VCM lens review
        • Fujinon GF
          • Fujifilm Fujinon GF20-35mm F4 R WR
          • Fujifilm Fujinon GF30mm F5.6 T/S review
          • Fujifilm Fujinon GF50mm F3.5 R LM WR
        • Leica L Mount
          • Leica Super-APO-Summicron-SL 21 mm F2 ASPH
          • Leica APO Summicron-SL 50mm F2 ASPH lens review
          • Leica APO Summicron-SL 90mm F2 ASPH
        • Leica M mount
          • Leica Summilux-M 50mm F1.4 ASPH Close Focus 2023 model: First impressions
          • Zeiss 35mm F1.4 ZM Distagon lens review
        • Nikon F
          • Nikon PC Nikkor 19mm F4E ED tilt shift lens review
          • Nikon AF-S Nikkor 180-400mm F4E TC1.4 FL ED VR
        • Nikon Z
          • Nikon Nikkor Z 14-24mm F2.8 S lens review
          • Nikon Nikkor Z 24-70mm F2.8 S
          • Nikon Nikkor Z 24-70mm F4 S
          • Nikon Nikkor Z 58mm F0.95 S Noct: Initial Impressions
        • Sigma (All Mounts)
          • Sigma 24mm F2 DG DN C lens review
          • Sigma 45mm F2.8 DG DN Contemporary lens review: Great rendering and build quality
          • Sigma 105mm F1.4 DG HSM Art
        • Sony FE
          • Sony FE 85mm F1.8
        • Zeiss
          • Contax Zeiss PC-Distagon 2.8/35 T* lens review
      • Lens Database
    • Cameras
      • Canon
      • Fujifilm
      • Hasselblad
        • From the past: Hasselblad H4D 60 review
      • Leica
        • Leica SL3
        • Leica Q3
        • Leica Q3 43
        • Leica M9
        • Leica M11
        • Leica M11 Monochrom Review
      • Nikon
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      • Monitors
        • NEC MultiSync PA271Q
      • Peripherals
        • CFexpress Type B cards: Which to choose for the Canon EOS R5 and Nikon Z8?
        • Loupedeck+ review: The future of image editing?
        • OWC USB-C Travel Dock
        • SanDisk Professional PRO-G40 SSD
        • Samsung T7 Shield Portable SSD USB 3.2 Gen 2
        • Samsung T9 Portable SSD USB 3.2 Gen 2×2
    • Accessories
      • Bags and Cases
        • Billingham 307
        • Gitzo GC5101 and GC4101 tripod bags reviewed
        • Leica M/M-P Protector review
        • MindShift Gear Backlight 26L
      • Filters
        • Recomended Filters for Lens Protection
        • LEE100 Filter Holder review
        • LEE100 Polariser Filter review
        • Filter sizes for Canon RF lenses
        • Filter sizes for Canon EF lenses
        • Filter sizes for Fujinon GF lenses
        • Filter sizes for Leica M lenses
  • Articles
    • Features
      • Aperture values for comparison
      • Canon EOS R5 User Guide
        • Setting up Back-button AF on the Canon EOS R5
        • Setting up AF shortcuts on the Canon EOS R5
        • Setting playback in the viewfinder of the Canon EOS R5
        • Using Adapted Lenses on the Canon EOS R5
      • Lightroom
        • Step-by-Step Lightroom Classic Workflow plus useful tips
        • Organise photos in Lightroom using Collections
        • What are the benefits of Virtual Copies in Lightroom?
        • How to create and use Virtual Copies in Lightroom
      • Capture One Pro
        • Capture One Pro 21: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Top 10 Features You Should Know
        • Capture One Pro 12 review
        • Tutorials
          • Importing Images into Capture One
          • How to easily install and organise Styles in Capture One Pro
          • Black and White Conversion using Capture One Pro
        • Hidden Features of Capture One
          • Hidden Features of Capture One Pro: Save Filters for Searching Metadata
          • Hidden Features of Capture One: Save your Workspace
          • Hidden Features of Capture One Pro: Redeploy as a Fast Browser
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    Sony has announced a new compact, large aperture wide-angle G series zoom the Sony FE 16-25mm F2.8 G aimed at both stills photographers and video/filmmakers. The filter thread size is just 67mm and it looks like it’s an IF design (with no extending lens barrels) so it should be capable of taking a decent matte box or filter holder and a raft of filters. 67mm is just at the limit (minimum) of most matte box systems. This is the second lens to follow this short-zoom style, after the Sony FE 24-50mm F2.8 G” announced in February 2024 and uses the same size filter thread. Will a third, say a 50-100mm…

