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          • Fujifilm Fujinon GF50mm F3.5 R LM WR
        • Leica L Mount
          • Leica Super-APO-Summicron-SL 21 mm F2 ASPH
          • Leica APO Summicron-SL 50mm F2 ASPH lens review
          • Leica APO Summicron-SL 90mm F2 ASPH
        • Leica M mount
          • Leica Summilux-M 50mm F1.4 ASPH Close Focus 2023 model: First impressions
          • Zeiss 35mm F1.4 ZM Distagon lens review
        • Nikon F
          • Nikon PC Nikkor 19mm F4E ED tilt shift lens review
          • Nikon AF-S Nikkor 180-400mm F4E TC1.4 FL ED VR
        • Nikon Z
          • Nikon Nikkor Z 14-24mm F2.8 S lens review
          • Nikon Nikkor Z 24-70mm F2.8 S
          • Nikon Nikkor Z 24-70mm F4 S
          • Nikon Nikkor Z 58mm F0.95 S Noct: Initial Impressions
        • Sigma (All Mounts)
          • Sigma 24mm F2 DG DN C lens review
          • Sigma 45mm F2.8 DG DN Contemporary lens review: Great rendering and build quality
          • Sigma 105mm F1.4 DG HSM Art
        • Sony FE
          • Sony FE 85mm F1.8
        • Zeiss
          • Contax Zeiss PC-Distagon 2.8/35 T* lens review
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        • From the past: Hasselblad H4D 60 review
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        • Leica M11 Monochrom Review
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        • CFexpress Type B cards: Which to choose for the Canon EOS R5 and Nikon Z8?
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        • OWC USB-C Travel Dock
        • SanDisk Professional PRO-G40 SSD
        • Samsung T7 Shield Portable SSD USB 3.2 Gen 2
        • Samsung T9 Portable SSD USB 3.2 Gen 2×2
    • Accessories
      • Bags and Cases
        • Billingham 307
        • Gitzo GC5101 and GC4101 tripod bags reviewed
        • Leica M/M-P Protector review
        • MindShift Gear Backlight 26L
      • Filters
        • Recomended Filters for Lens Protection
        • LEE100 Filter Holder review
        • LEE100 Polariser Filter review
        • Filter sizes for Canon RF lenses
        • Filter sizes for Canon EF lenses
        • Filter sizes for Fujinon GF lenses
        • Filter sizes for Leica M lenses
  • Articles
    • Features
      • Aperture values for comparison
      • Canon EOS R5 User Guide
        • Setting up Back-button AF on the Canon EOS R5
        • Setting up AF shortcuts on the Canon EOS R5
        • Setting playback in the viewfinder of the Canon EOS R5
        • Using Adapted Lenses on the Canon EOS R5
      • Lightroom
        • Step-by-Step Lightroom Classic Workflow plus useful tips
        • Organise photos in Lightroom using Collections
        • What are the benefits of Virtual Copies in Lightroom?
        • How to create and use Virtual Copies in Lightroom
      • Capture One Pro
        • Capture One Pro 21: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Top 10 Features You Should Know
        • Capture One Pro 12 review
        • Tutorials
          • Importing Images into Capture One
          • How to easily install and organise Styles in Capture One Pro
          • Black and White Conversion using Capture One Pro
        • Hidden Features of Capture One
          • Hidden Features of Capture One Pro: Save Filters for Searching Metadata
          • Hidden Features of Capture One: Save your Workspace
          • Hidden Features of Capture One Pro: Redeploy as a Fast Browser
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  • The Digital Journal of Photography
  • News
  • Reviews
    • Lenses
      • Lens Reviews
        • Canon RF
          • Canon RF 35mm F1.4 L VCM lens review
        • Fujinon GF
          • Fujifilm Fujinon GF20-35mm F4 R WR
          • Fujifilm Fujinon GF30mm F5.6 T/S review
          • Fujifilm Fujinon GF50mm F3.5 R LM WR
        • Leica L Mount
          • Leica Super-APO-Summicron-SL 21 mm F2 ASPH
          • Leica APO Summicron-SL 50mm F2 ASPH lens review
          • Leica APO Summicron-SL 90mm F2 ASPH
        • Leica M mount
          • Leica Summilux-M 50mm F1.4 ASPH Close Focus 2023 model: First impressions
          • Zeiss 35mm F1.4 ZM Distagon lens review
        • Nikon F
          • Nikon PC Nikkor 19mm F4E ED tilt shift lens review
          • Nikon AF-S Nikkor 180-400mm F4E TC1.4 FL ED VR
        • Nikon Z
          • Nikon Nikkor Z 14-24mm F2.8 S lens review
          • Nikon Nikkor Z 24-70mm F2.8 S
          • Nikon Nikkor Z 24-70mm F4 S
          • Nikon Nikkor Z 58mm F0.95 S Noct: Initial Impressions
        • Sigma (All Mounts)
          • Sigma 24mm F2 DG DN C lens review
          • Sigma 45mm F2.8 DG DN Contemporary lens review: Great rendering and build quality
          • Sigma 105mm F1.4 DG HSM Art
        • Sony FE
          • Sony FE 85mm F1.8
        • Zeiss
          • Contax Zeiss PC-Distagon 2.8/35 T* lens review
      • Lens Database
    • Cameras
      • Canon
      • Fujifilm
      • Hasselblad
        • From the past: Hasselblad H4D 60 review
      • Leica
        • Leica SL3
        • Leica Q3
        • Leica Q3 43
        • Leica M9
        • Leica M11
        • Leica M11 Monochrom Review
      • Nikon
      • Camera Database
    • Hardware
      • Monitors
        • NEC MultiSync PA271Q
      • Peripherals
        • CFexpress Type B cards: Which to choose for the Canon EOS R5 and Nikon Z8?
        • Loupedeck+ review: The future of image editing?
        • OWC USB-C Travel Dock
        • SanDisk Professional PRO-G40 SSD
        • Samsung T7 Shield Portable SSD USB 3.2 Gen 2
        • Samsung T9 Portable SSD USB 3.2 Gen 2×2
    • Accessories
      • Bags and Cases
        • Billingham 307
        • Gitzo GC5101 and GC4101 tripod bags reviewed
        • Leica M/M-P Protector review
        • MindShift Gear Backlight 26L
      • Filters
        • Recomended Filters for Lens Protection
        • LEE100 Filter Holder review
        • LEE100 Polariser Filter review
        • Filter sizes for Canon RF lenses
        • Filter sizes for Canon EF lenses
        • Filter sizes for Fujinon GF lenses
        • Filter sizes for Leica M lenses
  • Articles
    • Features
      • Aperture values for comparison
      • Canon EOS R5 User Guide
        • Setting up Back-button AF on the Canon EOS R5
        • Setting up AF shortcuts on the Canon EOS R5
        • Setting playback in the viewfinder of the Canon EOS R5
        • Using Adapted Lenses on the Canon EOS R5
      • Lightroom
        • Step-by-Step Lightroom Classic Workflow plus useful tips
        • Organise photos in Lightroom using Collections
        • What are the benefits of Virtual Copies in Lightroom?
        • How to create and use Virtual Copies in Lightroom
      • Capture One Pro
        • Capture One Pro 21: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Top 10 Features You Should Know
        • Capture One Pro 12 review
        • Tutorials
          • Importing Images into Capture One
          • How to easily install and organise Styles in Capture One Pro
          • Black and White Conversion using Capture One Pro
        • Hidden Features of Capture One
          • Hidden Features of Capture One Pro: Save Filters for Searching Metadata
          • Hidden Features of Capture One: Save your Workspace
          • Hidden Features of Capture One Pro: Redeploy as a Fast Browser
    • Rumours
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Leica, News

