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        • Using Adapted Lenses on the Canon EOS R5
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        • Step-by-Step Lightroom Classic Workflow plus useful tips
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        • Capture One Pro: Should you buy a perpetual license or a subscription?
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  • The Digital Journal of Photography
  • News
  • Reviews
    • Favourite gear
    • Lenses
      • Lens Reviews
        • Canon RF
          • Canon RF 35mm F1.4 L VCM lens review
        • Fujinon GF
          • Fujifilm Fujinon GF20-35mm F4 R WR
          • Fujifilm Fujinon GF30mm F5.6 T/S review
          • Fujifilm Fujinon GF50mm F3.5 R LM WR
        • Leica L Mount
          • Leica Super-APO-Summicron-SL 21 mm F2 ASPH
          • Leica APO Summicron-SL 50mm F2 ASPH lens review
          • Leica APO Summicron-SL 90mm F2 ASPH
        • Leica M mount
          • Leica Summilux-M 50mm F1.4 ASPH Close Focus 2023 model: First impressions
          • Zeiss 35mm F1.4 ZM Distagon lens review
        • Nikon F
          • Nikon PC Nikkor 19mm F4E ED tilt shift lens review
          • Nikon AF-S Nikkor 180-400mm F4E TC1.4 FL ED VR
        • Nikon Z
          • Nikon Nikkor Z 14-24mm F2.8 S lens review
          • Nikon Nikkor Z 24-70mm F2.8 S
          • Nikon Nikkor Z 24-70mm F4 S
          • Nikon Nikkor Z 58mm F0.95 S Noct: Initial Impressions
        • Sigma (All Mounts)
          • Sigma 24mm F2 DG DN C lens review
          • Sigma 45mm F2.8 DG DN Contemporary lens review: Great rendering and build quality
          • Sigma 105mm F1.4 DG HSM Art
        • Sony FE
          • Sony FE 85mm F1.8
        • Zeiss
          • Contax Zeiss PC-Distagon 2.8/35 T* lens review
      • Lens Database
    • Cameras
      • Canon
      • Fujifilm
      • Hasselblad
        • From the past: Hasselblad H4D 60 review
      • Leica
        • Leica SL3
        • Leica Q3
        • Leica Q3 43
        • Leica M9
        • Leica M11
        • Leica M11 Monochrom Review
      • Nikon
      • Camera Database
    • Hardware
      • Monitors
        • NEC MultiSync PA271Q
      • Peripherals
        • CFexpress Type B cards: Which to choose for the Canon EOS R5 and Nikon Z8?
        • Loupedeck+ review: The future of image editing?
        • OWC USB-C Travel Dock
        • SanDisk Professional PRO-G40 SSD
        • Samsung T7 Shield Portable SSD USB 3.2 Gen 2
        • Samsung T9 Portable SSD USB 3.2 Gen 2×2
    • Accessories
      • Bags and Cases
        • Billingham 307
        • Gitzo GC5101 and GC4101 tripod bags reviewed
        • Leica M/M-P Protector review
        • MindShift Gear Backlight 26L
      • Filters
        • Recomended Filters for Lens Protection
        • LEE100 Filter Holder review
        • LEE100 Polariser Filter review
        • Filter sizes for Canon RF lenses
        • Filter sizes for Canon EF lenses
        • Filter sizes for Fujinon GF lenses
        • Filter sizes for Leica M lenses
  • Articles
    • Features
      • Aperture values for comparison
      • Canon EOS R5 User Guide
        • Setting up Back-button AF on the Canon EOS R5
        • Setting up AF shortcuts on the Canon EOS R5
        • Setting playback in the viewfinder of the Canon EOS R5
        • Using Adapted Lenses on the Canon EOS R5
      • Lightroom
        • Step-by-Step Lightroom Classic Workflow plus useful tips
        • Organise photos in Lightroom using Collections
        • What are the benefits of Virtual Copies in Lightroom?
        • How to create and use Virtual Copies in Lightroom
      • Capture One Pro
        • Capture One Pro 21: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Top 10 Features You Should Know
        • Capture One Pro 12 review
        • Tutorials
          • Importing Images into Capture One
          • How to easily install and organise Styles in Capture One Pro
          • Black and White Conversion using Capture One Pro
        • Hidden Features of Capture One
          • Hidden Features of Capture One Pro: Save Filters for Searching Metadata
          • Hidden Features of Capture One: Save your Workspace
          • Hidden Features of Capture One Pro: Redeploy as a Fast Browser
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  • Tilt-shift lens on the Fujifilm GFX 100 II
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    Fujifilm announces two Tilt / Shift lenses: Fujinon GF30mm F5.6 T/S and GF110mm F5.6 T/S Macro

