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  • The Digital Journal of Photography
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        • Fujinon GF
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          • Nikon PC Nikkor 19mm F4E ED tilt shift lens review
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          • Nikon Nikkor Z 14-24mm F2.8 S lens review
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          • Sigma 24mm F2 DG DN C lens review
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          • Sony FE 85mm F1.8
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          • Contax Zeiss PC-Distagon 2.8/35 T* lens review
      • Lens Database
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        • From the past: Hasselblad H4D 60 review
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        • Leica M11 Monochrom Review
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        • OWC USB-C Travel Dock
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        • Billingham 307
        • Gitzo GC5101 and GC4101 tripod bags reviewed
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        • Recomended Filters for Lens Protection
        • LEE100 Filter Holder review
        • LEE100 Polariser Filter review
        • Filter sizes for Canon RF lenses
        • Filter sizes for Canon EF lenses
        • Filter sizes for Fujinon GF lenses
        • Filter sizes for Leica M lenses
  • Articles
    • Features
      • Aperture values for comparison
      • Canon EOS R5 User Guide
        • Setting up Back-button AF on the Canon EOS R5
        • Setting up AF shortcuts on the Canon EOS R5
        • Setting playback in the viewfinder of the Canon EOS R5
        • Using Adapted Lenses on the Canon EOS R5
      • Lightroom
        • Step-by-Step Lightroom Classic Workflow plus useful tips
        • Organise photos in Lightroom using Collections
        • What are the benefits of Virtual Copies in Lightroom?
        • How to create and use Virtual Copies in Lightroom
      • Capture One Pro
        • Capture One Pro 21: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Should you buy a perpetual license or a subscription?
        • Capture One Pro: Top 10 Features You Should Know
        • Capture One Pro 12 review
        • Tutorials
          • Importing Images into Capture One
          • How to easily install and organise Styles in Capture One Pro
          • Black and White Conversion using Capture One Pro
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  • Zeiss PC-D lens for Contax
    Lens Reviews

    Contax Zeiss PC-Distagon 2.8/35 T* Tech Specs

    November 12, 2025 / Comments Off on Contax Zeiss PC-Distagon 2.8/35 T* Tech Specs

    Technical Data Manufacturer Zeiss (for Contax) Model Contax Zeiss PC-Distagon 2.8/35 T*. Web zeiss.de Elements/construction 9 elements in 9 groups Angle of view (d/h/v) 63/83° (diagonal) Max aperture F2.8 (five blades) Min aperture F22 Min focus distance 0.3 m / 8.3″ Mount C/Y mount Filter size Clamp-on Contax 70/86mm ring Length 85.6 mm / 3.4 in Diameter 70 mm / 2.8 in Weight 740 g / 1.6 lb Price £2,100 inc VAT / $2,499 RRP when new, over £4,000, nearly $5,000 today (2025)       Check price & availability, used only now  [affiliate links]: eBay | KEH | MPB (Zeiss)  

    read more
    Kevin Carter

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    Sigma 45mm F2.8 DG DN Contemporary

    Sigma 45mm F2.8 DG DN Contemporary lens review: Great rendering and build quality

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    October 13, 2025
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    Nikon PC Nikkor 19mm F4E ED tilt shift lens review

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  • Zeiss PC-D lens for Contax
    Lens Reviews

    Contax Zeiss PC-Distagon 2.8/35 T* lens review

    May 27, 2025 / Comments Off on Contax Zeiss PC-Distagon 2.8/35 T* lens review

    Key features Highly versatile 35mm focal length +/- 10mm shift (no tilt) 90° rotation left and right in 15° increments Shift movement operates without locking Floating element design to reduce aberrations at close range T* coatings reduce reflections, lens flare, and ghosting Made by Zeiss in Germany (Oberkochen) Stopped-down operation only The Contax Zeiss PC-Distagon 2.8/35 T* is a shift lens manufactured by Zeiss for Contax C/Y mount SLR cameras, designed in the late 1970s or early 1980s. At that time, the 35mm focal length was a popular choice for shift lenses. Canon stood out for its tilt/shift model, but Minolta, Nikon, and Olympus all had 35mm shift lenses in…

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    Kevin Carter

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    Beautiful little Sigma 24mm F2 DG DN C lens on a white background.

    Sigma 24mm F2 DG DN C lens review

    November 18, 2024
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    Canon RF 24-105mm F4L IS USM lens review

    October 14, 2025
    Sigma 105mm F1.4 DG HSM Art on a white background

    Sigma 105mm F1.4 DG HSM Art lens review: Outstanding performer

    September 29, 2018
  • Fujifilm GF 50mm F3.5 lens on a white background without caps.
    Fujifilm Fujinon GF50mm F3.5 R LM WR,  Fujinon GFX,  Lens Reviews,  Lenses,  News

    Fujifilm Fujinon GF50mm F3.5 R LM WR lens review

    November 5, 2024 / Comments Off on Fujifilm Fujinon GF50mm F3.5 R LM WR lens review