Leica announces special edition Leica Q Khaki

Leica has announced a special edition of the Leica Q, the Leica Q Khaki. Clad in khaki leather trim and with chrome top and bottom plates the Leica Q Khaki…

read more
October 13, 2018
News, Sigma

Sigma announce 14mm F1.4 DG DN Art series lens for Sony E- and L-mount cameras

Sigma has announced a new high-grade Art series 14mm F1.4 DG DN lens for Sony E (FE) and Leica L-mount cameras. It is available from the 23rd June at £1399…

read more
June 9, 2023
News, Nikon

Nikon Plena lens teaser debuts on YouTube

UPDATE: Nikon has announced the Plena lens. Nikon has published a video teaser for a new lens called Plena, which is due to be announced on Wednesday, 27th September. While…

read more
September 24, 2023
  • News,  Phase One

    Phase One pre-announces price increase on Capture One Pro Sony

    September 12, 2018 / Comments Off on Phase One pre-announces price increase on Capture One Pro Sony

    Update, December 18, 2018: Readers of this site can save 5% on subscriptions including annual pre-paid and month-by-month, up to December 31st. Simply Visit the official Phase One online store (affiliate link) and add the promo code AMBCARTER at checkout. Note discounts will not be available after that time, according to Phase One. Update (November 29, 2018): Phase One has today introduced Capture One Pro 12. Read our initial impressions here.  Update: Phase One raised the price to $199 (£189/199 Euros). If you’re in the UK, however, Amazon UK (affiliate link) still have copies of Capture One Pro Sony 11 to download (perpetual license) at just £65.35 inc VAT. (Sold out) Phase One, the maker of high-end medium…

    read more
    Kevin Carter

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  • Capture One Pro
    Articles,  Capture One,  Capture One Pro,  Features,  News