    September 14, 2023 / Comments Off on Fujifilm announces two Tilt / Shift lenses: Fujinon GF30mm F5.6 T/S and GF110mm F5.6 T/S Macro

    This week, Fujifilm, became the latest manufacturer to add Tilt/Shift lenses to their medium format system. The introduction of the G30mm F5.6 T/S is good news for architectural photographers and landscape photographers in general. The GF110mm F5.6 T/S Macro is, of course, aimed at studio/tabletop photographers. As MF models, the new lenses will have to be bigger than those designed for 35mm (accounting for the larger image circle), so it will be interesting to see how these handle. I know many Fuji GFX users adapt the Canon Tilt/Shifts, so it will be interesting to see how the GF30mm F5.6 T/S compare with the Canon 24mm F3.5 TS-E (original and Mk…

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    Black and White Conversion using Capture One Pro

    June 22, 2020 / 1 Comment

    Capture One Pro has one of the best (if not the best) B&W conversion options of any software application to date. Here we give you a mini-sampler of its capabilities. Black and white images are probably most authentic and compelling when the original image was conceived with the idea of it being in mono. Typically that means it was originally composed without strong colour influences, but that’s not necessarily so. Take the image above as an example, it was one of a series captured with the 50MP Fujifilm GFX-50R and the 45mm F2.8, equivalent to a FF 35mm, and it works well either in colour or B&W. So how do…

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    Capture One Pro adds support for Fujifilm GFX 100

    June 4, 2019 / Comments Off on Capture One Pro adds support for Fujifilm GFX 100

      Phase One, the company behind Capture One Pro RAW processing software has added support for the recently announced, 100MP cropped medium format Fujifilm GFX 100. Although the camera is not officially available, it is expected later in the month. The new update 12.0.4 is free to both license holders and subscribers of Capture One Pro 12, and is available to download via the app’s preferences or from the Phase One site. A free 30-day trial is available for those who would like to give it a try before committing to buy. Fujifilm users updating from Capture One for Fujifilm to the Pro version for Fujifilm can currently save 50%…

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    October 9, 2018 / Comments Off on Capture One Pro Fujifilm Available As Perpetual License

    Phase One announced at Photokina this year that Capture One Pro 11.3 was available with extended RAW support for Fujifilm cameras, most notably that they supported the medium format  GFX 50S (and new GFX 50R, unofficially). Phase One also introduced a less feature rich Express version Capture One Express Fujifilm specifically for Fujifilm users, which is offered as a similar arrangement to the Capture One Express Sony.  Capture One Express lacks some of the features of the Pro version such as Sessions, Layers and tethered camera control, but RAW file support for the cameras and lens profiles doesn’t vary. See here for the full list of features. A Pro version…

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    Fujifilm GFX 100 medium format camera with IBIS announced

    September 26, 2018 / Comments Off on Fujifilm GFX 100 medium format camera with IBIS announced

    In addition to announcing the new rangefinder-style Fujifilm GFX 50R and three new lenses, see here for more details, Fuji took the opportunity to make a development announcement. The 102MP GFX 100 medium format camera is a more conventionally styled model than the current GFX 50S and will include on-sensor PDAF across the entire frame. Information is sparse but the 102 megapixel sensor in the GFX 100 is expected to be 43.8 x 32.2mm sensor, like that found in the 50S and 50R models.  The GFX 100 also features sensor-based image stabilization – a first in medium format, and 4K video from the X Processor 4 engine. A mock-up was shown…

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    September 26, 2018 / 2 Comments

    Fujifilm has announced the GFX 50R, a rangefinder-styled medium format model based on the earlier GFX 50S. It adopts the same 51.4-MP cropped medium format sensor (43.8 x 32.2mm) as its sibling and much of the rest of the internals, albeit in a smaller, more compact body and with a significantly lower ticket. The GFX 50R adds Bluetooth connectivity with a smartphone and offers a similar build and weatherproofing as the 50S.  The built-in OLED viewfinder is a smaller 3.69M-dot unit but offers a reasonably generous 0.77x magnification. At the rear, the 3.2-in 2360K-dot touchscreen LCD uses a conventional tilting mechanism. The 50R has dual SD card slots with support…

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    Phase One A/S, the developers of Capture One RAW software, have today announced Capture One Express for Fujifilm. This pared-down Express version of Capture One provides support of RAW files from an extensive range of Fujifilm T- and GFX-series cameras, including the medium format Fujifilm GFX 50S and the recently announced GFX 50R. A similar version exists for Capture One Express for Sony, which supports RAW files from Sony cameras. The company has also announced an upgrade to the fully-featured version of Capture One Pro to version 11.3, which besides adding support for the new Phase One IQ4 150 digital back also includes the same expanded support for Fujifilm RAW…

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