    What is it? The Fujifilm Fujinon GF50mm is a highly compact and relatively lightweight lens for Fujifilm medium format mirrorless cameras. It’s the equivalent of a 40mm on a full-frame 35mm camera, and at one time, back in the 70s, this focal length was hugely popular. Much of that had to do with price, as they competed with medium-speed (F1.8/2) 50mms – the kit lenses of the day – and were often sold as a more affordable alternative. These smaller and lighter 3-group, 4-element Tessar “pancake” designs were and still are highly compelling. Indeed, today the Olympus Zuiko 40mm F2 is around £600, secondhand, and the Contax Zeiss T* 45mm…

    read more
    Kevin Carter
  • Noct Nikkor on a white background.
    Aperture Values,  Features,  News

    Aperture values for comparison of lens speed

    June 7, 2024 / Comments Off on Aperture values for comparison of lens speed

    Comparing maximum aperture values in third- and half-stops can be challenging, so I’ve created a table to facilitate this comparison. Below F1.0, the differences become even more complex, so please consider this information as a guideline rather than definitive (and it may be subject to updates). However, you’re unlikely to encounter many lenses in regular production with such apertures. For instance, both the Nikon Noct Nikkor and the Leica Noctilux have a maximum aperture of F0.95, which is 1/3 stop “faster” than F1.0, nearly 1 stop faster than F1.2 and 1 1/3 stops faster than F1.4, making them a significant benefit for low-light photography. Interestingly, if you’re a film buff,…

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    Kevin Carter
  • Leica camera on aa white background.
    News

    What I would like to see released in 2024

    June 5, 2024 / Comments Off on What I would like to see released in 2024

    Manufacturers are often accused of not listening to customers when it comes to introducing new features but I’m sure it’s complicated to strike a balance between what’s achievable and their users’ wishes. Nevertheless, it’s still odd that we haven’t seen some features that would appear to be easy to add, such as those via software or firmware updates. So, here’s a list of some firmware or software (via the maker’s app) features that I would like to see added to cameras this year: Auto aperture series selection, where the photographer can program the camera to select and capture a series across a range of aperture settings. The camera must alter…

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    Kevin Carter

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    Capture One Pro 12.0.3 released provides support for Sony A6400, Panasonic S1 and S1R and Nikkor Z 24-70mm F4

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  • Zeiss 1,5/35 Distagon
    Leica M mount,  Lens Reviews,  Reviews

    Zeiss 35mm F1.4 ZM Distagon lens review

    August 4, 2023 / Comments Off on Zeiss 35mm F1.4 ZM Distagon lens review

    Intro Although marketed for the maker’s M-mount Zeiss Ikon rangefinder, the range of ZM lenses is rightly popular with Leica M users. All are accessibly priced compared with their Leica equivalents, and optical performance is often on a par, if not sometimes regarded as being technically superior. With the Zeiss Ikon camera now retired, this new high-speed 35mm model is aimed squarely at Leica’s core users.  Compared to the latest iteration from Wetzlar, the Zeiss 35mm F1.4 ZM Distagon is priced somewhat modestly at around £1680 inc VAT. It’s supplied without a case or hood, but there’s no mistaking the quality. Build Externally, the design is reminiscent of previous models,…

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    Kevin Carter

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  • Zeiss Otus 100mm on a white background
    News

    Zeiss adds 100mm F1.4 Otus to range

    April 24, 2019 / Comments Off on Zeiss adds 100mm F1.4 Otus to range

      After the widely reported leaks, Zeiss has today announced the latest addition to the high-end Otus range for Canon and Nikon DSLRs. The new lens is a 100mm F1.4 model which is available now at around $4500 or 4500 Euros. Check prices and availability: WEX Photo (UK) B&H Photo (USA) Press Release: ZEISS Otus 1.4/100 New ZEISS Otus 1.4/100 DSLR Lens for the Most Demanding Applications ZEISS adds a tele focal length to its line of lenses for full-frame DSLR cameras from Canon or Nikon OBERKOCHEN/Germany, 2019-04-24. With the ZEISS Otus 1.4/100, ZEISS is expanding its lens family for Canon1)- and Nikon1)-photographers who do not want to make any…

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    Gitzo 4 series super-compact tripod

    Park Cameras special price on super-compact Gitzo Systematic series 4, 5-section tripod at just £699

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  • Zeiss Otus no caps.
    News

    Zeiss Otus 1,4/100 specs leak

    April 11, 2019 / Comments Off on Zeiss Otus 1,4/100 specs leak

    Serial leaker Nokishita Camera has published the specs of a long-rumoured Zeiss Otus 1,4/100 for Canon EF and Nikon F-mount bodies. Besides the already mentioned focal length and high-speed f/1.4 maximum aperture, the specifications leaked include: Mount: ZE (for Canon EF), ZF.2 (for Nikon F) Lens construction: 11 groups 14 elements Minimum focusing distance: 1.0m Maximum magnification: 1: 8.6 Filter size: 86mm Maximum diameter: 100.7mm Focus ring diameter: 90.0mm Length (including the lens cap): ZE: 152.3mm ZF.2: 150.1mm Length (not including the lens cap): ZE: 128.8mm ZF.2: 126.5mm Weight: ZE: 1405g ZF.2: 1336g Following the 28, 55 and 85 mm models released so far, the 100mm lens will be the fourth…

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    Kevin Carter

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    May 8, 2024

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