Reviews
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LEE100 Polariser Filter review
Lee100 Filter Holder – Why do you need it? Although you can use image editing software to achieve many of the same effects using specific filters, such as a polariser to cut reflections and improve saturation remains an advantage for some types of photography, such as interiors and landscapes. As they cut down on exposure somewhat, they’re also used as an ND. They are also pretty expensive, so if you have several lenses of different thread diameters, using a holder can save a lot of money. Please note this review has been edited and updated from the Lee100 Filter Holder review, which can be read here. Lee100 circular-type polariser Lee…
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Leica APO Summicron-SL 50mm F2 ASPH lens review
Announced on 15 August 2019 (see our coverage here), the Leica APO Summicron-SL 50mm F2 ASPH is a relatively compact high-end lens for Leica SL cameras. Inside, the lens design is complex for a 50mm. But, it’s designed for a digital sensor so there are some prerequisites to satisfy. It has no less than 12 elements in total, with several AD (anomalous dispersion) elements to mitigate CA and fringing plus three with aspherical surfaces to reduce SA and distortion. The lens also adopts what some call a “digital element,” or a lens profile, to correct vignetting, distortion and CA, more as an afterthought in this case as the lens is…
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Nikon Nikkor Z 14-24mm F2.8 S lens review
The Nikkor Z 14-24mm F2.8 S is one of Nikon’s high-end S-line triumvirate of high-speed zooms (at the time of writing) and in effect replaces the renowned F-mount lens of the same focal length and ratio that redefined the ultra-wide-angle zoom in the SLR era. Kevin Carter takes a closer look. As a ‘made for mirrorless’ lens, it’s much smaller and lighter than its esteemed forerunner (650g vs 970g), thanks largely to a far less wildly convex front element. Indeed, the two highly convex elements at the front of the F-mount lens have been replaced by a single double-sided aspheric front element in the new S-line. While the change in…
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Gitzo GC5101 and GC4101 tripod bags reviewed
When a tripod is needed, a decent one is essential and most high-end models don’t come with a bag. A good tripod is a long-term investment so a decent bag is another essential, especially if you use it on location. Kevin Carter takes a closer look. I own both the Gitzo GC5101 and GC4101, which are designed for Gitzo’s Systematic range of tripods. While there’s only around 8cm or so in length between them the GC5101 is much larger in terms of internal volume and was designed presumably for the Geant (Giant) model, a 5-series Systematic that still measures some 73cm (35-in) even when collapsed. I don’t have that tripod,…
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Leica Q3 review: the quintessential Leica
Leica’s Q series is the company’s best-selling digital camera to date and it’s not all that difficult to see why. Kevin Carter looks at the latest iteration, the Leica Q3 Small, light and unobtrusive the Leica Q embodies all that’s attractive of the Leica M with added the benefit of a Kabe-designed Leica autofocus 28mm F1.7 lens. This is the closest we have to an autofocus M series camera, and unless you’re adept at using one of those you’ll be more successful shooting at the initial aperture or close to it and far more discrete using a Leica Q. What’s more, the latest iteration the Leica Q3 is the fastest…
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SanDisk Professional PRO-G40 SSD review
Super-fast and durable SSDs are commonplace now, but the super-rugged dual Thunderbolt/USB-C SanDisk PRO-G40 SSD is pretty unique and several notches above the run-of-the-mill offerings, as Kevin Carter discovers. Update June 2025: Prices are significantly lower now than when reviewed, making the SanDisk Pro-G40 hard to ignore. Check prices and availability of the SanDisk PRO-G40 [affiliate links] WEX Photo (UK)| Sandisk/WD Store (UK)| Amazon (UK) (Lowest price) B&H Photo (US) | Adorama (US)| Sandisk/WD Store (US) Currently with big savings!Amazon (US) What is it? Offering compatibility with both Thunderbolt 3 (40 Gbps) and USB-C 3.2 Gen 2 (10 Gbps), this slick-looking bus-powered NVMe SSD is a highly portable…
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Fujifilm Fujinon GF20-35mm F4 R WR lens review
Fujifiilm’s lens division Fujinon has introduced an ultrawide-angle zoom for its medium format GFX mirrorless cameras. Kevin Carter looks closer Fujifilm’s GFX medium format cameras offer the compactness of mirrorless with the benefit of a generous 44x33mm sensor, so thumping great big lenses for full-frame 54x40mm 645 DSLRs is becoming less of a thing. Indeed, as Fujinon used to supply the components for Hasselblad’s now discontinued HC/HCD models for the H series cameras (which were then assembled in Sweden according to my contact at Hasselblad), it’s little surprise that they’re not only filling that void but expanding what’s on offer with their brand of lenses. These GF lenses don’t…
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CFexpress Type B cards: Which to choose for the Canon EOS R5 and Nikon Z8?
Update August 2025: Since this post was published, most brands now offer CFexpress gen 4.0 cards, replacing many of those listed below in performance terms. Minimum sustained write speeds have improved greatly, making many more lower-priced cards suitable for high-grade 4/8K in-camera capture. Nevertheless, due diligence is still required with these cards. That said, one further benefit of the new type 4.0 standard is a sizeable reduction in the price of the high-end high-speed gen 2.0/3.0 cards listed below. CFexpress (Type B) cards are expensive, so choosing the right type is an important decision. As both the Canon EOS R5 and Nikon Z8 have a second SDXC UHS-I/II compatible card…
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Zeiss 35mm F1.4 ZM Distagon lens review
Intro Although marketed for the maker’s M-mount Zeiss Ikon rangefinder, the range of ZM lenses is rightly popular with Leica M users. All are accessibly priced compared with their Leica equivalents and optical performance is often on a par, if not sometimes regarded as being technically superior. With the Zeiss Ikon camera now retired, this new high-speed 35mm model is aimed squarely at Leica’s core users. Compared to the latest iteration from Wetzlar, the Zeiss is priced somewhat modestly at around £1680 inc VAT. It’s supplied without a case or hood, but there’s no mistaking the quality. Build Externally, the design is reminiscent of previous models, complete with click click-stopped…
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Leica Summilux-M 50mm F1.4 ASPH Close Focus 2023 model: First impressions
The new Leica Summilux-M 50mm F1.4 ASPH Close Focus 2023 (11728) model follows the recent update to the Summilux-M 35mm F1.4 ASPH CF last year and adopts the built-in rangefinder decoupling or “double-cam” feature for the focus ring. This enables focusing down to 0.45m from the usual 0.7m – the former is the typical minimum focus of DSLR/mirrorless lenses of this focal length (50mm). The double-cam feature was first introduced on the Leica Summilux 35mm F2.0 APO and was quite stiff on the model I tried. To disengage rangefinder focusing, you push the focus ring through some slight resistance at the minimum focus distance marked at 0.7m in orange-coloured paint…
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Zeiss 35mm F1.4 ZM Distagon lens review
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