    Capture One Pro: Top 10 Features You Should Know

    September 12, 2018 / 2 Comments

    Already the ‘go-to solution’ for high-end imaging pros, Capture One Pro is becoming increasingly popular with a much wider audience. Part of this could be the bundling with Sony and Fujifilm mirrorless cameras or that, arguably, Capture One has better color and sharpness over Lightroom using the defaults. It may even be due to offering a choice between a subscription model and traditional, perpetual licensing fee. Whatever the reasons for the growth in popularity, if you’re new to Capture One, there are several features you should know to help you improve your workflow. If you prefer, this is available on YouTube: 1 Auto Adjustments The Auto Adjustments feature (Auto Adjust – version…

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    Kevin Carter

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    Importing Images into Capture One

    July 30, 2019
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    Hidden Features of Capture One Pro: Save Filters for Searching Metadata

    August 17, 2021
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    Black and White Conversion using Capture One Pro

    June 22, 2020
  • Adobe Photoshop,  News

    Adobe share sneak peek of Photoshop CC’s Content Aware Fill feature

    September 10, 2018 / Comments Off on Adobe share sneak peek of Photoshop CC’s Content Aware Fill feature

    Adobe has released a preview of a new Content-Aware Fill workspace and improved feature set in an upcoming update to Photoshop CC on YouTube by Photoshop Product Manager, Meredith Payne Stotzner. You can see the clip here. The new workspace and features give more control with an new easier to find menu path and interactive experience, with a preview to display what part of the image is being to fill-in, and you can brush away any part of the image you don’t want to use. There are other capabilities, Stotzner claims, including new mirror, rotate and scale options that allow Photoshop to adapt to the scene, as well as output options…

    read more
    Kevin Carter
  • News

    Profoto reveals glimpse of new light

    September 5, 2018 / Comments Off on Profoto reveals glimpse of new light

    While manufacturers usually go out of their way to avoid leaks of new product, Profoto – the maker of high-end studio and on-location flash has started a campaign of their own doing just that. I guess, if you can’t beat them… and all that. If you register an account with them (name and email is all that’s required), you’ll be directed to a short-clip where you can catch a glimpse of the new light. It’s hard to say at this time whether it’s a mains-powered mono-bloc type light or a generator powered model. Nevertheless, you can check for yourself at the link to the Stockholm, Sweden-based company’s website, below. The…

    read more
    Kevin Carter

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    January 21, 2019
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    Cinema camera maker RED acquired by Nikon

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  • Canon,  News

    Canon announces new mirrorless full-frame EOS R system

    September 5, 2018 / 1 Comment

      After images and detailed specifications leaked over the weekend, Canon has today confirmed the existence of its first full-frame mirrorless camera, the EOS R.  Adopting a new wider 44mm diameter RF mount than the current EF mount along with a short 20mm register, the introduction of the camera heralds a brand new system for Canon. Four new lenses;  RF 50mm F1.2L USM, RF 24-105mm F4L IS USM, and ultra-high speed RF 28-70mm F2L USM, a stabilized RF 35mm F1.8 Macro IS STM, and a trio of RF-EF adapters have also been announced. With a 30.3-MP Dual Pixel CMOS, presumed to be related to the EOS 5D Mark IV sensor,…

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    Canon EOS R5 and six further lenses to be announced soon

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    August 14, 2025
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    Canon RF 50mm F1.4 L VCM specs

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  • Nikon Z7 front no lens.
    Hardware,  News,  Nikon,  Opinion,  Reviews

    Nikon Z 7 mirrorless camera: Promising addition to range

    August 29, 2018 / Comments Off on Nikon Z 7 mirrorless camera: Promising addition to range

    The new 45.7MP Nikon Z 7 (not Z7, according to the maker’s marketing department) appears to offer a lot to photographers looking for a mirrorless ‘solution’. Existing Nikon users seem well catered for with the FTZ adapter offering wide-ranging support for their existing lenses, providing it’s made to exact tolerances. At $250 it looks reasonably priced. The Nikon Z 7 also looks promising if trying to attract users from other high-end systems. The Leica SL is a good example of how a mirrorless camera should be but detractors are likely to cite the high price, low-ish 24-MP resolution sensor and lack of in-camera stabilization as barriers to entry. A Leica…

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    Kevin Carter

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    Review: Samsung T9 Portable SSD USB 3.2 Gen 2×2