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    This week, Fujifilm, became the latest manufacturer to add Tilt/Shift lenses to their medium format system. The introduction of the G30mm F5.6 T/S is good news for architectural photographers and landscape photographers in general. The GF110mm F5.6 T/S Macro is, of course, aimed at studio/tabletop photographers. As MF models, the new lenses will have to be bigger than those designed for 35mm (accounting for the larger image circle), so it will be interesting to see how these handle. I know many Fuji GFX users adapt the Canon Tilt/Shifts, so it will be interesting to see how the GF30mm F5.6 T/S compare with the Canon 24mm F3.5 TS-E (original and Mk…

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    DXOMark has just published the results for the Nikon Z7 II and compared them with the Canon EOS R5 and the Sony A7R IV, which are all fine cameras with excellent image quality. Most readers will be interested in the dynamic range, as it has a more meaningful effect on image quality at all ISOs than noise levels, especially low ISOs. However, as DR is reported at the measured ISO by DXOMark it can be difficult to decipher from the graphs what it is at the manufacturer settings – they are after all what you set on the camera. That said, using the measured ISO to present the sensor data…

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    Capture One has announced a service release for Capture One 20 adding RAW file support for the following new cameras: Sony ZV-1 Nikon Z5 In addition to the RAW file support for the above cameras, there’s also lens profile support for the following lenses: Sony FE 200-600mm F5.6-6.3 G OSS + Sony 1.4X Teleconverter (SEL14TC) The new 13.1.3 update also features several bug fixes. Service updates are free if you’re a subscriber (as are full updates) or when you’ve purchased a current perpetual license. Capture One has also announced a new promotion with 25% off pre-paid annual subscriptions. Please follow the link here [affiliate link], and enter the promo code…

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    Sony has announced the Sony FE12-24mm F2.8 GM zoom. Specifications Sony E mount full-frame 35mm 17 elements in 14 groups, 3 XA (extreme aspherical), 2 Super ED, 3 ED elements, fluorine front coat, Nano AR II coating 122-84 degree angle of view (diagonal) F2.8 to F22, 9-aperture blades, rounded  Floating mechanism for improved resolution at close distance 0.28m (0.92 ft) minimum focus Dust and moisture resistant Four XD Linear motors for quiet AF Customizable Focus Button Rear filter holder option 137 x 97.6mm long x diameter 847g (29.9 oz)  £2,899 / US$2,998 includes case Announced 7 July, 2020 Please support this site and buy through our preferred retailers WEX Photo (UK) B&H Photo…

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    November 2, 2019 / Comments Off on Sony FE 85mm F1.8 lens review: Excellent image quality at a reasonable price

    Overview Announced in early 2017, the Sony FE 85mm F1.8 is a short-tele designed for the company’s mirrorless full-frame a9/a7 models. It will of course, also serve double duty on the APS-C a6000 series, where it’s more or less a 135mm equivalent. Although not a premium G-master model like the F1.4 version announced the year before, it’s a lot smaller and lighter and still has some features that might be considered “premium.” This includes ED glass, a near-silent, twin-focus drive system (using a stepping motor), a focus-hold button that can be customised, weather sealing and a nine-blade circular aperture. It’s also quite nicely made, with a mainly metal exterior and…

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