    April 25, 2024

    Leica APO Summicron-SL 50mm F2 ASPH lens review

    March 14, 2024
    OWC USB-C Travel Dock

    OWC USB-C Travel Dock review: Great addition for MacBook Pro power users

    April 29, 2021
  • Phase One XF and IQ4 150
    News,  Phase One

    Phase One announces IQ4 digital backs with JPEG processing

    August 28, 2018 / Comments Off on Phase One announces IQ4 digital backs with JPEG processing

    Phase One has announced the latest series of IQ4 digital backs for the Phase One XF camera. As the top-tier range, all three versions feature a full-frame 54 x 40 mm CMOS that’s 2.5x the size of a 35mm ‘full-frame’ sensor. Two of the three new backs feature a 150MP CMOS sensor with back-side illuminated (BSI) architecture for improved sensitivity, despite the smaller sensel size (now 3.76 μ). The IQ4 150MP digital back has a standard RGB array with a sensitivity of  ISO 50 – 25,600, while the ‘Achromatic’ version is san filter array for monochrome (black and white) capture only. The IQ4 150MP Achromatic digital back has a higher…

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    Images leak of the Canon EOS R3 showing fold out screen

    May 27, 2021
    Tilt-shift lens on the Fujifilm GFX 100 II

    Fujifilm announces two Tilt / Shift lenses: Fujinon GF30mm F5.6 T/S and GF110mm F5.6 T/S Macro

    September 14, 2023
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    Adobe announces update to version 8.0 of Lightroom Classic CC

    October 17, 2018
  • News,  Nikon

    Nikon FTZ adapter compatibility with Nikon F mount lenses

    August 24, 2018 / Comments Off on Nikon FTZ adapter compatibility with Nikon F mount lenses

    When Nikon announced the stabilized 45.7MP Nikon Z 7 and 24-MP Nikon Z 6 yesterday, they made it clear that they’re targeting Sony’s stabilized 42MP A7R III and the 24-MP Sony A7 III. However, I expect this move isn’t only to counter Sony’s increasing market share which was widely reported on the Internet recently, but also to try to stem the loss of valuable lens sales to makers such as Sigma and Zeiss. The success of Simga’s Art series has taken even Sigma by surprise. With contractual obligations as an OEM supplier, they were initially unable to devote the required capacity to manufacture them in volume but even so, the…

    read more
    Kevin Carter

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    Fujifilm Fujinon GF30mm F5.6 T/S review

    July 1, 2024

    Canon adds heavy-hitting RF 800mm F5.6 and 1200mm F8 super-telephoto lenses to range

    February 25, 2022
    LEE 100 Filter Holder

    Grab a free filter ring when buying a Lee 100 Holder

    March 28, 2021
  • News,  Nikon

    Nikon announces AF-S NIKKOR 500mm F5.6E PF ED VR

    August 23, 2018 / Comments Off on Nikon announces AF-S NIKKOR 500mm F5.6E PF ED VR

    After the expected announcement of the new Nikon Z 6 and Z 7 mirrorless cameras, Nikon has also announced a new super-telephoto lens for the existing Nikon F mount based DSLRs. The new lens is also compatible with the new Z series cameras using the new FTZ mount. The new super-telephoto adopts Phase Fresnel (PF) tech’ seen in the earlier 300mm F4 PF to reduce both the size and weight. It measures just 237mm in length. With one PF element and three ED glass elements – there are no fluorite elements – it weighs just 1460g, almost half the weight of the existing AF-S 500mm F4E ED VR. A lighter…

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    Kevin Carter

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    Phase One pre-announces price increase on Capture One Pro Sony

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    Nikon Z6 III announced with partially stacked 24.5MP CMOS, promising fast AF and EVF refresh rates

    June 17, 2024

    Capture One Pro 20 announced

    December 4, 2019
  • News,  Nikon

    Nikon announces new Z 6, Z 7 mirrorless cameras and three lenses

    August 23, 2018 / Comments Off on Nikon announces new Z 6, Z 7 mirrorless cameras and three lenses

    Nikon today has announced two new mirrorless models as the first step of creating a new full-frame camera system, based on a new, larger Z-mount. Besides allowing faster lenses like the 58mm F0.95 Noct-Nikkor (shown above), the new larger 55mm diameter mount will, theoretically, allow Nikon to produce lenses with higher image quality, particularly at the edges and corners of the frame. Both models are the first full-frame cameras from Nikon to feature 5-axes in-body stabilization or Vibration Reduction (VR) as Nikon call it. The company claim that it offers up to the equivalent of an increase in shutter speed of up to 5 stops. Three new lenses have been…

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    Capture One Pro 20 announced

    December 4, 2019
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    Nikon Z6III announced with partially stacked 24.5MP CMOS, promising fast AF and EVF refresh rates

    June 17, 2024

    Purchase Capture One Pro and save on Styles Packs

    January 24, 2019
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